This Weekend @ The Boxoffice: 2012_Jan.03

Hand of Evil

Hero
Epic
And the new year begins but 2011 had one of the worst attendances in quite some time!

Weekend Report: No Stopping 'M:I-4' Over New Year's
by Ray Subers -- January 1, 2012

With 2011 coming to an end this weekend, Mission: Impossible - Ghost Protocol once again claimed the top spot at the box office. Not far behind were fellow sequels Sherlock Holmes: A Game of Shadows and Alvin and the Chipmunks: Chipwrecked, followed by a surging War Horse and The Girl with the Dragon Tattoo. The Top 12 earned an estimated $140 million, which is slightly down from the same frame last year ($148.6 million) and seven percent up on 2005 (the last time New Year's fell on a Sunday).

The fourth Mission: Impossible movie held about even at $29.6 million, which brought its total to $132.5 million through Sunday. Including Monday's estimated $8.7 million, Ghost Protocol has made $141.2 million, which exceeds Mission: Impossible III's $134 million total. Additionally, the movie passed the latest Sherlock Holmes movie on Sunday to become December 2011's top-grossing movie. The next big milestone on the horizon is the original Mission: Impossible's $181 million, which looks very reachable at this point.

Sherlock Holmes: A Game of Shadows improved four percent to an estimated $21 million. With the help of holiday grosses, it's been closing the gap with the original Sherlock Holmes, though its $136.5 million total through Monday still trails the first installment by just under $30 million.

Chipwrecked leaped 30 percent to $16.4 million for a total of $92.7 million. It should pass $100 million on Tuesday or Wednesday, which is a minor consolation prize considering the first Alvin was already at over $140 million through its third weekend.

The Girl with the Dragon Tattoo took fourth place for the three-day weekend with an estimated $14.8 million. Including Monday's grosses, the David Fincher-directed remake has made just over $60 million so far.

After languishing in sixth and seventh place from Tuesday through Friday, War Horse received a boost on Saturday and Sunday and finished the three-day weekend in fifth place with an estimated $14.4 million. By Monday, though, the movie leaped over Dragon Tattoo to claim fourth place with an estimated $19.2 million. Through nine days in theaters, the Steven Spielberg WWI drama has earned $45.2 million, and it's quickly closing in on the final total of Spielberg's Munich ($47.4 million).

We Bought a Zoo leaped an impressive 41 percent from its opening weekend and snagged an estimated $13.2 million. That's the second-best second weekend bump ever for a movie in over 3,000 theaters. The Cameron Crowe-directed drama is likely benefiting from strong word-of-mouth among family audiences, and it will be interesting to see if that can keep the movie going even after holiday activities wrap up this week. Through 11 days in theaters, We Bought a Zoo has made $44 million.

The Adventures of Tintin doesn't appear to be catching on quite as well as We Bought a Zoo: the Spielberg-directed animated adventure improved 18 percent to an estimated $11.4 million. After 13 days in U.S. theaters, and including earlier grosses from Quebec, Tintin has earned $50.8 million.

Unsurprisingly, New Year's Eve received a big boost coinciding with the arrival of the titular holiday. The movie nearly doubled its weekend tally to $6.4 million; unfortunately, it's likely to fall hard in the coming weeks, and with $47.4 million in the bank it has no chance of coming anywhere close to predecessor Valentine's Day's $110.5 million.
 

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I'm surprised how much ticket prices have bouyed box office gross over the last two years and how much ticket sales have actually fallen.
 


bit more on the bad year of 2011
Sequels, 3D Can't Save 2011
by Ray Subers -- January 6, 2012


In a year that relied heavily on sequels and 3D, total domestic box office tumbled 3.8 percent to around $10.17 billion. That's the third-highest grossing year ever, though it ranks behind both 2009 and 2010. What's worse is that ticket sales fell roughly 4.7 percent to 1.28 billion, which is the lowest level since 1995.

Around $400 million separates 2011 from 2010, which can entirely be covered by Avatar's $478 million gross in 2010. Most of that was made in the first quarter, which contributed to the massive 21 percent first quarter downturn in 2011. From then on, the year was fairly solid—the second and third quarters set new records with $2.84 billion and $2.89 billion. Within those quarters, April, May, July and September were all record months, and July 2011 ranks as the highest-grossing month of all-time at $1.394 billion.

Business slowed down again by the fourth quarter, though, with receipts dropping five percent to $2.34 billion. That's troubling considering the abundance of seemingly proven franchise fare, especially in the last two months of the year. December in particular showed that sequels alone aren't going to do the trick: Sherlock Holmes: A Game of Shadows ($124.1 million), Mission: Impossible - Ghost Protocol ($122.3 million) and Alvin and the Chipmunks: Chipwrecked ($88.2 million) weren't strong enough to lead to a year-over-year improvement.

The idea that sequels don't drive year-over-year growth is made more apparent when looking at the list of top-grossing movies of 2011. The first seven movies on the list are all sequels, beginning with Harry Potter and the Deathly Hallows Part 2 at $381 million. This managed to be the highest-grossing entry in the series thanks at least in part to the finale factor, though it also probably got a boost from the addition of 3D ticket prices. Potter was followed by Transformers: Dark of the Moon ($352.4 million), The Twilight Saga: Breaking Dawn Part 1 ($274.8 million), The Hangover Part II ($254.5 million), Pirates of the Caribbean: On Stranger Tides ($241.1 million), Fast Five ($209.8 million) and Cars 2 ($191.5 million). The only sequels that improved over their predecessors were Potter, Fast Five and Mission: Impossible. Overall, existing franchises (sequels, prequels, spin-offs) contributed $3.35 billion, or roughly one-third of total box office this year.

The highest-grossing non-sequel was Thor, which finished in eighth place with $181 million. Outside of aspiring franchise fare, The Help and Bridesmaids were most attractive at $169.5 million and $169.1 million, respectively.

Aside from being jam-packed with sequels, 2011 will also be remembered as the year when 3D likely reached its saturation point. There were 38 nationwide releases in 3D this year (including three holdovers from 2010), which is up 58 percent from 2010 (24, including two from 2009).

It's tough to tell exactly how much money was made from 3D ticket sales in 2011 because studios only provide a 3D share for opening weekend. Assuming movies hold that same share through their first four weeks in theaters (which is probably a bit generous), 3D presentations accounted for roughly $1.7 billion in 2011 (16.7 percent of total box office). That's down from over $2 billion in 2010, which was the year 3D really exploded thanks to Avatar, Toy Story 3 and Alice in Wonderland.

While $1.7 billion seems like a lot of money, it looks less impressive when considering how much 3D actually added to the ticket price. A 3D surcharge typically represents around 25 percent of the 3D ticket price, which translates to $425 million in revenue in 2011. If 3D doesn't really have an effect on attendance, than this boost is great (even when taking out the cost of the 3D glasses, which would bring it down below $300 million). Still, there's a good chance plenty of consumers are being turned away from theaters due to increased prices and sub-par 3D experiences, and it's obviously worth considering if a drop in attendance is negating the additional revenue.

While 3D might not be driving huge grosses domestically, it does appear to still have a positive effect overseas. 2011 was the first year ever in which three movies reached $1 billion worldwide, and all three movies were the first in their respective franchises to be presented in 3D. Harry Potter and the Deathly Hallows Part 2 became the third-highest grossing movie ever with $1.33 billion, and Transformers: Dark of the Moon and Pirates of the Caribbean: On Stranger Tides also entered the Top 10 with $1.12 billion and $1.04 billion, respectively.

Some other interesting statistics: 30 movies made over $100 million in 2011, which is up from 25 in 2010 but down from 32 in 2009. The Top 10 contributed $2.44 billion, which is way less than 2010 ($3.12 billion) and 2009 ($2.69 billion).
 

MI was the first sequel of that franchise that I saw in the theatre. Fast Five was the first sequel of that franchise that I saw at all. I enjoyed them both. I think The Hobbit is going to help the next couple of years. I wonder if this trend for plitting books into two movies, like The Hobbit (admittedly there will be added material), the last Potter, the last Twilight, might become a trend toward gaining overall gross on a property. I also wonder what the rights and royalties situation is when that happens. We've gotta look into that a bit.
 

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