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Villains Villains Everywhere, and not a way to use...
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<blockquote data-quote="Moleculo" data-source="post: 528696" data-attributes="member: 1201"><p>with evil masterminds trhere is always the huge robot suit made for him to engage the heroes with.</p><p></p><p>As for the art work villian i thought immediate of this school of art:</p><p>"Fauvism (p. 485) </p><p>Matisse (p. 485) </p><p>Le fauves means "the wild beasts." An unappreciative critic left an exhibit of artists including Matisse and Andre Derain saying that the paintings looked as if they were painted by wild beasts. He meant that they lacked skill and insight. The young artists accepted the title as a sign of their power to destroy bourgeois conventions and boldly establish their own style in wild new artistic territory. In truth, no one could have been less "fauve" than Matisse, who wanted to make beautiful and restful objects of contemplation. His use of color, however, was radical. He came to the conclusion that the color of an object could be whatever the artist wanted it to be. A painting is not an apple, or a war horse or a naked god. It's just paint. Why would an artist paint a tree blue? Because he wants to. The reality of a painting is the material out of which it is made and, believed Matisse, the artist is free to shape that reality any way he or she sees fit."</p></blockquote><p></p>
[QUOTE="Moleculo, post: 528696, member: 1201"] with evil masterminds trhere is always the huge robot suit made for him to engage the heroes with. As for the art work villian i thought immediate of this school of art: "Fauvism (p. 485) Matisse (p. 485) Le fauves means "the wild beasts." An unappreciative critic left an exhibit of artists including Matisse and Andre Derain saying that the paintings looked as if they were painted by wild beasts. He meant that they lacked skill and insight. The young artists accepted the title as a sign of their power to destroy bourgeois conventions and boldly establish their own style in wild new artistic territory. In truth, no one could have been less "fauve" than Matisse, who wanted to make beautiful and restful objects of contemplation. His use of color, however, was radical. He came to the conclusion that the color of an object could be whatever the artist wanted it to be. A painting is not an apple, or a war horse or a naked god. It's just paint. Why would an artist paint a tree blue? Because he wants to. The reality of a painting is the material out of which it is made and, believed Matisse, the artist is free to shape that reality any way he or she sees fit." [/QUOTE]
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