To pemerton.
I would likely prefer play along those lines myself, although I’d likely be open to other approaches as well.
Because what makes them different is unlikely to determine the events of play such that play goes differently. Meaning that play is not about these characters and their traits.
How so? I mean, I’m not saying it can’t matter. And I’m not saying that such character portrayal can’t be entertaining for what it is.
But I think that, if you look at it with a mind toward the kind of agency for which
@pemerton has been advocating, then the difference is clearer, and is consistent. It’s not that he wants to be free to bring these things up during play, it’s that he wants them to be what play is about.
That’s my understanding of it, anyway. If I’m far off, I’d sure he can correct me.