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Test Drive Tie-in Fiction
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<blockquote data-quote="PaulKemp" data-source="post: 3640568" data-attributes="member: 2809"><p>I agree that there is a lot of excellent original fiction. But I also think there's a lot of excellent fiction that just happens to tie-in to a world that also serves as a setting for a game.</p><p></p><p>Flexor, do you take your position because you think there is no quality tie in fiction or because you think it's not worth your time to search out something you'd regard as quality tie-in fiction (whereas you feel that locating quality non-tie in fiction is not as difficult)?</p><p></p><p>Clearly some original speculative fiction is bad. But many readers are willing to sift through the bad to get to the good.</p><p></p><p>Clearly some tie-in fiction is bad (hell, maybe mine is), but some is also good. Yet many readers are unwilling to sift through the bad to get to the good. </p><p></p><p>Why is that? Is it simply that readers regard the ratio of good to bad to be much worse in the context of tie-in and therefore aren't willing to spend the time and effort looking for the quality fiction? If that's so, I wonder, in the case of many readers, if the view is based on substantial actual experience or on the undying meme that "licensed fiction stinks."</p></blockquote><p></p>
[QUOTE="PaulKemp, post: 3640568, member: 2809"] I agree that there is a lot of excellent original fiction. But I also think there's a lot of excellent fiction that just happens to tie-in to a world that also serves as a setting for a game. Flexor, do you take your position because you think there is no quality tie in fiction or because you think it's not worth your time to search out something you'd regard as quality tie-in fiction (whereas you feel that locating quality non-tie in fiction is not as difficult)? Clearly some original speculative fiction is bad. But many readers are willing to sift through the bad to get to the good. Clearly some tie-in fiction is bad (hell, maybe mine is), but some is also good. Yet many readers are unwilling to sift through the bad to get to the good. Why is that? Is it simply that readers regard the ratio of good to bad to be much worse in the context of tie-in and therefore aren't willing to spend the time and effort looking for the quality fiction? If that's so, I wonder, in the case of many readers, if the view is based on substantial actual experience or on the undying meme that "licensed fiction stinks." [/QUOTE]
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