Critical Role Hires Former Hallmark Channel Executive Alyssa Zeisler to Run Beacon Platform

Zeisler comes from outside of the TTRPG space.
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Critical Role has announced that they've hired former Hallmark Channel Vice President of Product Alyssa Zeisler as their General Manager for Beacon. The hire is meant to, in Critical Role's words, "level up and evolve" Beacon for its next era. According to the press release, Zeisler will oversee Beacon’s product roadmap, business performance, content and platform strategy, as well as the continued evolution of Beacon as a community hub, creator-led ecosystem, and a central destination for all things Critical Role and TTRPGs.

Zeisler comes from outside of the TTRPG sphere, having most recently been Vice President of Product at Hallmark Media, where she helped relaunch the Hallmark+ streaming and commerce platform. She also worked at Dow Jones, where she was Vice President of Subscription and Strategic Products and Research & Development Chief at The Wall Street Journal, and Barron, where she was Audience Managing Editor.

“Beacon is central to how we think about the future of Critical Role, and it’s time for it to level up and evolve,” said Travis Willingham, CEO and Co-founder of Critical Role, in the press release. “Alyssa brings exactly the kind of leadership this next phase requires. She understands how to build lasting, audience-first platforms at scale, and her experience leading subscription and direct-to-consumer businesses makes her a perfect fit to help Beacon grow while staying true to the unique authenticity that makes Critical Role what it is.”
 

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Christian Hoffer

Christian Hoffer


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Correct, they still belong to Geek & Sundry. Beacon has an article explaining where to find that content in the place where the episodes would be.
Yeah, I remember the very first ones had Geek and Sundry banners all over the streams, not to mention the audio was really spotty at times when they were first getting started.
 

Dropout is killing it as well, suggesting there's a real market for niche content, delivered well at a price that fans can afford while taking care of your content creators.

I can also imagine another timeline where Beacon and Dropout were a single platform. The Venn diagram between the two audiences isn't quite a circle, but it's closer to being one than not.
See also: Britbox, Acorn, Shudder, Crunchyroll, etc.
 




Think how different these comments would be if the article had explained what Beacon is.
This is my problem! The article makes it sound like a social network- like what Gleemax was- but if it's a streaming service not only is that not communicated to me, the reader, but those are also weird things to say about a streaming service?

Gleemax failed, in part, because it was overambitious, hence my comparison. It doesn't sound like they're trying to make a good streaming service, it sounds like they're trying to turn a streamer into something it's not.
 

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