Penguin Random House Announces New D&D Romantasy Book

The Feywild Job comes out in June 2026.
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Penguin Random House has announced The Feywild Job, a new D&D novel written by World Fantasy Award and Nebula-winning writer CL Polk. The new book is a romantasy novel, a popular and wildly growing book genre. The book features a rogue tasked with stealing a gem called "The Kiss of Enduring Love" and is teamed up with their ex-lover, a bard. The twist to the novel is that the rogue has a magical pact granting them powers in exchange for never falling in love.

The new novel is written by CL Polk, a writer with serious bonafides in the fantasy community. Polk's debut novel Witchmark won the World Fantasy Award in 2019 and their 2022 novella Even Though I Knew The End won the Nebula Award for Best Novella that year. Based on their website, this appears to be Polk's first foray into licensed media.

Below is the full description for The Feywild Job. The book will be released on June 30, 2026.


Sparks fly when bitter exes are forced to team up for an elaborate Feywild heist, in this cozy fantasy romance by the bestselling author of the Kingston Cycle and Even Though I Knew the End.
Saeldian has sworn never to fall in love. That oath isn’t just a personal promise, but rather a magical pact, granting them powerful abilities. The only catch? They must never give their heart away—a deal that Saeldian is perfectly content with. They’ve seen firsthand how messy love can get.

Saeldian prefers their no-strings-attached life as a con artist, pulling off heists and leaving a trail of broken hearts behind them. But when a grift goes horribly wrong, they catch the eye of a mysterious patron with a job offer they can’t refuse.

The mission? Steal a gem called “The Kiss of Enduring Love” and return it to the Feywild. Simple enough, until Saeldian discovers their ex-partner, Kell—a charming bard—is part of the team.
The last time Saeldian saw Kell, things hardly ended on good terms. A kiss became a betrayal, leaving Kell hurt and confused for almost a decade. But Kell can’t just walk away—not when this job might finally be his ticket back to the Feywild.

Forced to work together again, their adventure takes them from high-society parties to Feywild couple’s therapy. But as Saeldian and Kell rekindle their chemistry, they realize the gem is much more than a fey bauble, and their simple heist has summoned powerful enemies. . . .
 

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Christian Hoffer

Christian Hoffer

Thee" is an object word. It is the equivalent of "me" and "her/him".
Interesting. You still occasionally hear “thee” and “thy” used in Yorkshire dialect. Most famously in the lyrics of On Ilkley Moor. “Thy” meaning “your”. My mum said her dad used to confuse her with “sithee”, meaning “see you”. Whist normally a farewell, I suspect in the context it was a telling off: “look you”.
 

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“Cozy" fiction, romantic or otherwise, has intentionally low stakes.
That’s incorrect in the context of Romantasy. “Cosy” is simply used as an antonym of “spicy”, which means sexually explicit/pornographic. It has nothing to do with the stakes. You can still save the universe, so long as you fade to black at certain times.

Likewise, “cosy crime” also has nothing to do with the stakes. It often has a higher body count than “Nordic noir”. It’s just not graphically violent and skates over the trauma of violent death.
 

Because its politically popular? Gender is no more made up than any other concept of the English language.
Well...no, actually it is more made up than that. For the same reason that "key" has masculine gender in German (Schlüssel) and feminine gender in Spanish (llave), even though keys cannot even in principle have any gender. Just as, for example, the boundaries on what counts as "its own color" vs what is merely a variation on some other color. English only relatively recently incorporated (invented?) the word "orange", for instance; even back in Shakespeare's day (the 1400s), they would have used "yellow-red". The very very first attested use of "orange" in English, as a color word, is from 1502, for clothing purchased for Margaret Tudor. The word had previously only been used for the fruit (or, possibly, for the county in southern France, but that only very rarely.)

If someone started insisting that there is no such color "orange", that's just the name of a dumb fruit which is colored yellow-red, what would you tell them? Their color words are just as much arising from the world as yours and mine today. Likewise, why do we have different words for "orange" and "brown", but consider "navy/dark blue" and "sky/light blue" to be just tweaked versions of the same color? Orange is to brown exactly as sky blue is to navy blue--orange is just "light brown", brown is just "dark orange". Spanish, for example, actually does give both colors distinct names: azul is implicitly a darker blue, derived from the color of lapis lazuli, while celeste is literally heaven-colored, hence sky blue.

Humans categorize things. We scaffold things. Its not putting them on "boxes" its making sense of the world.
It is both. That's precisely the problem. We have to put things in boxes, to compartmentalize, in order to process the ENORMOUS amount of information out there in the world. That's a good thing. Unfortunately, it becomes a bad thing when people treat those boxes as if they were real. This happens all the time. That's why folks balk at the use of terms for gender, race, and other rigid categorizations of people. Because it's one thing to make wrong assumptions about a category of rocks, or stars, circuits, bubblegum, flower-parts, etc., because you reified a category that was invented by humans to attempt to simplify a complex reality. It's a much different thing when you make wrong assumptions about a category of living, thinking people because you reified a category that was invented by humans to simplify a complex reality.

Sex, and consequently gender, is not simple overall, for the same reason that you cannot say "math is simple"--"math" contains whole universes of complex discourse. Sex and gender are only simple for, at best, a slight majority of the population--say maybe 60%. That's where the heterosexual, cisgender folks with typical human chromosomes and normal psychosocial development are. But then you have heterosexual people who are intersex for any of various reasons, or people who are born with an unexpected number of chromosomes (e.g. Kleinfelter syndrome is XXY), or people born with ambiguous sex organs, or...etc. And then you have homosexual or bisexual or various other preferences, and transgender persons where their socially-expected gender behavior conflicts with their lived experience, etc., etc. It gets horrendously messy for all the edge cases--but when people reify gender as a one-size-fits-all, everyone-must-fit requirement, rather than a best-fit approximation full of holes and exceptions and inaccuracies, we run into problems.

And that isn't even considering how, in fantastical or science-fictional settings, we can have creatures with any biology, sociology, philosophy, and psychology we want. We can have monogender species. We can have a species where neither the "male" nor the "female" is the one to carry the offspring, but some other situation occurs. We can have a species with three sexes, or five, or whatever. We can have a species which sees "heterosexual" and "homosexual" as bizarre uniquely human characteristics, and their perspective is bisexual vs monosexual (that is, the default state is that it is assumed each person is attracted to both genders, and it is considered abnormal to be attracted only to one gender, regardless of what it is--so most humans would be monosexual, but a small proportion would be bisexual and thus "normal" to this alien species.)

How did this even become a topic in a gaming thread?
It's a thread about romance. By being about romance, the probability that someone brings up a romance which is not a heterosexual cisgender female courting a heterosexual cisgender male converges to 1 as the discussion continues. Both those who want to see such representation, and those who emphatically do not want to see such representation, have plenty of reason to speak up about it--as we have seen in this and (many, many) other threads.
 
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Interesting. You still occasionally hear “thee” and “thy” used in Yorkshire dialect. Most famously in the lyrics of On Ilkley Moor. “Thy” meaning “your”. My mum said her dad used to confuse her with “sithee”, meaning “see you”. Whist normally a farewell, I suspect in the context it was a telling off: “look you”.
That would be a correct usage, if we presume a dropped "I" and perhaps an implied "shall/will". E.g. it's not uncommon for someone to say, "See you later/soon", where the "I will" is just dropped. "See thee later" would naturally lend itself to simplification: our English-speaking ancestors loved to slur their words together and simplify even the most seemingly insignificant excess effort. E.g. how "a/an" evolved out of the Old English word for "one"--instead of saying "an scip", "one ship", our ancestors would say "a scip", "a ship". But that would slur together TOO much in front of a vowel, so they kept the "an" form there, hence why you use "an" before words that start with vowel-like sounds.

"An" as a number evolved into "one", probably by way of something like "awn" and/or "own", I'm sure a proper linguist could tell you how that happened. But the word itself stuck around as a convenient way for referring to any thing meeting some description--and thus creating the indefinite article in English. (Old English did not have an indefinite article at all, and indeed even a definite article is a bit dubious from what I'm reading--instead, it used declension to serve that function, but as English slowly shed its case system, something else had to fill in the gap, giving rise to "a/an" and "the" as our articles, indefinite and definite respectively.)

"I will see thee later" => "I'll see thee later" => "See thee" => "Sithee". Compare the evolution of "forecastle" to "fo'c'sle", pronounced "fox-ull".

That’s incorrect in the context of Romantasy. “Cosy” is simply used as an antonym of “spicy”, which means sexually explicit/pornographic. It has nothing to do with the stakes. You can still save the universe, so long as you fade to black at certain times.
That does not seem to be the only way people are actually using this term. Or, at the very least, there is significant difference of opinion, and at least some published periodicals, ordinary people, and even (seemingly!) publishers and reviewers are sometimes using the word exactly as I used it: lower-stakes, community focus,

Further, folks definitely are using the phrase "cozy fantasy" to mean, explicitly, lower-stakes fantasy works. So it could be that, particularly in the context of "romantasy", "cozy romantasy" may mean low-spice, low stakes, or both!

Likewise, “cosy crime” also has nothing to do with the stakes. It often has a higher body count than “Nordic noir”. It’s just not graphically violent and skates over the trauma of violent death.
I should think the primary reason there is the second word, crime. Crime necessarily invites higher stakes. "Cozy" crime is going to be relative to the original genre--and crime novels are notorious for large body counts.
 

Further, folks definitely are using the phrase "cozy fantasy" to mean, explicitly, lower-stakes fantasy works
Cosy fantasy is very definitely not the same meaning as cosy Romantasy.

But even cosy fantasy is not necessarily low stakes. It’s just less explicitly violent, glosses over dark themes such as torture and good always wins. Star Wars ANH is cosy fantasy - we can blow up a planet because all those deaths happen off screen to people we don’t know.
 

Excuse me, vuestra merced, because I started to learn English when I was in 6th grade and in more twenty years reading English in internet and some RPG sourcebooks in original English never I had seen "them" used for singular, but Franky Stein, character from the action-live of Monster High, because "their" brain is composed by various donors. I am not used.

A good romance story needs good characters capable of arousing our sympathy even though we do not fully identify with them. If those characters were your classmates or co-workers you could befriend them.
Do you remember the characters from your favorite sitcoms that you're most fond of? There are many TV series every year, but only a few remain in our memories. There are webs where I can read free manga+manhua+manhwa and also romance genre. I see the cover and I read the sypnosis, why should to choose this or that titles to read?
Let's try with one example to try to explain it. Do you remember Disney's Descendants? Mal&Ben, Evie&Doug, Carlos&Jane and... maybe Jay&Loonie? We are talking about a family-friendly teen romantasy.. with several couples.. and their romantic stories are relatively simple but those characters are very popular and loved by the audience. There is "hook", something that makes you to want to know more about them. You can be a beatiful couple in the cover of a romance novel but you don't feel that "hook" that grab your attention.

I would rather the "romcom". Has anybody read "Dungeons & Drama" by Kristy Boyce? Even though the ending is predictable, you can't help but be curious about what happens before, like watching a rerun of The Simpsons or other sitcon in lunchtime again despite knowing the jokes.
 

should think the primary reason there is the second word, crime. Crime necessarily invites higher stakes. "Cozy" crime is going to be relative to the original genre--and crime novels are notorious for large body counts.
Not really. Classic crime fiction is more of a literary puzzle to be solved by the reader. As such it isn’t really about crime or criminals, the victim often has it coming, and it pretends trauma and gory corpses don’t bother anyone. All loose ends are neatly tied with a bow. Thus, most classic murder mysteries would be classed as cosy where they published now. There was a trend to deal with violent crime more realistically, starting from around the 60s (although some American noir is older). These novels often have police officers as protagonists rather than gifted amateur detectives. So, when publishers talk about cosy crime, they really mean retro, in the tradition of Golden Age crime writing, rather than modern grimdark realism.
 

Excuse me, vuestra merced, because I started to learn English when I was in 6th grade and in more twenty years reading English in internet and some RPG sourcebooks in original English never I had seen "them" used for singular, but Franky Stein, character from the action-live of Monster High, because "their" brain is composed by various donors. I am not used.
I've been using it my whole life, mate. "Yeah, them" is like. A common phrase to clarify that's someone you're talking about, regardless of gender

Let's try with one example to try to explain it. Do you remember Disney's Descendants? Mal&Ben, Evie&Doug, Carlos&Jane and... maybe Jay&Loonie? We are talking about a family-friendly teen romantasy.. with several couples.. and their romantic stories are relatively simple but those characters are very popular and loved by the audience. There is "hook", something that makes you to want to know more about them. You can be a beatiful couple in the cover of a romance novel but you don't feel that "hook" that grab your attention.
Mate. Luis. This is so irrelevant to romantasy I got to wonder why you're bringing these up. Literately never heard of any of them. Regardless though, we're talking, you know. Romantasy. Think Fourth Wing. The dragon book of 'Okay that's so actually popular I see it selling in book stores and non-fantasy people picking it up because its the new hotness'. Someone's mum ain't giving a dang about a Disney channel show, but they'll pick up Fourth Wing. That thing has completely outdone Pern as "THE Dragon Riding Book" as far as modern audiences are concerned.

Family friendly is not what they're aiming for with this. Romantasy is kind of the only fantasy that's selling at the moment, and boy howdy, it is not going to be family friendly. They're aiming for the booktok audience, they're not aiming for Disney channel watchers
 

I don’t know enough about linguistics to know when and where gendered pronouns first appeared. But I suspect in English it was the Normans what done it.
Other way around: Anglo-Saxon had a very robust gender system like other Geemanic languages including gendered articles let alone pronouns , as did Norman French. The theory is that the incompatibility of the gendering system of Old English and French was so confusing that as the languages pidgened people just dropp it more and more.
 
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