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<blockquote data-quote="DM_Jeff" data-source="post: 3224401" data-attributes="member: 3687">Well, she was credited for Cartography in a product called Otosan Uchi by AEG which described the capitol of Rogukan. There are a coupl eof other meager credits in 2000, but mostly you can she she stopped working in 1997/98 (and the merger times you mention). A shame.As for art today being soulless or 'all technique', I say phooey. I loved 1e art at the time, sure, and many peices were fine and ingrained on my head for ages as an influence on my young mind. On the other hand I don't recall many where I'd stop and just STARE and take in all it had to offer. Emlore's almost always did. I find myself taking in much more of today's art, maybe because there's that much more to take in? I don't know. I like a lot of the art in 3e, and the fact that it comes from &quot;a magical medieval society&quot; makes sense as not just being historical medieval in tone.-DM Jeff</blockquote>

[QUOTE="DM_Jeff, post: 3224401, member: 3687"] Well, she was credited for Cartography in a product called Otosan Uchi by AEG which described the capitol of Rogukan. There are a coupl eof other meager credits in 2000, but mostly you can she she stopped working in 1997/98 (and the merger times you mention). A shame. As for art today being soulless or 'all technique', I say phooey. I loved 1e art at the time, sure, and many peices were fine and ingrained on my head for ages as an influence on my young mind. On the other hand I don't recall many where I'd stop and just STARE and take in all it had to offer. Emlore's almost always did. I find myself taking in much more of today's art, maybe because there's that much more to take in? I don't know. I like a lot of the art in 3e, and the fact that it comes from "a [I]magical [/I] medieval society" makes sense as [I]not [/I] just being historical medieval in tone. -DM Jeff [/QUOTE]

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