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How to Scare your Players' Pants Off

Challenger RPG

First Post
[FONT=&quot]Okay, let’s face it. Any GM with any common sense knows that trying to scare their players is something like trying to rob Fort Knox: doomed to failure and almost guaranteeing future ridicule. However, it is certainly possible to use elements of fear to enhance the fun of the game. Most players show up to have fun, not to be scared of a guy rolling plastic dice and talking to himself. This article will outline a few tips and tricks you can use to—well—not scare your players—but use fear to enhance the game, and (with luck) scare their pants off.[/FONT]

[FONT=&quot]Kill off Henchmen[/FONT][FONT=&quot]: Nothing says ‘this is supposed to be a scary adventure’ like killing off a half a dozen unimportant people accompanying the group. Sometimes it helps if the people dying off just kicked the butt of the party and were sent with them to ‘keep track’ of the player characters. While no player is bound to sweat much if a peasant falls in a pit trap, if a trained warrior wanders off and screams—things are bound to get interesting.[/FONT]

[FONT=&quot]Split the Party[/FONT][FONT=&quot]: Normally, there’s nothing worse you can do than let the party split up. It’s tantamount to saying ‘I want this game to go down the tubes with random cut scenes’. However, separating just one cocky player from the group (and preferably his weapons, light source, and way back) can do loads to add to the drama in the game.[/FONT]

[FONT=&quot]Employ the Cliché GM Chuckle[/FONT][FONT=&quot]: Yes, it’s a cliché. Yes, you’re an experienced GM who never uses it. Yes, that’s why giving a heartfelt chuckle while rolling a load of dice will make your players virtually piddle their pants as they try to cover exits and bar the room.[/FONT]

[FONT=&quot]Hide the Mystery Monsters[/FONT][FONT=&quot]: Nothing kills the uncertainty and fear in a game like knowing what’s going on. If you say, “Ten orcs ambush you”, the only one liable to be scared is the guy walking past the cafeteria. Saying, “A 78 ft., oblong shadow with tentacles rips the thief in half before disappearing”, is bound to be a little more interesting.[/FONT]

[FONT=&quot]Try actual Danger[/FONT][FONT=&quot]: There are few things as scary as actual danger in a game. If your long-term campaign story is too precious to risk killing a single PC, you might want to run a one-shot and let the players know they might die. Then you can feel free to use actual danger without which fear is like peanut butter without the jam sandwich.[/FONT]

[FONT=&quot]Describe things Fearsomely[/FONT][FONT=&quot]: Players often take most of their cues about the game world from the GM’s descriptions. After all, it’s all they have to go on. If you start rambling on about how deadly, dangerous, mysterious, gloomy, magical, and purely insane a location would be to enter; the party will most likely think twice. However, think carefully before using this advice, or the group might just skip your adventure location completely.[/FONT]

[FONT=&quot]Remove Key Reference Points[/FONT][FONT=&quot]: This may sound like I’m advising you to destroy the party’s lecture notes. However, I’m actually suggesting knocking out their key lines of support and defense. A good party will often maintain several key elements for their survival such as: knowing their location, marking exits, maintaining light, keeping ready food and water supplies, maintaining equipment for the venture at hand, and so forth. You may have gotten into the habit of just letting them have this stuff and not worrying about it too much. A good way to make them sweat is to allow them to lose a couple key references. If the dungeon shifts like mad and makes them lose their bearings, their torches run low, monsters rip/steal their food and supplies, and the temperature suddenly (and unexpectedly) drops to -100 degrees Celsius; the party will probably have some trouble on its hands. Expect the group to complain loudly if you do this kind of stuff. Remember, you don’t have to take it all away to make them sweat. Any one thing should do nicely.[/FONT]

[FONT=&quot]Use Elaborate Magic[/FONT][FONT=&quot]: Otherwise known as ‘being cheap’ magic is there to be abused. Don’t just settle for teleporting the party to random locations. Have magical traps inflict bizarre forms of insanity, possession, or warp the laws of physics and reality. Endless corridors, reverse gravity rooms, and more are all options. Make sure you leave a way out and allow such afflictions to be cured eventually. In the meantime, unexpected magical effects can really mess with the party’s strategy.[/FONT]

[FONT=&quot]Allow the Party to make a mess of things[/FONT][FONT=&quot]: Opportunity to enhance the fear element of a game may be no farther off than the party’s next bogus maneuver. Instead of saying something unhelpful like, “That’s impossible” or, “Do you really want to do that?” consider letting the party try to dive to the ocean floor, swim across the lake, jump the chasm, or enter the storm at sea. When they’d normally die, you can invent something absolutely bonkers to get them in trouble and enhance the game. When the thief is swimming a sea monster drags him to the bottom and a secret chamber, the ship is destroyed but the party washes up on a deserted island, the fighter falls in the pit and breaks through fifty feet of fungus into a hidden chamber, etc.[/FONT]

[FONT=&quot]While it may not be realistic (this is a fantasy game, right?) it can sure add a whole new dimension to the game when you offer whacky solutions to otherwise certain death. When the party insists on taking on an army (and fails) consider having them sold into slavery or something else interesting rather than just killed or told off (by you).[/FONT]

[FONT=&quot]Strike at the Heart[/FONT][FONT=&quot]: Nothing strikes fear into the hearts of experienced players like the loss of their most prized possessions. If the magical turkey explodes any gold or gems he gets near, if the wraith drains 57 levels with a touch, or if the evil wizard can destroy magic items; the party will likely become very angry. It’s probably just to hide their fear, or maybe they just hate the GM for being so arbitrary towards them and destroying all their hard-earned spoils for no good reason.[/FONT]


[FONT=&quot]***[/FONT]​


[FONT=&quot]Like I said, most savvy GMs don’t try to actually scare their players. They just ‘set the mood’ and hope for the best. Oh, yes… “Heh…heh….heh.” *Rolls too many dice*.[/FONT]
 

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Ulrick

First Post
If possible, make sure each player sits with a dark opening behind him or her. This could be a window or a doorway into a dark room. As the DM, every so often glance over their shoulder into the darkness behind them, as if you see something.
 

gyor

Legend
This happened to me while playing the movie board game called Nightmare. I got a card that told me if I screamed at the right time and scared some one I'd get a key. I screamed at this time, no one else knew it was coming, and I scared the crap out of them, like my dad was ready to take a swing at me. Freaking brillant.
 

Quickleaf

Legend
If possible, make sure each player sits with a dark opening behind him or her. This could be a window or a doorway into a dark room. As the DM, every so often glance over their shoulder into the darkness behind them, as if you see something.
Oh man, that reminds me of a good story.

We were in a cabin by the beach doing what was then our annual gaming and beach weekend. It was the second night and I was running an adventure about a shapeshifting monster called a "strigha" with tons of creep factor. For example, there was a shattered mirror the PCs found on the scene of the strigha's latest attack with a murky image of a red-haired woman burned into it - the woman's face was obscured by shadow but when the mirror shard was turned the woman's body language shifted to suggest she was turning to look at the PC.

Anyhow, the PCs have a stakeout at the place where they think the strigha will strike next. As they established defenses, I described the sounds of dog barking outside. Outside, in real life, a dog barked. Then rain. And outside, in real life, it started to rain. The players looked at each other, but nervously laughed it off.

Then, right when they were searching for a secret room, for some reason I looked up toward a wall of the cabin behind us. I saw a small attic door that would need to be accessed ladder in the cabin. So I said to the group, "And you see the faint traces of a secret door, much like that one up th--"

Suddenly, a gust of wind shook the cabin and the attic door swung open and shut. I was stunned, but recovered quickly enough to catch the looks of terror on my players faces. Priceless. ;)
 

Jhaelen

First Post
In our 3e D&D campaign we had a session where the pcs were walking into a Grimlock ambush and I had just announced that the door behind them slammed shut and everything went dark when we had a sudden power outage and we were sitting in the dark for real. What a weird coincidence!
 

MortalPlague

Adventurer
My absolute favorite trick for setting the mood is to hand players notes.

Some of them will be blank, or inconsequential. But not all of them.

I once ran a dungeon where the line between the Feywild and the Prime was thinning, so the local vegetation was becoming sentient. An aboleth lurked in a pool in the depths, corrupting the Feywild's intrusion, turning the sentient plants into psychic monstrosities. I was handing out notes like "You hear the moss call your name. Just once, then silence", or "For a moment, you see the room in its former splendor, before it fades to ruin once more".

When the players reached a large chamber dominated by a twisted, gnarled oak growing through the walls, I handed this to the rogue:

The Handout said:
You can only speak DEEP SPEECH. Please speak in character in the phrases listed below. Your cooperation is appreciated.

adde parvum parvo magnus acervus erit
castigat ridendo mores
legum servi sumus ut liberi esse possimus
dulce bellum inexpertis
absentem laedit cum ebrio qui litigat
aut viam inveniam aut faciam
sane, paululum linguae latinae dico
tibi gratias agimus quod nihil fumas.
perfer et obdura; dolor hic tibi proderit olim
durate et vosmet rebus servate secundis
dimidium facti qui coepit habet
bis vivit qui bene vivit
ipsa scientia potestas est
nil desperandum
candor dat viribus alas
It was epic.
 

Karak

First Post
Most of those sort of seem like stuff that should be done all the time. Especially descriptions, random rolls, possible dying, players doing what they want and so forth. That should not be saved for unique times in my opinion. It seems like many of those are based around fear of losing something, doing something strange versus environmental fear. And sadly everything there we do on a daily basis as I don't really protect players, stop them from trying things or stop them from splitting up.

If we are talking about Halloween style fear and not mechanical fear then I have found that actually making a place, environment scary takes a far different set of skills that just killing some people or taking away something.

Randomly asking a player if their character locked a door, or some other safety environment question and then just nodding can work well. Especially if you do nothing with it. Lack of knowledge breeds fear pretty easily and does so even more easily if false cues are given for a bit of time.

As well as describing small random things like disturbing smells or things that don't fit in mundane settings. Specific things rarely done during normal game-play helps. If you don't explain smells often, by doing so it can really cause the players to feel a freshness that is rare and you can then use that to your advantage.

Also, though we do this all the time, I rarely talk in a way that causes me to say, "You hear a blank."

Usually I just speak in a unique voice randomly or make a sound as often as possible with no narrative stuff clogging up the pipes. As often as I can I introduce an item, enemy, and so forth then if I want interaction I speak as them, make a sound as them, and so forth versus saying, "You hear a cat screech."

In fact, if you aren't good at voices, or sounds, sometimes that can work in your advantage. Especially if you try to make a cat sound and it sounds weird. Players may say, "That doesn't sound like a normal damn cat to me." Mundane things that become alien are the things that true horror comes from.

I try to never say the horrid lines of You see a, you hear a, you smell a, kind of things. Those break players out of the environment easily. Just changing the structure works to keep players invested in a 1st person kind of way. "A hint of copper and salt hits your nose." Is better than "You smell copper and salt." Other characters and NPC's can help with that by saying things aloud too, "Smells like...copper or something." From an NPC is better than "you smell copper." A dog sniffing at the corner of a room works better than, "You see something in the corner."
 
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Emirikol

Adventurer
Great suggestions thus far: I've narrowed it down to two things mentioned earlier:
1. Don't be afraid to kill of PCs..and make a point of it.
2. Let the players muck things up. Don't you love it at the end of the game when they ask you, "Is there any way we could have survived that???" and you reply, "Yes, in the playtest, there were a few groups that found out how..."


jh
 



sabrinathecat

Explorer
Program your mp3 player with a select list of atmosphere pieces. I creeped everyone out last time with a lot of help from Nox Arcana and Midnight Syndicate (and some other soundtracks).
Leave the tap running.
Wince when you look at the description of a room.
"Does everyone have a replacement character ready?"

But if you really want to scare the pants of them:
giant moths.
 

ThaDium

First Post
One of my favorites is having the PCs pre-roll saving throws. That way, it's legit what they rolled. Then, as the game goes by, I roll a d10 when one of them needs to make a save they would not be aware of and count down from the top number to get the roll. Then I add the mods for the required save and continue on describing the effect if necessary, or not.

The best part is the loss of control my players feel. They don't know what the save is for, or even who is making the save necessarily. Sometimes I just roll and look for no other reason than to creep them out. It works wonders.
 

gamerprinter

First Post
Since Kaidan - Japanese horror (PFRPG) is indeed a horror setting, all the adventure modules released thus far incur all these elements to instill fear.

In the Curse of the Golden Spear trilogy of adventures for Kaidan, each module uses a different flavor of fear to instill the right measure of horror and each are different to fully explore the concept.

In Part 1: The Gift, the party encounter at least two very haunted areas. The first one begins as a simple stop over on the trail, a country inn or ryokan. In that encounter, a simple farmhouse turned into an inn seems very much unprovocative. Combining enigmatic dream sequences, discovery that the food you ate on the prior evening consisted of dead rats with an illusion of being something else is step one. When other guests turn out to be ghouls, and the former innkeepers are powerful ghosts - the change of expectations from first encounter to combat can be a scary transition.

Also part of the Gift is another horrific encounter consisting of undead children - victims of a serial killer now as zombies. Using children in this way is very discomforting and enhances the feelings of horror.

In the second adventure, Part 2: Dim Spirit, horror turns to dread as the party discovers several of it's members now carry a curse that will kill if trying to escape or venture too far away from their previous venture. Now the local lord is sending his troops to capture the party and overwhelm them - it becomes a survivor module.

The third adventure, Part 3: Dark Path is an exploration of the various phobias people have including: spiders and spider swarms, total darkness and closed in spaces, and other well established phobias.

In the free Kaidan adventure, Frozen Wind, survivor horror is the theme in a high mountain monastery caught in a fierce unseasonable snow storm. The temperature is dropping 10 degrees a minute, reaching deep subzero in a very short time. All the fires have gone out, and fuel cannot be easily found. The former monastery inhabitants are all dead, and are rising as frozen zombies. Ice oni and a yuki-onna (snow woman oni) is determined to kill all remaining monastery residents (the PC party) and trying to summon a powerful insane kami to win the conflict. With a lack of healers among the pre-gen PCs, survival becomes even more harrowing.

All four adventures above are 4 and 5 star rated by the reviewers suggesting that the attempts at fear inducement is quite successful in all of them.

#30 Haunts for Kaidan, explore truly horrific and detailed haunts some as multiple linked haunts, all as part of larger story elements. Haunts are among the featured elements of Kaidan that truly explore concepts of horror. This book, like no other instills the essence of fear that haunts should induce, that other modules and supplements seem to fail in comparison.

Looking for horror elements for your roleplaying? Look no further than Kaidan to accomplish that.
 

Challenger RPG

First Post
[MENTION=5868]Olgar Shiverstone[/MENTION]: No. It rarely, if ever, happens. The OP was all lies filled with false promises. The title itself was so unspeakably off base as to be a slanderous deception. However, it managed to get you to read the article, right?

Joking aside, yes, you're right. ;)
 

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