Menu
News
All News
Dungeons & Dragons
Level Up: Advanced 5th Edition
Pathfinder
Starfinder
Warhammer
2d20 System
Year Zero Engine
Industry News
Reviews
Dragon Reflections
White Dwarf Reflections
Columns
Weekly Digests
Weekly News Digest
Freebies, Sales & Bundles
RPG Print News
RPG Crowdfunding News
Game Content
ENterplanetary DimENsions
Mythological Figures
Opinion
Worlds of Design
Peregrine's Nest
RPG Evolution
Other Columns
From the Freelancing Frontline
Monster ENcyclopedia
WotC/TSR Alumni Look Back
4 Hours w/RSD (Ryan Dancey)
The Road to 3E (Jonathan Tweet)
Greenwood's Realms (Ed Greenwood)
Drawmij's TSR (Jim Ward)
Community
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Resources
Wiki
Pages
Latest activity
Media
New media
New comments
Search media
Downloads
Latest reviews
Search resources
EN Publishing
Store
EN5ider
Adventures in ZEITGEIST
Awfully Cheerful Engine
What's OLD is NEW
Judge Dredd & The Worlds Of 2000AD
War of the Burning Sky
Level Up: Advanced 5E
Events & Releases
Upcoming Events
Private Events
Featured Events
Socials!
EN Publishing
Twitter
BlueSky
Facebook
Instagram
EN World
BlueSky
YouTube
Facebook
Twitter
Twitch
Podcast
Features
Top 5 RPGs Compiled Charts 2004-Present
Adventure Game Industry Market Research Summary (RPGs) V1.0
Ryan Dancey: Acquiring TSR
Q&A With Gary Gygax
D&D Rules FAQs
TSR, WotC, & Paizo: A Comparative History
D&D Pronunciation Guide
Million Dollar TTRPG Kickstarters
Tabletop RPG Podcast Hall of Fame
Eric Noah's Unofficial D&D 3rd Edition News
D&D in the Mainstream
D&D & RPG History
About Morrus
Log in
Register
What's new
Search
Search
Search titles only
By:
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Menu
Log in
Register
Install the app
Install
Upgrade your account to a Community Supporter account and remove most of the site ads.
Rocket your D&D 5E and Level Up: Advanced 5E games into space! Alpha Star Magazine Is Launching... Right Now!
Community
General Tabletop Discussion
*TTRPGs General
Theater Adventure
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="Peni Griffin" data-source="post: 4199164" data-attributes="member: 50322"><p>You can't kill the impresario unless someone is standing by ready to step into his place. This person (disgruntled stage hand? Method Actor?) will then be the chief murder suspect. In that case, he either must be a red herring or (in true Christie style) have an ironclad "proof" that it couldn't have been him which will come out when he's accused; only of course it's faked and evidence of premeditation.</p><p></p><p>I favor the Method Actor as either the murderer or the second victim, as his ambition, ego, and unscrupulous nature (advancing you into bed etc.) provide a motive for either murder or blackmail along with the overconfidence to think he can pull them off.</p><p></p><p>I think that the spectre of the theater is a red herring who knows all about it and could come down on the murderer's side, or on the protagonist's. Her presence may precipitate deaths by heightening the emotions that lead to it, but ultimately she wants the show to go on. Maybe the protagonist can win her assistance by persuading her to view the new arrangement as the highest possible compliment, but could also push her over to the dark side by offending her, so that the outcome of the investigation as comedy or tragedy hinges on this character and your PC's capacity to understand and communicate with her. </p><p></p><p>If the murder method involves staged accidents, this will operate against the Goddess of Luck - in effect, your protagonist's patron goddess will be blamed for the deaths unless your heroine demonstrates that they are murder. The fallen chandelier, the grease on the catwalk, the malfunctioning special effect, the whispers of a curse...</p><p></p><p>The murderer will be advancing his/her own career, clearing away rivals, and taking financial control of the theater all at once. The PC need not be targeted by direct murder. A frame-up is also motivating. Is the Impresario in the habit of making separate financial arrangements with his cast and crew? Is he in serious need of investors, paying in shares, mortgaged to the hilt and anxious to be rescued? If so, unexpected people could wind up with large financial interests in the theater and, therefore, a motive.</p><p></p><p>Is there an Attractive Detective in the city law enforcement structure? If not, consider creating one. Someone very Lawful to her Chaotic, who would deeply regret having to arrest her, but would do it out of Duty.</p></blockquote><p></p>
[QUOTE="Peni Griffin, post: 4199164, member: 50322"] You can't kill the impresario unless someone is standing by ready to step into his place. This person (disgruntled stage hand? Method Actor?) will then be the chief murder suspect. In that case, he either must be a red herring or (in true Christie style) have an ironclad "proof" that it couldn't have been him which will come out when he's accused; only of course it's faked and evidence of premeditation. I favor the Method Actor as either the murderer or the second victim, as his ambition, ego, and unscrupulous nature (advancing you into bed etc.) provide a motive for either murder or blackmail along with the overconfidence to think he can pull them off. I think that the spectre of the theater is a red herring who knows all about it and could come down on the murderer's side, or on the protagonist's. Her presence may precipitate deaths by heightening the emotions that lead to it, but ultimately she wants the show to go on. Maybe the protagonist can win her assistance by persuading her to view the new arrangement as the highest possible compliment, but could also push her over to the dark side by offending her, so that the outcome of the investigation as comedy or tragedy hinges on this character and your PC's capacity to understand and communicate with her. If the murder method involves staged accidents, this will operate against the Goddess of Luck - in effect, your protagonist's patron goddess will be blamed for the deaths unless your heroine demonstrates that they are murder. The fallen chandelier, the grease on the catwalk, the malfunctioning special effect, the whispers of a curse... The murderer will be advancing his/her own career, clearing away rivals, and taking financial control of the theater all at once. The PC need not be targeted by direct murder. A frame-up is also motivating. Is the Impresario in the habit of making separate financial arrangements with his cast and crew? Is he in serious need of investors, paying in shares, mortgaged to the hilt and anxious to be rescued? If so, unexpected people could wind up with large financial interests in the theater and, therefore, a motive. Is there an Attractive Detective in the city law enforcement structure? If not, consider creating one. Someone very Lawful to her Chaotic, who would deeply regret having to arrest her, but would do it out of Duty. [/QUOTE]
Insert quotes…
Verification
Post reply
Community
General Tabletop Discussion
*TTRPGs General
Theater Adventure
Top