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Supposing D&D is gamist, what does that mean?
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<blockquote data-quote="clearstream" data-source="post: 8635625" data-attributes="member: 71699"><p>Apologies, my line of thought was interrupted by external events. My motive for asking/testing all the above is that I feel that space needs to exist for something like this</p><p></p><p>Four dissidents are staying overnight in a small apartment: two rooms - bedroom/kitchen/lounge and bathroom. In the morning, their contact is going to lead them to safety... or betrayal. The world build here is going to be very specific: the contents of the rooms are preestablished, right down to what is in the cupboards. The political situation in the wider world is pre-specified. Let's suppose that game systems exist for moves likely to be relevant, interesting, driving, and metagame systems for commitments.</p><p></p><p>Is Story Now still possible, even with a <em>claustrophobically </em>pre-specified world? If I decide that genuine powerful player-authored drama <em>cannot </em>play out in that context, then what must I say about many plays (i.e. theatre)? Say, The Burial at Thebes, which can be performed on a narrow set, and yet Antigone's choices could very well be those authored by a player in her sandals, <em>even if</em> that player does not decide anything beyond themselves about the game-world. Is the set at issue for the conflict inherent in their or Creon's choices?</p></blockquote><p></p>
[QUOTE="clearstream, post: 8635625, member: 71699"] Apologies, my line of thought was interrupted by external events. My motive for asking/testing all the above is that I feel that space needs to exist for something like this Four dissidents are staying overnight in a small apartment: two rooms - bedroom/kitchen/lounge and bathroom. In the morning, their contact is going to lead them to safety... or betrayal. The world build here is going to be very specific: the contents of the rooms are preestablished, right down to what is in the cupboards. The political situation in the wider world is pre-specified. Let's suppose that game systems exist for moves likely to be relevant, interesting, driving, and metagame systems for commitments. Is Story Now still possible, even with a [I]claustrophobically [/I]pre-specified world? If I decide that genuine powerful player-authored drama [I]cannot [/I]play out in that context, then what must I say about many plays (i.e. theatre)? Say, The Burial at Thebes, which can be performed on a narrow set, and yet Antigone's choices could very well be those authored by a player in her sandals, [I]even if[/I] that player does not decide anything beyond themselves about the game-world. Is the set at issue for the conflict inherent in their or Creon's choices? [/QUOTE]
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Community
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Supposing D&D is gamist, what does that mean?
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