This Weekend @ The BoxOffice: 2009.Apr.06

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Vin Diesel can't do sci-fi but he can do cars!

Weekend Report: ‘Fast and Furious’ Power Slides to Record Debut
Weekend Report: ‘Fast and Furious’ Power Slides to Record Debut
by Brandon Gray

Vin Diesel in Fast and Furious -- April 5, 2009

Revving way past its predecessors' redlines, Fast and Furious packed an estimated $72.5 million under its hood, summarily dusting Anger Management's $42.2 million to notch the biggest April debut ever. Driven by the action sequel, the weekend as a whole was the busiest on record for April, grossing an estimated $185 million and surging 65 percent ahead of the same weekend last year.

Packing more than 5,200 screens at 3,461 theaters under its hood, Fast and Furious outdrew the final tally of the franchise's previous movie, The Fast and the Furious: Tokyo Drift, in three days flat, and it was much quicker off the line than the first two pictures. In 2001, The Fast and the Furious, scored $40.1 million out of the gate and hit $144.5 million by the end of its run. The sequel 2 Fast 2 Furious, which featured the original's Paul Walker but was no longer Vin Diesel-fueled, accelerated to a $50.5 million opening and closed with $127.2 million. Sans Walker and Diesel, Tokyo Drift started at $24 million.

Not only did Fast and Furious have the highest-grossing opening for a car-themed movie (beating Cars' $60.1 million), it was also tops for a straight-forward action picture (as opposed to the superhero or fantastical kind), surpassing The Bourne Ultimatum's $69.3 million. What's more, during the January-to-April timeframe, only The Passion of the Christ had a larger-grossing debut in the past.
 
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some info on March...

March Stalls 2009 Madness

March Stalls 2009 Madness
by Brandon Gray --- April 3, 2009

The record-breaking pace of 2009 came to a halt in March. A relatively modest slate of new releases led to a $646 million total for the month, which was down more than five percent from last year. Prior to March, January and February posted all time high grosses of over $1 billion and $769 million, respectively. On the strength of January and February, the first quarter of 2009 hit an all time high for the timeframe, coming in at $2.4 billion. Business was up over nine percent from the same period last year.

March was off a whopping 16 percent from February. That compares unfavorably to the February-to-March changes of recent years, which have ranged from large increases to slight decreases. For the decade, March 2009's gross ranked fifth behind 2007, 2002, 2004 and 2008, but, when ticket price inflation is factored, attendance was at a decade low.

Watchmen was the top-grossing picture of March at $103.8 million, paling compared to the leaders of March 2008 (Dr. Seuss' Horton Hears a Who! at $118.8 million) and 2007 (300 at $176.5 million). The fate of March was largely pinned on Watchmen, which was always going to be a tough sell based on its non-mainstream source material, diffuse storyline, lack of heroes and other factors. Expectations were so unrealistically high that it was the sole new nationwide release for the first weekend of the month, and overall business suffered from that dearth of counter-programming.

With five days of March play, Monsters Vs. Aliens ranked second with $66.2 million and was followed by Race to Witch Mountain ($54.3 million), Knowing ($48.2 million) and I Love You, Man ($39.3 million). February's top grossing movie, Taken, was still in the mix, slotting in at sixth place with $32.1 million.

Through March, the Top Four of calendar 2009 remained the same. With $142.6 million, Paul Blart: Mall Cop eked past Gran Torino to lead, and Taken and Slumdog Millionaire held onto third and fourth, respectively. Trailing those, Watchmen became the fifth picture of the year to cross $100 million.

A number of major pictures closed in March; or rather their respective studios ceased tracking them. On Mar. 1, Sony stopped Underworld: Rise of the Lycans at $45.8 million, a franchise low. On Mar. 5, Warner Bros. ended The Dark Knight with $533.3 million on the books, while Universal Pictures stopped The Tale of Despereaux at $50.9 million and The Unborn (2009) at $42.7 million. Walt Disney Pictures put Bedtime Stories to sleep at $110.1 million on Mar. 12, while Lionsgate killed off My Bloody Valentine 3-D at $51.5 million. Sony pulled the plug on The Pink Panther 2 at $35.9 million (or 44 percent of its predecessor's $82.2 million tally) on Mar. 22 as well as The International at $25.5 million. On Mar. 26, 20th Century Fox put Australia out to pasture at $49.6 million, Universal impeached Frost/Nixon at $18.6 million, and Lionsgate iced New in Town at $16.7 million. Finally, Sony yanked Fired Up at $17.1 million on Mar. 29.
 




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