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Again, this is excusing predatory behavior. There are non-predatory businesses, of course, and companies can act ethically--here, Diamond only had to not set up their "partners" to get burned as they went down. If you can't see that, that's on you.

No, but you are waving off predatory business behaviors as quotidian and excusing businesses passing off damage on to their partners as they fail. Happens in tabletop, of course, among the worst of the predators. It's always ugly and inexcusable.

No, I see predatory business behavior resulting in companies that try to operate professionally getting screwed. Again, there was plenty Diamond could have done before the meltdown to prevent shifting their failure on to businesses operating in good faith with them. There's no excuse for...

And there was plenty Diamond could have done before the wheel locked to protect their "partners" from the smash-and-grab being run on them now. They own this. This may be "business as usual," but that doesn't make Diamond's role in this any less repulsive.

Diamond is hardly opposing Chase in all this. They are the face of the smash-and-grab.

When hobby games distributors Wizards Attic and then Osseum went under in short succession in the early 2000s, burning their clients and leaving captive stock hostage at hostile warehouses, they drove some good publishers out of the market; I was working with one of them, Green Knight, who owned...

Great choice.

Discussing TSR as if it were a publicly traded company is not accurate. That's the larger point here. As for the debt and the finer points of the deal with Random House, the debt the company accrued and the ways in which it was (mis)handled are less likely to be problems that linger as long as...

It all depends upon how the private company is structured and how the stakes are held. For the purposes of this discussion, comments about TSR's failure were built upon a model for a publicly traded company, the public stock value, and the impact of public trading and shareholder value on the...

The stakes held by owners in privately held companies are not the same as publicly traded shares. They operate in very different ways.

I didn't say you were criticizing me directly or implicitly. Again, you seem to be assuming and assigning motives with no actual grounding to do so. You claimed to know what the companies "cared about," which is assigning motive. So you will want to pick a lane there, if you think companies...

Your hasty summaries about what WotC or TSR "care about" are nothing but speculation on motive, and in this case, a reduction of complex and even competing motivations of large creative operations to the most simplistic (and caustically framed) hot take. Beyond that, TSR was not a public...

So you are speculating from the outside based on A-level theory and not any real inside knowledge or actual standing to speak to motivations and goals beyond that, but assigning worst possible and most limited motivations anyway. Got it.

Rough numbers via Data Bridge, etc. Comics is around a $10 billion dollar global business (not including related media, etc) with the manga market another $14 billion globally. Tabletop gaming, including RPGs, totals around a $35 billion dollar global business. Numbers can vary widely depending...

From 1984 to 1994, I don't believe so.* The average Dragonlance and Forgotten Realms novels were selling 100,000 copies or more (and many continue to sell okay, thirty+ years later). Ben Riggs posted some hard numbers for Dark Sun, and the Prism Pentad novels each sold several times what the...

The debates running throughout the thread on what Ravenloft as a setting or brand is supposed to be are not new. Not long after the boxed set was released and writers outside the original team (Bruce Nesmith, Andria Heyday, and Bill Connors in Games, and me over in the Book Department) started...

The Ravenloft fiction line was, initially, carefully coordinated with the game material. That changed after 1993 or 1994, but initially there was a lot of coordination. And the fiction generally far, far outsold the game material. Both Vampire of the Mists and Knight of the Black Rose sold well...

Since you are speaking to motivation and claiming special knowledge, you really should be sharing your sources.

Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back, by Rebecca Giblin and Cory Doctorow, is also well worth reading on the general subject, especially as it relates to publishing and creative ventures.

All of which speaks to how predatory some major hobby market businesses, especially in the US, have become, and how careful you have to be about boilerplate. Publishers regularly use liquidation as a way to shuck off debts while selling IP (including IP they have not paid for) for profit in...