Siegfried Niemand
First Post
Don't Fear the Reaper by Blue Õyster Cult.
Celebrate good times
come on ! - Let's celebrate
Celebrate good times
come on ! - Let's celebrate
There's a party going on right here
a celebration to last troughout the years.
So bring your good times and your laughter too
we're gonna celebrate your party with you !
I know I'm getting old(er), but if Dead Can Dance is considered "mainstream" then why don't 'you kids' request them on Top 40 radio more often? I'm a bit tired of hearing Usher's "Yeah".MrFilthyIke said:Like the poster said, they wanted non-mainstream stuff.
ivocaliban said:This issue was brought up in wolf70's thread regarding how to handle an elven funeral. It got me thinking about classical music that was appropriate for the occaision and I'm sorry to say that there isn't much to be found there. Brass and percussion seems out of place for a variety of reasons, which leaves woodwinds and strings for the most part. Recently (or perhaps not so recently) elves have been identified with Celtic music and while there is some of that to be found in classical music of the UK and Scotland, very little of it is gracefully elegiac.
In lines with classical music, probably the closest I've come are the works of Vaughan Williams. Portions of his "Fantasia on a Theme by Thomas Tallis" and "Five Variants of 'Dives and Lazarus'" are appropriately pastoral and gentle, but still seem all too human. Grieg's "Death of Aase" (which I believe wolf70 was considering) seems too heavy and cold now that I've listened to it again. Faure's Requiem (which someone else mentioned) seems passable, but the Latin lyrics of the mass are too familiar and, again, human.
What this leaves us with is either traditional Celtic music or New Age musings. Works by Enya, Clannad, Loreena McKennitt, Dead Can Dance and Altan might appeal to some, but some of it seems far to modern for me to associate with elves (a supposedly ancient race in an age long before sythesizers). In the end, I think a cappella is probably the way to go. We've come to associate the female voice with elven music and it seems to work best, but the real truth is the only music that seems right is the music that's composed specifically for or with elves (as they're known in D&D) in mind.