Recent content by John Dallman

Things have been a touch busy, but here you go: Characters: Simon Deacon, narrator and commanding officer. First Lieutenant, British Army Intelligence Corps, on indefinite loan to loan to the Commonwealth Security Organisation. Don Williams, zoologist working on his PhD, likes to wrestle...

GURPS 4e Day After Ragnarok, based in Australia: Plane, Manilla, plane, boat, Macao.

AD&D1.6e, Avalon campaign in Greensward: Henchmen defeated, noble family reunited.

GURPS 4e Day After Ragnarok: Kill "Octopus Angel," Island destroyed.

AD&D 1.6e, Avalon in Greensward First planned combat of campaign.

GURPS 4e Agents of Alfred the Great: Reached London, players learning culture.

AD&D 1.4e, Avalon campaign in Greensward. Entangles and arrows kill Iguanodon.

Mongoose Traveller 2300, Bayern Campaign Should have brought frozen surrealists.

GURPS 4e Day After Ragnarok, based in Australia Japanese base on volcano? Investigate!

In fact, everyone in those boats had been hit. Four of the occupants of each boat were Africans, in fairly elaborate costumes. These made them look as if they had about two feet of hair all over them, with gloves and shoes that mounted large claws, and huge headpieces with wooden fronts in the...

GURPS 4e Occult WWII, neutral countries strand: Took the hint, left Liberia.

I'm currently playing in a Day After Ragnarok campaign, and the world map in that is extremely evocative. It shows how much the world changed in the apocalypse, and inspires me with scenario ideas.

Art is not very important to me, but it can be influential. That sounds contradictory, but a picture sometimes has a huge influence on the way a species gets played. My best example is the picture of a Gif in the first edition of Spelljammer for AD&D 2e. The monocle. and details of the uniform...

GURPS 4e Anglo-Saxon Britain: Spying for Alfred, reached Staines.

AD&D 1.2e, Avalon Campaign: "Death would let it escape."