Hawaiian Flavor type game?

A Polynesian Cosmogony

Tihei Mauriora!
Ki te Feiao, ki te Ao-maarama.
Ka tu kei runga, ko wai koe?
Ko Tuu, ko Rongo koe, ko Taane koe.
Ko te manuhiri i ahu mai i Hawaiki, nau mai.

Sneeze of Life!
To the Light-seeking World, to the World of Light
Standing above, who are you?
it is Tu, it is Rongo, it is Tane
The visitor who comes from from Hawaiki, welcome...


- Chant of Dedication at the Birth of Maui​



CREATION OF THE COSMOS
Although each group within Polynesia has its own elaboration on the process of creation there are common themes across all Polynesian groups such that a generalised cosmogony can be conceived.

As such genesis begins with a Supreme Being, a prime force who existed in the Void and Eternal Darkness of Te Po (The Night). This Creator set the process of creation into being generating two entities known by various names (corresponding to ‘Male’ and ‘Female’) who engaged in a process of growth/evolution as they establish an ordered state, eventually resolve themselves into the Sky-Father ( Watea , Wakea, Atea) and Earth-Mother (Papa)

Watea Sky and Papa Earth cling together and from them is born the atua (dieties), spirits, the elements, the land and all living things. The greatest of the Atua were known throughout all of Polynesia being Tane (Kane), Tangaloa (Kanaloa), Tu (Ku) and Rongo (Lono). However in some of the Western islands (around Samoa and Tonga) Tangaloa is given as the name of the creator, not a son of Earth and Sky.
Also in some groups the earth and sky rise from the sea or is formed from a primal egg or coconut shell, however these are local elaborations that do not detract from the generalised cosmology

Deeds of the Atua
Next the atua are given prominence in the creation cycle. With Sky and Earth still clinging together the world remains dark and cramped, it is the atua who are commissioned to separate them and in particular Tane who becomes the atua Patron of Light and Life.

Tane is atua of Light and Life, as symbolised in Te Waiora o Tane (The-water-of-life-of-Kane). The name Tane means ‘Man’ (or Male) and he is our divine ancestor, a procreator he directly brings life to things. He is lord of the forest and all the creatures who lived in it, as such is invoked by house carvers and boat builders. Tane also spread the stars across the heavens and plants across the earth and eventually, with help of the other atua, gave form to the first mortal (usually a woman named Hina (Sina)) from whom all people descend*.

Tu is the atua of war to whom human sacrifices were made. He is a Patron of mortals and allows them to harvest the children of the other atua (ie hunting), he is also seen as an artisan. His name means "to stand" and "to strike" and he oversees competition and activity. In Hawaii there is a family of atuas classed as ‘Ku’ who are all formidable warriors.

Rongo (Lono) is the atua of agriculture, peace and generosity, he brings warm rains and is associated with the Rainbow. Lono introduced the Matariki harvest festival that was a time on singing, feasting and celebration. He is linked to the kumara and as a peaceful god Rongo whoe name means peace and does not accept human sacrifice

Tangaroa is the atua of the Sea and is a major figure in Polynesian thought. In many groups he is elevated to the status of Creator who brings forth the world (Papa) from the sea. His name means ‘to envelop (wrap)’ just as the Sea envelops all things. Tangaroa causes the tides by his breathing and is the ancestor of fish and reptiles. The Octopus is his emblem. He is known to be a dangerous atua.

Mortals
Hina (Sina, Hine): Hina-ahuone is the universal woman, the first mortal but not a human (thus she remains an atua). Hina is associated with the moon and its cycles, from Hinatea (the bright maiden) to Hinauri (the dark woman/crone), as Hineiwaiwa she is associated with childbirth and weaving. She also takes on the form of the Guardian of the Dead (Hinenuitepo)
Her name re-occurs through history as other female figures invoke her including Pele (aka Hina-ai-malama).

Maui: The Trickster. Maui is descended from the first woman Hina-ahuone, and the youngest born of his family. Maui dwelt in the time when spirits and mortals still dwelt together and the paths between the Spirit world and the mortal world were still open, as such he interacts freely with mortals and atua. Maui is a great hero (even demigod) he is shapechanger who was taught all manner of magics. He is known to have fished islands up from the sea, to have beaten and slowed down the Sun, and to have brought the secret of fire to mortals. He had many other exploits that vary fom one island to another but all involve his mischievous yet clever schemes. Maui is a figure that brings disruption to the social order, he challenges the ‘gods’, causes harm but in doing so brings great benefit to mortals. However in his final act Maui attempted to reenter the womb of Hinenuitepo in order to cease all dying. However he failed in this and was crushed between Hina’s thighs. It is because of this that death is now permanent and the spirits of mortals can no longer freely move between this world and the next.

Tafaki: The Perfect Chief and great grandson of Maui (viz Maui- Kaitangata-Hema-Tafaki). Tafaki is described as the most handsome of chiefs, strong, brave and upstanding. He engages in a number of adventures his two most important being first the quest to recover the bones of his father (who was killed by the undersea dwelling Ponaturi whilst Tafaki was still a child) and second the quest to reunite with his divine wife Hapai who left because he inadvertently insulted their child. Tafaki climbs to the sixth heaven and humbles himself before her brothers, he is accepted and is taught all the prayer-chants known in the heavens, and therein becomes an atua associated with Lightning. All the Ariki of Polynesia claim descent from Tafaki (and thus Maui) and thence back to their divine heritage

NEXT: The Structure of the Cosmos, the Nature of Atua and the Purpose of Prayer-Chants
 
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Excellent!

Right now I am loaded with Real Life work and obligations, so I cannot contribute, but in a week or two I will work on the character classes and races (more the mechanics than the fluff).
 

By the way, I am just thinking: since we plan to make this d20-Polynesia a PDF for sale, maybe we could try the "Ransom system" as detailed in this thread? Of course this would require to first present a work in progress with some layout and illustration to really tease people. What I like with this system, is that once enough people paid for it, the game becomes free to all for download, meaning that it can be widely distributed thereafter, which may not be the case with normal sales system (PDFs generally don't sell beyond 100 copies).

Just a 2 cents thought...
 

Havaiki i ruga,
Havaiki i raro,
Havaiki i Taputapuatea,


Havaiki above,
Havaiki below,
Havaiki at Taputapuatea,​

The Physical World we observe is Havaiki i Taputapuatea (Havaiki in the scared clearing), the islands of Polynesia are here scattered across the expanse of Te Moananui a Kiwa (The Great Ocean of Kiwa). This realm is conceived by Polynesian seafarers as a coconut shell with the great dome of heaven above over which they marked the star paths of celestial navigation.

Beyond the Sky in the Bespaced Heavens was Havaiki i runga, the celestial realm, were the gods and heroes dwell. There were many levels within the heavens with the highest heaven Te Toi-o-nga-rangi being the sole preserve of the creator. Only the most worthy of mortals could reach the celestial realm be it by sailing to Pulotu (beyond the Western Horizon), by climbing the sacred vines (Te Aka Matua) or by riding the celestial whirlwind. Havaiki i runga was similar to the mortal world but as the source of all good things was more abundant in everyway.

The World Below (Havaiki i raro) was accessible through openings found in deep caves, in bottomless springs or beneath the sea. It was even possible to enter the Underworlds by sailing into uncharted territory. Many different areas were found here including the Realms of the Turehu (fae) and the Realm of the Dead. Many stories are told of travel between the Underworlds and the Mortal world and even of marriages between humans and the underworld peoples. Some parts of the Underworlds were like the Mortal world, with people who lived much as those of the Mortal world do. However other parts were dark and dreary caverns. It is also safe to remember that some of the peoples of the Underworlds were powerful spirits (or fae) who could be deadly if offended and many monsters like the dreaded Mo’o and tanifa made their lairs in these underground places.
So we have three 'Worlds' in which PCs can adventure, and also an explanation as to where non-human races fit it (they are denizens of the World Above and/or World Below).

The following story about the World Below from the Tuamotu Islands
There was a man and a woman that lived together on Fakarava. One time this woman had an argument with her husband and she went out of the house and walked along the beach as she thought about the argument. She met another man that she had never met before. This was a strange thing because she knew everyone that lived on the island and he was a stranger. He told her to follow him and she did. They walked along the beach for a ways and they came to a place where they could look down onto the waves crashing onto the beach. He told her to jump in but she declined. She said that if he jumped in first then she would follow. So he jumped in and as soon as he was in the water he disappeared. She jumped in, and she disappeared also.
They went down to a land that is under the land. That land is called Havaiki-i-Raro (Havaiki Below) and they lived together for awhile. At first the other people there did not like this woman because she was a stranger. She made friends with them and this is how.
After she lived with the man who had brought her to Havaiki-i-Raro she became pregnant and after about nine months she was going to deliver. The people of this land came to her with a knife and they told her that they would cut her open to deliver the baby. The people of this land were ignorant of the real way babies are born and that is why they did things like this. The custom was to open the womb of the mother. The baby would live and the mother would die.
This woman told the people to not worry about helping her deliver her baby because she would show them the proper way to deliver babies. So she did and after they learned how to do it they were all very pleased and they liked this woman for showing them such a wonderful thing.
This woman lived in Havaiki-i-Raro for awhile longer until the day that she wanted to come back onto the land. The place that she came out on the land was on the island of Hawaii. For that reason that island is called Hawaii after Havaiki-i-Raro and Havaiki-i-Taputapuatea
When she came to Hawaii, she brought with her the red panadanus that she had brought from Fakarava. The red panadanus still grows on Hawaii island

More Philosophy still to come
 
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