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Message: <blockquote data-quote="Blue" data-source="post: 9116080" data-attributes="member: 20564">From around the corner, Eoghan's bandore starts off low and insistant.  His fingers demand power from the strings and the Bardic Instrument delivers.  His chanting wraps around these deep notes, embueing them.  In triumphant playing he walks around the corner, closer to the battle.  Each of his comrade - even the dwarven, even the orcs!, find that at some point in the combat there's been a leitmotif he's played while they acted.  And it's now pulled full front and center, resplendent in these notes.  It's a call to action, but a personalized one.  It calls each to what they can do as if by name, by sinew, by heart.[ooc]Eoghan turns visible (it only lasts until start of round), moves closer (say DW83), and as his action uses Bard's Countercharm ability.I'm really excited - This is a class feature I've never had a chance to use in all the 5e I've played!CountercharmAt 6th level, you gain the ability to use musical notes or words of power to disrupt mind-influencing effects. As an action, you can start a performance that lasts until the end of your next turn. During that time, you and any friendly creatures within 30 feet of you have advantage on saving throws against being frightened or charmed. A creature must be able to hear you to gain this benefit. The performance ends early if you are incapacitated or silenced or if you voluntarily end it (no action required).[/ooc]</blockquote>

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