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I think the c3 opening session had the most views on their twitch history. But yeah, 140 session campaigns with four hours each will always mean they drop a lot in retention as it goes on. Especially if it doesn't speak to the viewer after a while.

All sidecontent has a huge drop in viewers. Umbra had far better view numbers than Wildemount Wildlings which was 5e. Age of Umbra session one have better views than the first Exandria Unlimited: Downfall.

Character sheets for players and NPCs, a way to share handouts, and make notes on a map. We mostly roll real dice, and we tend to do a lot theatre of the mind stuff so a scene where we can change images to fit the mood is great. Foundry is probably a bit overkill, but it's also the easiest to...

The Foundry one has full use of the SRD. The void things you need to add yourself since while they're free on the site, they're also currently not part of the SRD.

The first one I noticed was the Planescape Tiefling: Infernis + Faun.

The big problem with 4 is that the CR fandom is against change and that's setting them up for failure no matter what they do. Their viewing pleasure goes before the players and their ability to rest. Critical Role has more hours than the One Piece anime. That's a wild amount. Matt isn't the only...

That's a GM thing. The whole only face appropriate monsters are there in newer D&D as well, it's up to the GM to handle if they want to go outside of that. (And if you're uncertain of how a game runs you tend to stick with the guidelines, be it Combat Ratings or Battle Points.) That said, I do...

Ethel Cain's second album of the year is great.

The Umbra adversaries are on the website.

If I read the book and then look at Matt's encounters, the feeling I get is that he should have gotten more adversaries. They seem understaffed for the amount of players — especially since solos are "only" elite and not real solos.

Oh yeah. In theory from outside, this should be a hand in glove fit. And it wasn't just dictated at you, I've just seen far too many people dismiss the game as "a game only made for Critical Role and the critters" as if theatre kids never existed in the 70s. So more of a kneejerk thing :D

I really don't think this is true. Spenser and Rowan made the fantasy game they wanted, and sure they looked at the Legend of Vox Machina cartoon for inspiration because the goal was to capture the feel of Critical Role in that way. But if you look at how CR play? Daggerheart expects far more...

I would assume they already know and are gearing up to start recording. And then when they announce setting and system in September they have some clips of it.

Critical Role Sets Brennan Lee Mulligan as Game Master for Next Core Campaign as He Signs New Three-Year Deal With Dropout (EXCLUSIVE) Need to have something to announce closer to actual start of the campaign.

Oh I agree. It's a mess and shapeshifter is being handled by the transformations so that's out from the class already IMO. But yeah, I think it's more of a monster hunter class than the ranger subclass, and I do think more melee classes would be good. I'm interested to see how it has changed...

I think Todd is freelance rather than Darrington employee, but someone should snatch him up. He's really good at doing PR interviews and WotC laying him off like that was a huge mistake on their part.

As far as a niche goes, a witcher class will speak a lot to a specific subset of players. And hopefully it will not be a glass cannon such as the 5e version.

Let Brian have some rest, man. He's worked enough and taken far too many GM shifts covering for others!