Hmmm... a new setting competition would give my group an excuse to dust off The Port on the Aster Sea/On the Shores of an Infinite Ocean and stat it again.
The question is would we use the setting as originally written up -- lyrical, melancholy, full with symbolism -- or the majestic trainwreck we turned it into during actual play?
The question is would we use the setting as originally written up -- lyrical, melancholy, full with symbolism -- or the majestic trainwreck we turned it into during actual play?