How dare you claim I can't revivify a corpse via some chemically induced process!you can't revivify a corpse via some chemically induced process
How dare you claim I can't revivify a corpse via some chemically induced process!you can't revivify a corpse via some chemically induced process
Wow, calm down, dude. We’re just chatting about a movie.This is like wanting to talk about Lord of the Rings being racist, with it being a race war, and racial killings. Hard SF has been around as a genre since Rappaccini's Daughter Rappaccini's Daughter - Wikipedia people often are criticizing what they don't understand, and science is often least understood. If one wants to frame it unfavorably one can, though the only thing actually happening is merely tearing down something someone else likes.
Yes, and you could make a case for that making you "inside a black hole", I suppose, but I'm referring to the part where all of your matter becomes part of the singularity. I don't think that there's any way to be alive when that happens. Or, "conscious", or "transcend existence" or any of that. You just become a tiny, tiny bit of mass added to the whole.Gargantua, the black hole in the film, per Kip Thorne is about a hundred-million solar masses - of a size we'd call a "supermassive black hole". The tides at the event horizon are not large, and one could totally step across without harm.
Yes, that's the part that bothers me the most. It's what the move - and I, when referring to the movie - consider being "inside (a) black hole".Now, all the stuff about being in a tesseract and interacting with the world outside the black hole? That's magic.
Does the movie say “inside the black hole” or are those just your words? (Genuine question—I don’t remember). Or do they just refer to crossing the event horizon?Yes, that's the part that bothers me the most. It's what the move - and I, when referring to the movie - consider being "inside (a) black hole".
It is only an example of unfavorable framing of something destroys the enjoyment.Wow, calm down, dude. We’re just chatting about a movie.
I took a Gender & Science Fiction class as an undergraduate, and we read some letters from the 1930s about how ill suited women were to writing "scientifiction." For some critics, it was specifically because they found women focused on the human aspects instead of the technical aspects of the technology, proving they were generally ill suited to writing science fiction. And I couldn't help at the time but think most of the science fiction that's great is about people not technology.People often critique the hard sci-fi bits of it. But I actually don't think it's a hard sci-fi movie. One of my critique of science-fiction (not all of it of course) is that it often focuses on such grand questions, or on technical/scientific premises that it becomes cold and not about humans anymore. What I loved about Interstellar is that it was very much about individuals, human feelings. It's a great piece of drama wrapped in a different cloth.
By "they" I mean the people that made, and the people that have reviewed the move. Not ALL of them, I'm sure, just the general talk about it.Well I don’t know who ‘they’ are but generally the only context I’ve personally heard that in was as I described above. I’ve never heard anybody describe the magic bit at the end as amazing science. Most people just went “huh?” at that bit. YMMV, of course.
Yes, and you could make a case for that making you "inside a black hole", I suppose, but I'm referring to the part where all of your matter becomes part of the singularity. I don't think that there's any way to be alive when that happens. Or, "conscious", or "transcend existence" or any of that. You just become a tiny, tiny bit of mass added to the whole.