Menu
News
All News
Dungeons & Dragons
Level Up: Advanced 5th Edition
Pathfinder
Starfinder
Warhammer
2d20 System
Year Zero Engine
Industry News
Reviews
Dragon Reflections
White Dwarf Reflections
Columns
Weekly Digests
Weekly News Digest
Freebies, Sales & Bundles
RPG Print News
RPG Crowdfunding News
Game Content
ENterplanetary DimENsions
Mythological Figures
Opinion
Worlds of Design
Peregrine's Nest
RPG Evolution
Other Columns
From the Freelancing Frontline
Monster ENcyclopedia
WotC/TSR Alumni Look Back
4 Hours w/RSD (Ryan Dancey)
The Road to 3E (Jonathan Tweet)
Greenwood's Realms (Ed Greenwood)
Drawmij's TSR (Jim Ward)
Community
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Resources
Wiki
Pages
Latest activity
Media
New media
New comments
Search media
Downloads
Latest reviews
Search resources
EN Publishing
Store
EN5ider
Adventures in ZEITGEIST
Awfully Cheerful Engine
What's OLD is NEW
Judge Dredd & The Worlds Of 2000AD
War of the Burning Sky
Level Up: Advanced 5E
Events & Releases
Upcoming Events
Private Events
Featured Events
Socials!
EN Publishing
Twitter
BlueSky
Facebook
Instagram
EN World
BlueSky
YouTube
Facebook
Twitter
Twitch
Podcast
Features
Top 5 RPGs Compiled Charts 2004-Present
Adventure Game Industry Market Research Summary (RPGs) V1.0
Ryan Dancey: Acquiring TSR
Q&A With Gary Gygax
D&D Rules FAQs
TSR, WotC, & Paizo: A Comparative History
D&D Pronunciation Guide
Million Dollar TTRPG Kickstarters
Tabletop RPG Podcast Hall of Fame
Eric Noah's Unofficial D&D 3rd Edition News
D&D in the Mainstream
D&D & RPG History
About Morrus
Log in
Register
What's new
Search
Search
Search titles only
By:
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Menu
Log in
Register
Install the app
Install
Upgrade your account to a Community Supporter account and remove most of the site ads.
Community
General Tabletop Discussion
*Geek Talk & Media
The Value of Art, or, "Bad" is in the Eye of the Beholder
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="PaulKemp" data-source="post: 3129706" data-attributes="member: 2809"><p>I suppose I don't have any particular qualms with the contention that all art has some value. I would simply answer that in many cases that value is only slightly above zero. My young son can draw me a finger painting of green and blue blotches. He loves it; I love it; no one else thinks much of it, but up it goes up on the refrigerator. It has value as art (in the broadest sense of the term "art"), but that value is nearly zero. If it makes you more comfortable as an aspiring writer to conceptualize art's value in this way, I think that's fine and even reasonable. </p><p></p><p>I'd further agree that there is little in the way of objectivity to be found in the evaluation of art (there may be objective components, but their value with respect to the whole, and the impact of the whole, is ultimately a subjective evaluation). The prevailing standards at any given time tend (as I think Mark Hope put quite well) to be little more than a collective judgment, an agreed-upon conceptual convention of the time and place in which the art and the evaluator co-exist. There is no objective standard to which one can point to argue that Pollack's work is great, rather than paint thrown randomly against a canvas by a depressed man. </p><p></p><p>But I'd argue that there's value in the collective wisdom, in that the sum of the subjective judgments do the work of an objective standard against which we evaluate art in our time and place. Now, you can reject the collective wisdom. Lots of people do, and some of what I regard as the world's best art has been produced by those who've refused to accede to a conventional sense of what makes "good" art. But expect heated discussion over it, and that's a good thing. After all, it's that discussion over standards that reinforces or challenges (and perhaps changes) the collective wisdom about the art under discussion. </p><p></p><p>Incidentally, I think you are mistaken when you claim that people mistake their opinion for fact. I think instead they simply think their opinions are better than the person with whom they have the difference of opinion. Are they objectively right in that regard? Of course not. There is no objectively right in this context. But the opinion of one might be better informed or more fully thought through than the opinion of another.</p></blockquote><p></p>
[QUOTE="PaulKemp, post: 3129706, member: 2809"] I suppose I don't have any particular qualms with the contention that all art has some value. I would simply answer that in many cases that value is only slightly above zero. My young son can draw me a finger painting of green and blue blotches. He loves it; I love it; no one else thinks much of it, but up it goes up on the refrigerator. It has value as art (in the broadest sense of the term "art"), but that value is nearly zero. If it makes you more comfortable as an aspiring writer to conceptualize art's value in this way, I think that's fine and even reasonable. I'd further agree that there is little in the way of objectivity to be found in the evaluation of art (there may be objective components, but their value with respect to the whole, and the impact of the whole, is ultimately a subjective evaluation). The prevailing standards at any given time tend (as I think Mark Hope put quite well) to be little more than a collective judgment, an agreed-upon conceptual convention of the time and place in which the art and the evaluator co-exist. There is no objective standard to which one can point to argue that Pollack's work is great, rather than paint thrown randomly against a canvas by a depressed man. But I'd argue that there's value in the collective wisdom, in that the sum of the subjective judgments do the work of an objective standard against which we evaluate art in our time and place. Now, you can reject the collective wisdom. Lots of people do, and some of what I regard as the world's best art has been produced by those who've refused to accede to a conventional sense of what makes "good" art. But expect heated discussion over it, and that's a good thing. After all, it's that discussion over standards that reinforces or challenges (and perhaps changes) the collective wisdom about the art under discussion. Incidentally, I think you are mistaken when you claim that people mistake their opinion for fact. I think instead they simply think their opinions are better than the person with whom they have the difference of opinion. Are they objectively right in that regard? Of course not. There is no objectively right in this context. But the opinion of one might be better informed or more fully thought through than the opinion of another. [/QUOTE]
Insert quotes…
Verification
Post reply
Community
General Tabletop Discussion
*Geek Talk & Media
The Value of Art, or, "Bad" is in the Eye of the Beholder
Top