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<blockquote data-quote="Mog Elffoe" data-source="post: 1581231" data-attributes="member: 793"><p>I agree wholeheartedly (except that I'd choose <em>Iron Monkey </em> or <em>Kung Fu Cult Master</em> over <em>Dragon Inn</em>, but that's just me.) There's something about the *way* they showed it back then that had its own charm and had its own visual language. And I do agree that shoestring budgets can stimulate creativity and that if some of the same filmmakers had real money to make their film with I might not like them as much. I certainly wouldn't want to see a single change in my <em>Mr. Vampire</em>, for example. Sometimes, though, it's just cool to see guys actually DO those super stunts without the old-school camera trickery. I thought it worked pretty well in <em>Hero</em>, which I personally enjoyed much more than <em>Crouching Tiger, Hidden Dragon</em>, the film that it will most likely be compared to over here in the States. I also loved the effects in <em>Shaolin Soccer</em>. </p><p></p><p>A good example of over-reliance on special effects was <em>Legend of Zu</em>. I think I read somewhere that Tsui Hark had something like a $100m budget to work with for that one, and while some of the visuals are really, really nice, it isn't near as good as his own <em>Zu: Warriors of the Magic Mountain</em> which was made for a teensy little fraction of that amount back '83 or so.</p><p></p><p>How about this hypothetical? Swordsman 2 (or Dragon Inn, or whatever) with only the *cinematography* budget of these newer films, like <em>Hero</em> or <em>CTHD</em>?</p><p></p><p>I don't think that we'll see the kind of energy that we got from HK in the 80s and 90s again either. It's too bad. I still enjoy the newer films coming from HK, but they don't have quite the verve or the flying-by-the-seat-of-your-pants-ness of the old stuff.</p><p></p><p>Now I'm getting all nostalgic and wistful...</p><p>I miss Lam Ching Ying. And Anita Mui. And Leslie Cheung. <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f641.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":(" title="Frown :(" data-smilie="3"data-shortname=":(" /></p></blockquote><p></p>
[QUOTE="Mog Elffoe, post: 1581231, member: 793"] I agree wholeheartedly (except that I'd choose [I]Iron Monkey [/I] or [I]Kung Fu Cult Master[/I] over [I]Dragon Inn[/I], but that's just me.) There's something about the *way* they showed it back then that had its own charm and had its own visual language. And I do agree that shoestring budgets can stimulate creativity and that if some of the same filmmakers had real money to make their film with I might not like them as much. I certainly wouldn't want to see a single change in my [I]Mr. Vampire[/I], for example. Sometimes, though, it's just cool to see guys actually DO those super stunts without the old-school camera trickery. I thought it worked pretty well in [I]Hero[/I], which I personally enjoyed much more than [I]Crouching Tiger, Hidden Dragon[/I], the film that it will most likely be compared to over here in the States. I also loved the effects in [I]Shaolin Soccer[/I]. A good example of over-reliance on special effects was [I]Legend of Zu[/I]. I think I read somewhere that Tsui Hark had something like a $100m budget to work with for that one, and while some of the visuals are really, really nice, it isn't near as good as his own [I]Zu: Warriors of the Magic Mountain[/I] which was made for a teensy little fraction of that amount back '83 or so. How about this hypothetical? Swordsman 2 (or Dragon Inn, or whatever) with only the *cinematography* budget of these newer films, like [I]Hero[/I] or [I]CTHD[/I]? I don't think that we'll see the kind of energy that we got from HK in the 80s and 90s again either. It's too bad. I still enjoy the newer films coming from HK, but they don't have quite the verve or the flying-by-the-seat-of-your-pants-ness of the old stuff. Now I'm getting all nostalgic and wistful... I miss Lam Ching Ying. And Anita Mui. And Leslie Cheung. :( [/QUOTE]
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