Menu
News
All News
Dungeons & Dragons
Level Up: Advanced 5th Edition
Pathfinder
Starfinder
Warhammer
2d20 System
Year Zero Engine
Industry News
Reviews
Dragon Reflections
White Dwarf Reflections
Columns
Weekly Digests
Weekly News Digest
Freebies, Sales & Bundles
RPG Print News
RPG Crowdfunding News
Game Content
ENterplanetary DimENsions
Mythological Figures
Opinion
Worlds of Design
Peregrine's Nest
RPG Evolution
Other Columns
From the Freelancing Frontline
Monster ENcyclopedia
WotC/TSR Alumni Look Back
4 Hours w/RSD (Ryan Dancey)
The Road to 3E (Jonathan Tweet)
Greenwood's Realms (Ed Greenwood)
Drawmij's TSR (Jim Ward)
Community
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Resources
Wiki
Pages
Latest activity
Media
New media
New comments
Search media
Downloads
Latest reviews
Search resources
EN Publishing
Store
EN5ider
Adventures in ZEITGEIST
Awfully Cheerful Engine
What's OLD is NEW
Judge Dredd & The Worlds Of 2000AD
War of the Burning Sky
Level Up: Advanced 5E
Events & Releases
Upcoming Events
Private Events
Featured Events
Socials!
EN Publishing
Twitter
BlueSky
Facebook
Instagram
EN World
BlueSky
YouTube
Facebook
Twitter
Twitch
Podcast
Features
Top 5 RPGs Compiled Charts 2004-Present
Adventure Game Industry Market Research Summary (RPGs) V1.0
Ryan Dancey: Acquiring TSR
Q&A With Gary Gygax
D&D Rules FAQs
TSR, WotC, & Paizo: A Comparative History
D&D Pronunciation Guide
Million Dollar TTRPG Kickstarters
Tabletop RPG Podcast Hall of Fame
Eric Noah's Unofficial D&D 3rd Edition News
D&D in the Mainstream
D&D & RPG History
About Morrus
Log in
Register
What's new
Search
Search
Search titles only
By:
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Menu
Log in
Register
Install the app
Install
NOW LIVE! Today's the day you meet your new best friend. You don’t have to leave Wolfy behind... In 'Pets & Sidekicks' your companions level up with you!
Community
General Tabletop Discussion
*TTRPGs General
The Quintessential D&D Artist.
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="The Serge" data-source="post: 325947" data-attributes="member: 4049"><p>I'm with you entirely here. I don't feel as if I'm stuck in admiring something because it was so impressive when I was younger. I love the material that some of these guys are doing because they are taking risks with established material and for them it's paying off.</p><p></p><p>The problem with commercial art is that consumers/fans tend to become accustomed to something and have a hard time when things change. With each new D&D generation, there are new artists who, although influenced by the past, use the past as a springboard or react against it.</p><p></p><p>There are two excellent examples of this. </p><p></p><p>The cover of <em>Tome and Blood</em>, by Todd Lockwood, features what most of us assume is a Cornugon devil. It looks nothing like any other Cornugon in print. However, it's obvious that Lockwood decided to read the descriptions of Cornugons in both 2ed and 3ed sources and spotted a number of things. First, they carry whips. Great. Next, they are none for flinging <em>fireballs</em> and <em>lightning bolts</em>. Great. Oh, and they are only vaguely humanoid and fly with wings. Great. So, what Lockwood presents us with is an image of something with fleeting humanoid appearance, no facial features (save a mouth), wreathed in flaming lightning, carrying a long whip. Brilliant! Clearly, he paid attention to the descriptions but presented something wholy new and fresh simultaneously.</p><p></p><p>Sam Wood did the images of the Outsiders in 3ed <em>Monster Manual</em>. The Glabrezu rising menacingly behind the Vrock is like nothing I've seen before. Again, he reads the description and may have even looked back at other images of this entity. It's a giant being with a humanoid body, giant pincers, humanoid hands sprouting from the chest, and a dog-like head. What he provides us with is this horrible entity that has all of those images and more, warped and covered in metal appendages and runes. Brilliant! Again, Wood pays attention to the description but presents something fresh as well.</p></blockquote><p></p>
[QUOTE="The Serge, post: 325947, member: 4049"] I'm with you entirely here. I don't feel as if I'm stuck in admiring something because it was so impressive when I was younger. I love the material that some of these guys are doing because they are taking risks with established material and for them it's paying off. The problem with commercial art is that consumers/fans tend to become accustomed to something and have a hard time when things change. With each new D&D generation, there are new artists who, although influenced by the past, use the past as a springboard or react against it. There are two excellent examples of this. The cover of [i]Tome and Blood[/i], by Todd Lockwood, features what most of us assume is a Cornugon devil. It looks nothing like any other Cornugon in print. However, it's obvious that Lockwood decided to read the descriptions of Cornugons in both 2ed and 3ed sources and spotted a number of things. First, they carry whips. Great. Next, they are none for flinging [i]fireballs[/i] and [i]lightning bolts[/i]. Great. Oh, and they are only vaguely humanoid and fly with wings. Great. So, what Lockwood presents us with is an image of something with fleeting humanoid appearance, no facial features (save a mouth), wreathed in flaming lightning, carrying a long whip. Brilliant! Clearly, he paid attention to the descriptions but presented something wholy new and fresh simultaneously. Sam Wood did the images of the Outsiders in 3ed [i]Monster Manual[/i]. The Glabrezu rising menacingly behind the Vrock is like nothing I've seen before. Again, he reads the description and may have even looked back at other images of this entity. It's a giant being with a humanoid body, giant pincers, humanoid hands sprouting from the chest, and a dog-like head. What he provides us with is this horrible entity that has all of those images and more, warped and covered in metal appendages and runes. Brilliant! Again, Wood pays attention to the description but presents something fresh as well. [/QUOTE]
Insert quotes…
Verification
Post reply
Community
General Tabletop Discussion
*TTRPGs General
The Quintessential D&D Artist.
Top