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BattleStar Galactica:Season 3.5--3/25/07--Arc 20 (Season Conclusion)
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<blockquote data-quote="Steel_Wind" data-source="post: 3421015" data-attributes="member: 20741"><p>Honestly? The series was fine this year up to the end of Ep 5:<em>Collaborators</em>. At that point, the series was as good as it had ever been.</p><p></p><p>But the problem was Iraq war parallels and that not sitting too well with a lot of American fans. America's not much for self-criticism during a war - and that's a fact. The show bled audience and lost half their viewers over the run of those first five episodes.</p><p></p><p>It was a continuous claw back to try and keep the show alive. We got insipid one-offs as they abandoned the mythos episodes in an attempt to attract new viewers throughout the second half of Season three.</p><p></p><p>There are a couple of good and and a couple of bad one-offs up until Eye of Jupiter and Rapture.</p><p></p><p><em>Eye of Jupiter </em>plot aside, the show then spirals into pretty much awful SF television for the rest of the season as the series circles the bowl until the final 12 minutes of <em>Crossroads Part2</em>.</p><p></p><p>What did we get instead of Cylons and Mythos - and god forbid - story development? We got a Lee Adama and Starbuck love quadrangle. It stank.</p><p></p><p>It's ratings. Had they not gone down and had they gone up, we would have got a LOT more mythos episodes in the final half of the season and things would have gone better, if not positively <em>swimmingly</em>. </p><p></p><p>The jump to Sunday adds a lot of viewers back and a few one-offs attract enough eyeballs to get a season renewal.</p><p></p><p>Then, after Starbuck is killed in a brash publicity stunt <strong>wtf not</strong> moment by RDM, <em>BSG</em> jumps the shark.</p><p></p><p>Contrast this with <em>Heroes</em>. <em>Heroes</em> stumbles a bit out of the gate, ratings wise but it's not bad. NBC thinks as long as people see it - they'll be hooked. NBC then gambles and re-runs eps 1-4 on a Sunday night in prime time, and carries on with ep 5 the next day. The show takes off - ratings zoom up and the show never looks back. </p><p></p><p>Script wise with <em>Heroes</em> we get the pure opposite of BSG. No one-offs. Pure story the whole way through. And they even avoid the <em>Lost</em> nonsense and reveal large plot elements to the viewer as well. The viewer is there for the story and it develops.</p><p></p><p>In <em>Heroes</em> you get story plus character development and it works; In BSG, you get this ratings backtrack and they desperately move away from story + character dev. Instead, they sidetrack to pure character dev in multiple one-offs and the season largely tanks after a promising beginning.</p><p></p><p>Sad.</p></blockquote><p></p>
[QUOTE="Steel_Wind, post: 3421015, member: 20741"] Honestly? The series was fine this year up to the end of Ep 5:[I]Collaborators[/I]. At that point, the series was as good as it had ever been. But the problem was Iraq war parallels and that not sitting too well with a lot of American fans. America's not much for self-criticism during a war - and that's a fact. The show bled audience and lost half their viewers over the run of those first five episodes. It was a continuous claw back to try and keep the show alive. We got insipid one-offs as they abandoned the mythos episodes in an attempt to attract new viewers throughout the second half of Season three. There are a couple of good and and a couple of bad one-offs up until Eye of Jupiter and Rapture. [I]Eye of Jupiter [/I]plot aside, the show then spirals into pretty much awful SF television for the rest of the season as the series circles the bowl until the final 12 minutes of [I]Crossroads Part2[/I]. What did we get instead of Cylons and Mythos - and god forbid - story development? We got a Lee Adama and Starbuck love quadrangle. It stank. It's ratings. Had they not gone down and had they gone up, we would have got a LOT more mythos episodes in the final half of the season and things would have gone better, if not positively [I]swimmingly[/I]. The jump to Sunday adds a lot of viewers back and a few one-offs attract enough eyeballs to get a season renewal. Then, after Starbuck is killed in a brash publicity stunt [B]wtf not[/B] moment by RDM, [I]BSG[/I] jumps the shark. Contrast this with [I]Heroes[/I]. [I]Heroes[/I] stumbles a bit out of the gate, ratings wise but it's not bad. NBC thinks as long as people see it - they'll be hooked. NBC then gambles and re-runs eps 1-4 on a Sunday night in prime time, and carries on with ep 5 the next day. The show takes off - ratings zoom up and the show never looks back. Script wise with [I]Heroes[/I] we get the pure opposite of BSG. No one-offs. Pure story the whole way through. And they even avoid the [I]Lost[/I] nonsense and reveal large plot elements to the viewer as well. The viewer is there for the story and it develops. In [I]Heroes[/I] you get story plus character development and it works; In BSG, you get this ratings backtrack and they desperately move away from story + character dev. Instead, they sidetrack to pure character dev in multiple one-offs and the season largely tanks after a promising beginning. Sad. [/QUOTE]
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