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General Tabletop Discussion
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Ripple Effect of D&D's Statement on the Rest of the RPG Industry?
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<blockquote data-quote="Snarf Zagyg" data-source="post: 8016683" data-attributes="member: 7023840"><p>As a long-time fan of the cosmic horror of Lovecraft and the sword and sorcery of Howard, I think it's important to be able to acknowledge that they remain problematic. I do not believe it is possible to enjoy them without understanding the context or to simply turn a blind eye. </p><p></p><p>I quoted the following in a separate thread, and it is worth repeating here:</p><p></p><p><em>Far from outlandish eccentricities, the fears that generated Lovecraft’s stories and opinions were precisely those of the white, middle-class, heterosexual, Protestant-descended males who were most threatened by the shifting power relationships and values of the modern world. </em></p><p></p><p>Alan Moore, in <em>The New Annotated H.P. Lovecraft</em>. (Norton, 2014).</p><p></p><p></p><p>There is value in understanding these things; both why they can be problematic because they reflect the times (for example, passages from Howard exemplifying attitudes regarding other races and colonialism), and to a deeper extent, understanding how, for example, the intense racism and fear of the other of H. P. Lovecraft in inextricably linked to the birthing of cosmic horror.</p></blockquote><p></p>
[QUOTE="Snarf Zagyg, post: 8016683, member: 7023840"] As a long-time fan of the cosmic horror of Lovecraft and the sword and sorcery of Howard, I think it's important to be able to acknowledge that they remain problematic. I do not believe it is possible to enjoy them without understanding the context or to simply turn a blind eye. I quoted the following in a separate thread, and it is worth repeating here: [I]Far from outlandish eccentricities, the fears that generated Lovecraft’s stories and opinions were precisely those of the white, middle-class, heterosexual, Protestant-descended males who were most threatened by the shifting power relationships and values of the modern world. [/I] Alan Moore, in [I]The New Annotated H.P. Lovecraft[/I]. (Norton, 2014). There is value in understanding these things; both why they can be problematic because they reflect the times (for example, passages from Howard exemplifying attitudes regarding other races and colonialism), and to a deeper extent, understanding how, for example, the intense racism and fear of the other of H. P. Lovecraft in inextricably linked to the birthing of cosmic horror. [/QUOTE]
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Ripple Effect of D&D's Statement on the Rest of the RPG Industry?
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