Goodman Games: Our Efforts Have Been Mischaracterized

Company reiterates opposition to bigotry and says efforts are well-intentioned.
Goodman Games' CEO Joseph Goodman made a statement via YouTube over the weekend*. The video itself focused on the content of the controversial upcoming City State of the Invincible Overlord crowdfunding product, but was prefaced by a short introduction by Joseph Goodman, in which he reiterates his company's commitment to inclusivity and diversity and its opposition to bigotry, something which they say they "don't want to be associated with".

Goodman goes on to say that the company's efforts have been "mischaracterized by some folks" but does not go so far as to identify the mischaracterization, so it's not entirely clear what they consider to be untrue other than the "inaccurate" statements made by Bob Bledsaw II of Judges Guild about Goodman Games' plans, which Goodman mentioned last week.

For those who haven't been following this story, it has been covered in the articles Goodman Games Revives Relationship With Anti-Semitic Publisher For New City State Kickstarter, Goodman Games Offers Assurances About Judges Guild Royalties, and Judges Guild Makes Statement About Goodman Controversy. In short, Goodman Games is currently licensing an old property from a company with which it claimed to have cut ties in 2020 after the owner of that company made a number of bigoted comments on social media. Goodman Games has repeatedly said that this move would allow them to provide backers of an old unfulfilled Judges Guild Kickstarter with refunds, but there are many people questioning seeming contradictions in both the timelines involved and in the appropriateness of the whole endeavour.

Despite the backlash, the prospects of the crowdfunding project do not seem to have been harmed. The pre-launch page has over 3,000 followers, and many of the comments under the YouTube videos or on other social media are not only very supportive of the project, but also condemn those who question its appropriateness. In comparison, the original (failed) Judges Guild Kickstarter had only 965 backers.

The video is embedded below, followed by a transcript of the relevant section.



Hi everybody, I'm Joseph Goodman of Goodman Games. We recently announced our City State of the Invincible Overlord crowdfunding project for 5E and DCC RPG.

In the video you're about to see, some of our product development team is going to tell you about what makes the City State so amazing and why we're bringing it back to 5E and DCC audiences nearly 50 years after it was first released. It really is an amazing setting.

But we could have rolled this project out with a lot more clarity. Now, to be clear, Goodman Games absolutely opposes any sort of bigotry, racism, anti-semitism, homophobia, transphobia. We don't want to support it. We don't want to be associated with it.

Our well-intentioned effort to launch this project in a way that refunds backers of a former failed Kickstarter from another publisher kind of backfired in the way we announced it. Rest assured, the funds from this crowdfunding will actually fund refunds to backers of the original City State crowdfunding for the Pathfinder edition from 2014.

Unfortunately, our efforts have been—you know, I didn’t clarify them perfectly when we rolled it out—and they've been mischaracterized by some folks since then. But please rest assured, we stand for inclusivity and diversity.

You can read a lot more detail in the post that's linked below, and there's another video linked below where we talk about this in even more detail. But for now, we hope you will sit back and enjoy as some of the product development team tells you about really what makes the City State of the Invincible Overlord so amazing, and why you might want to check it out when it comes to crowdfunding soon.

Thanks, and I'll turn it over to them now.

The statement refers to a post about this that is supposed to be linked below, but at the time of writing no post is linked below the video, so it's not clear if that refers to a new post or one of Goodman Games' previous statements on the issue.

I reached out to Joseph Goodman last week to offer a non-confrontational (although direct and candid) interview in which he could answer some ongoing questions and talk on his reasoning behind the decision; I have not yet received a response to the offer--I did, however, indicate that I was just leaving for UK Games Expo, and wouldn't be back until this week.

*Normally I would have covered this in a more timely fashion, but I was away at UK Games Expo from Thursday through to Monday.
 

log in or register to remove this ad


log in or register to remove this ad

There are also a surprisingly large number of people who think bigots should be allowed to spew whatever hate they want but then suddenly don't appreciate it when you try to use your own speech to counter them, and that is an extremely telling stance to take
“Just like them, I’m exercising my right to free speech.”

“Not like THAT!”
 



Except in this case, a sizable portion of the bar’s original or oldest patrons have been revealed to have always been or have become Nazis.
Yes, in this case it's basically the patrons discovering/pointing out problematic people and being told that lots of people like the stories those people tell and they can't be kicked out.

And like all analogies this one quickly falls apart :)
 


Yes, in this case it's basically the patrons discovering/pointing out problematic people and being told that lots of people like the stories those people tell and they can't be kicked out.

And like all analogies this one quickly falls apart :)
Most of the problematic people in the OSR see their market share and influence diminish as word spreads about them.

Modern, more democratic publishing realities means one can't drive them out of the industry, so many of them are still publishing, but they're publishing fewer things, selling them to fewer people, and their products are discussed less and less all the time.

So even the people who might not care about their attitudes are exposed to their products less and less, because the larger market -- who definitely care about this, given the evidence of what happens to the problematic people over time -- memory holes them.

Goodman isn't as problematic as some of these folks -- who are really problematic in some cases -- and they're pretty big with a more established audience than Necromancer/Frog God was when their issues came to light, so I'd guess they stick around. But I suspect their audience is going to be somewhat smaller going forward and will have at least some problematic new faces sitting at their game tables, if the online cheering section in their YouTube videos is anything to go by.
 

Why do publishers so often fail Bioware-level alignment checks?
Apparently Goodman wants that racist money real bad.

Let's see. CSIO funded at $600,000. Caverns of Thracia (also JG) reached $655,000. Dark Tower (also JG) was $450K. Most of their other BackerKits are in the $200K - $300K range, with their current at $160K.

So it does look like JG products bring in about double the funding of other games for Goodman.
 

Apparently Goodman wants that racist money real bad.

Let's see. CSIO funded at $600,000. Caverns of Thracia (also JG) reached $655,000. Dark Tower (also JG) was $450K. Most of their other BackerKits are in the $200K - $300K range, with their current at $160K.

So it does look like JG products bring in about double the funding of other games for Goodman.
Those three JD products are pretty high profile. CSIO is one of those products with huge name recognition going back to the 70s, and Jaquays' CoT and DT are also two legendary products which have specifically been lauded for their innovative design, both historically and since the OSR. They're two of very few non-TSR publications which get mentioned on "greatest modules of all time" lists.

Not that I want to buy more Goodman stuff at this point, but it'll be interesting to see what else really notable they find to license, if anything.
 

Agreed. I am more scared of the silent ones who hide and are primed to explode.
I’m a black dude, an army brat born in Louisiana, and who has lived in a number of places. I’ve lived most of my life in the American South- including Texas since 1982.

Someone asked me why I don’t move away from Texas and all the racism. I responded:

1) I’ve never lived anywhere wherever racism didn’t exist, and

2) it’s a lot easier to spot racism when the racists are comfortable spewing it publicly.

IOW, I’m happy when people open their mouths and confess their bigotry. Saves me a lot of time, effort and possible regrets down the road.
 

Remove ads

Remove ads

Top