Menu
News
All News
Dungeons & Dragons
Level Up: Advanced 5th Edition
Pathfinder
Starfinder
Warhammer
2d20 System
Year Zero Engine
Industry News
Reviews
Dragon Reflections
White Dwarf Reflections
Columns
Weekly Digests
Weekly News Digest
Freebies, Sales & Bundles
RPG Print News
RPG Crowdfunding News
Game Content
ENterplanetary DimENsions
Mythological Figures
Opinion
Worlds of Design
Peregrine's Nest
RPG Evolution
Other Columns
From the Freelancing Frontline
Monster ENcyclopedia
WotC/TSR Alumni Look Back
4 Hours w/RSD (Ryan Dancey)
The Road to 3E (Jonathan Tweet)
Greenwood's Realms (Ed Greenwood)
Drawmij's TSR (Jim Ward)
Community
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Resources
Wiki
Pages
Latest activity
Media
New media
New comments
Search media
Downloads
Latest reviews
Search resources
EN Publishing
Store
EN5ider
Adventures in ZEITGEIST
Awfully Cheerful Engine
What's OLD is NEW
Judge Dredd & The Worlds Of 2000AD
War of the Burning Sky
Level Up: Advanced 5E
Events & Releases
Upcoming Events
Private Events
Featured Events
Socials!
EN Publishing
Twitter
BlueSky
Facebook
Instagram
EN World
BlueSky
YouTube
Facebook
Twitter
Twitch
Podcast
Features
Top 5 RPGs Compiled Charts 2004-Present
Adventure Game Industry Market Research Summary (RPGs) V1.0
Ryan Dancey: Acquiring TSR
Q&A With Gary Gygax
D&D Rules FAQs
TSR, WotC, & Paizo: A Comparative History
D&D Pronunciation Guide
Million Dollar TTRPG Kickstarters
Tabletop RPG Podcast Hall of Fame
Eric Noah's Unofficial D&D 3rd Edition News
D&D in the Mainstream
D&D & RPG History
About Morrus
Log in
Register
What's new
Search
Search
Search titles only
By:
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Menu
Log in
Register
Install the app
Install
Upgrade your account to a Community Supporter account and remove most of the site ads.
Rocket your D&D 5E and Level Up: Advanced 5E games into space! Alpha Star Magazine Is Launching... Right Now!
Community
General Tabletop Discussion
*Geek Talk & Media
Writers strike is a go
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="Storm Raven" data-source="post: 3885970" data-attributes="member: 307"><p>You might want to stop arguing. Everything you say just seems to make the producer side in this even more unreasonable than before.</p><p></p><p></p><p></p><p>And? The cost of making a motion picutre is something that is entirely in the control of the studios. It is their choice to make monstrously expensive pictures with all the bells and whistles glopped on. Furthermore, this "average" appears to be highly misleading, padded by a handful of extraordinarily expensive pictures among many more reasonably priced pictures. A better measure than the "average" would be the median cost. And that's not even persuasive - because the cost of a picture is still controlled by the studios. If they can't make a profit on a $200 million production, they only have themselves to blame.</p><p></p><p></p><p></p><p>You are looking at this from the wrong direction. Costs of production, distribution, and marketing have grown because the revenues are available. Not because there is some immutable law that states that these costs must be that high. Studios have decided to take for granted that this gravy train is available and pumped up their costs as a result. This is not a mandatory action on their part, and now that the writers (and soon, actors and unions) have called them on it, they are throwing a hissy fit like a kid caught with his hand in the cookie jar.</p><p></p><p>And since production companies are notorious for engaging in creative and sometimes fraudulent accounting, inflating their costs by attributing unrelated and sometimes imaginary costs to the budget of a production, the level of sympathy they deserve when they cry poor is nonexistent.</p><p></p><p></p><p></p><p>Becased on the figures that have been provided, the production company's total net on that 1 million unit sale is about $12 million. That means that the writer's royalty on the DVD sale represents 0.0054$ of the total net revenue gained by the studio on that 1 million units.</p><p></p><p>So yes, the 4 cent figure is not accurate. The real numbers actually make the production companies look <em>much worse</em>.</p></blockquote><p></p>
[QUOTE="Storm Raven, post: 3885970, member: 307"] You might want to stop arguing. Everything you say just seems to make the producer side in this even more unreasonable than before. And? The cost of making a motion picutre is something that is entirely in the control of the studios. It is their choice to make monstrously expensive pictures with all the bells and whistles glopped on. Furthermore, this "average" appears to be highly misleading, padded by a handful of extraordinarily expensive pictures among many more reasonably priced pictures. A better measure than the "average" would be the median cost. And that's not even persuasive - because the cost of a picture is still controlled by the studios. If they can't make a profit on a $200 million production, they only have themselves to blame. You are looking at this from the wrong direction. Costs of production, distribution, and marketing have grown because the revenues are available. Not because there is some immutable law that states that these costs must be that high. Studios have decided to take for granted that this gravy train is available and pumped up their costs as a result. This is not a mandatory action on their part, and now that the writers (and soon, actors and unions) have called them on it, they are throwing a hissy fit like a kid caught with his hand in the cookie jar. And since production companies are notorious for engaging in creative and sometimes fraudulent accounting, inflating their costs by attributing unrelated and sometimes imaginary costs to the budget of a production, the level of sympathy they deserve when they cry poor is nonexistent. Becased on the figures that have been provided, the production company's total net on that 1 million unit sale is about $12 million. That means that the writer's royalty on the DVD sale represents 0.0054$ of the total net revenue gained by the studio on that 1 million units. So yes, the 4 cent figure is not accurate. The real numbers actually make the production companies look [i]much worse[/i]. [/QUOTE]
Insert quotes…
Verification
Post reply
Community
General Tabletop Discussion
*Geek Talk & Media
Writers strike is a go
Top