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Why WotC SHOULD Make A New Setting
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<blockquote data-quote="SlyFlourish" data-source="post: 9883653" data-attributes="member: 54840"><p>I don't know why I don't get a response to this part of it but the same team members who make settings when they work at WOTC also make settings when they're not at WOTC:</p><p></p><ul> <li data-xf-list-type="ul">Midgard (Wolfgang Baur, Dan Dillon)</li> <li data-xf-list-type="ul">Islands of Sina Una (Mackenzie De Armas)</li> <li data-xf-list-type="ul">Tal'Dorei Reborn (James Haeck)</li> <li data-xf-list-type="ul">Numenera (Monte Cook, Bruce Cordell, Sean Reynolds)</li> <li data-xf-list-type="ul">Arora (Shawn Merwin)</li> <li data-xf-list-type="ul">Aethereal Expanse (James Haeck)</li> <li data-xf-list-type="ul">Primeval Thule (Dave Noonan, Rich Baker, Stephen Schubert)</li> <li data-xf-list-type="ul">Ptolus (Monte Cook, Bruce Cordell, Sean Reynolds)</li> <li data-xf-list-type="ul">Path of the Planebreaker (Monte Cook, Bruce Cordell, Sean Reynolds)</li> <li data-xf-list-type="ul">Grim Hollow (Shawn Merwin, James Haeck)</li> <li data-xf-list-type="ul">Tal'Dorei Reborn (James Haeck)</li> </ul><p></p><p>All made by D&D team members but not when they were at WOTC.</p><p></p><p>It's not the team members folks are focusing on here when they say they want a new D&D setting, it's strictly a focus on the brand and the company.</p><p></p><p></p><p></p><p>And that "objective" answer is "they have the trademark". That's it. There's no other super magical secret sauce going on.</p><p>The product quality of current D&D products is really good. The art is awesome (though some disagree). The physical construction is great. So is the construction by Cubicle 7 and Ghostfire and Monte Cook Games and Kobold Press.</p><p></p><p>The desire for an "official D&D" setting is a desire to see a product the D&D ampersand on it. That's the only difference. And I think that focus dismisses the work published by other publishers, <strong>work often done by the same designers</strong>.</p><p></p><p>I argue 13th Age is a more official take on D&D 3e and 4e because it was the version of D&D both of the lead designers of 3e and 4e wanted to make. It just doesn't have the trademark.</p><p></p><p>People can want want they want, but the desire to see an "official D&D setting" is strictly a desire to see the D&D trademark on a book. It's not a love of the work of the designers. It's not a feeling that the quality of every WOTC product surpasses that of all other publishers. It's just a focus on the legal trademark of D&D.</p><p></p><p>I think we should judge all settings and all published RPG work based on the quality of the work, not the trademarked brand it happens to have or not have.</p></blockquote><p></p>
[QUOTE="SlyFlourish, post: 9883653, member: 54840"] I don't know why I don't get a response to this part of it but the same team members who make settings when they work at WOTC also make settings when they're not at WOTC: [LIST] [*]Midgard (Wolfgang Baur, Dan Dillon) [*]Islands of Sina Una (Mackenzie De Armas) [*]Tal'Dorei Reborn (James Haeck) [*]Numenera (Monte Cook, Bruce Cordell, Sean Reynolds) [*]Arora (Shawn Merwin) [*]Aethereal Expanse (James Haeck) [*]Primeval Thule (Dave Noonan, Rich Baker, Stephen Schubert) [*]Ptolus (Monte Cook, Bruce Cordell, Sean Reynolds) [*]Path of the Planebreaker (Monte Cook, Bruce Cordell, Sean Reynolds) [*]Grim Hollow (Shawn Merwin, James Haeck) [*]Tal'Dorei Reborn (James Haeck) [/LIST] All made by D&D team members but not when they were at WOTC. It's not the team members folks are focusing on here when they say they want a new D&D setting, it's strictly a focus on the brand and the company. And that "objective" answer is "they have the trademark". That's it. There's no other super magical secret sauce going on. The product quality of current D&D products is really good. The art is awesome (though some disagree). The physical construction is great. So is the construction by Cubicle 7 and Ghostfire and Monte Cook Games and Kobold Press. The desire for an "official D&D" setting is a desire to see a product the D&D ampersand on it. That's the only difference. And I think that focus dismisses the work published by other publishers, [B]work often done by the same designers[/B]. I argue 13th Age is a more official take on D&D 3e and 4e because it was the version of D&D both of the lead designers of 3e and 4e wanted to make. It just doesn't have the trademark. People can want want they want, but the desire to see an "official D&D setting" is strictly a desire to see the D&D trademark on a book. It's not a love of the work of the designers. It's not a feeling that the quality of every WOTC product surpasses that of all other publishers. It's just a focus on the legal trademark of D&D. I think we should judge all settings and all published RPG work based on the quality of the work, not the trademarked brand it happens to have or not have. [/QUOTE]
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