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There have been others in the past, but these days: D&D 2024. Call of Cthulhu. Daggerheart (player only). Pathfinder 1st/2nd (player only) Primeval. The One Ring (player Only).

During 3.x and Pathfinder 1st, I hated how powerful PC's could become especially towards the higher end. The D20 system did break at those levels. What I have realised, coming back to D&D with 2024, is that the system feels more balanced than it ever did before. Scaling works about right. In one...

D&D 2024 The Last Hyborean homebrew. Exposition dump. Players taking notes! :D

For myself, it's probably 2 to 3 hours prep time per 4 hour gaming time. That's reading, taking notes, making changes, looking up stat blocks and rolling treasure. In addition I spend a lot of time in my own head running potential how it will play moments, or plotting ahead in the campaign.

D&D 2024 Ghosts of Saltmarsh campaign. Tentacled Sea Monster Eats Adventurers! *They got better.

I had not heard of these so I've just looked them up. They sound like they could be fun but, and I appreciate this only relevant to me maybe, they are specific to their own internal campaign setting. My group had the same issue years and years ago, when I ran War of the Burning Sky for...

I've played through all the 1st edition adventure paths and I don't recall any that ended before 16th. It's their 2nd edition that now caps 10th-12th. I love Shackled City and I've run it dozens of times under 3rd D&D and Pathfinder 1st. It's a gem for me. Never had a problem keeping it going...

Paizo's adventure paths for Pathfinder 1st edition went 1st to 16th and they worked fine. The third Runelord trilogy went up to 20th, and that worked fine. I don't think it's easy to write for those levels but Paizo show it can be done and well. It's just a case of making a story that works over...

It's part of the problem where they take a monster race of old and make them a friendly player species today. It requires rewriting the setting somewhat.

The only problem I find with high level play from the DM's side of the screen is being aware of what spells and abilities your player's characters have access to. You need to be aware so that you can adapt what you are writing or modifying to accommodate for those weird way out spells/powers. If...

Just had a look and Dragon Delves caps at 12th.

I love dungeons but sometimes they can get a little dull and repetitive. Dragons I like to use sparingly so they don't get too overused. Mimics and Mazes.

Ghosts of Saltmarsh is level 11.

But not high levels like 15-20. Not that I have noticed anyway.

I prefer all my campaigns to run from 1st to 20th. The problem is that there isn't enough high end material. I like Paizo's adventure paths but they only went to 16th and now not even that. Not even google searching from home brew campaign's out on the web is fruitless. I'd like to see a least a...

I'm buying it to add the subclasses, feats, spells, equipment and magic items to my game.

I'm guessing Drunken Master or Drunk Monk didn't sounds right to someone.

I like ranger and cleric concepts, with bards a close second. I'm not one for playing the big burly fighter or barbarian these days.

Only had players use it once and that was to hide from an encounter so they could strategize how to deal with it.

Yeah. There's only one that I would call a complete miss, which is the weird confectionary based one. Just bizarre.