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<blockquote data-quote="Ralif Redhammer" data-source="post: 8602126" data-attributes="member: 30438"><p>I ran into a similar situation with the Moon Pool. The first half was chilling and eerie, the second half vague and misty, hard to imagine. While I loved Creep, Shadow, Creep! I found a similar experience with The Metal Monster. There's something about Merritt's language that can be hard to picture at times. I give him props for not just falling back on "unknowable vistas beyond human imagination" and instead actually trying to describe things, but I find that it can make for difficult reading. </p><p></p><p></p><p></p><p>I finished Moorcock's The Final Programme. It felt very much like an homage to J.G. Ballard. I dug it, though wouldn't rank it amongst his greats.</p><p></p><p>Now I'm reading L. Sprague De Camp's The Tritonian Ring.</p></blockquote><p></p>
[QUOTE="Ralif Redhammer, post: 8602126, member: 30438"] I ran into a similar situation with the Moon Pool. The first half was chilling and eerie, the second half vague and misty, hard to imagine. While I loved Creep, Shadow, Creep! I found a similar experience with The Metal Monster. There's something about Merritt's language that can be hard to picture at times. I give him props for not just falling back on "unknowable vistas beyond human imagination" and instead actually trying to describe things, but I find that it can make for difficult reading. I finished Moorcock's The Final Programme. It felt very much like an homage to J.G. Ballard. I dug it, though wouldn't rank it amongst his greats. Now I'm reading L. Sprague De Camp's The Tritonian Ring. [/QUOTE]
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