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<blockquote data-quote="Aura" data-source="post: 6886863" data-attributes="member: 6747658"><p>The man resheathes his falchion and reaches out to accept the pen and paper from Pirvinia. There is tension--he is obviously wary of her and the rest of the group. However, this makes it rather easy to have a clean hand-off with no physical contact of any kind.</p><p></p><p>Once he has the items, he wanders over to one of the remaining tables, pulls up a chair, and begins to draw. With his back to the group briefly, the nature of his injuries become more obvious, with most of the wounds being combat oriented. By comparison, his back has injuries that are not straight, wandering his back as a painter might wander his canvas, and obviously not the result of combat. It also becomes obvious the falchion he wears is of similar construction to the previously found blades, and therefore quite old.</p><p></p><p>As Jeremiah begins to draw, it becomes apparent his fine motor control is rather lacking. Muttering to himself similarly to when the discovered him, he concentrates to make the lines as clear as possible. He starts in the center of the paper, and seemingly draws the atrium with all its exits, then roughs out each of the wings. Finally he writes single word identifications of each of the areas, puts an x where you are now, and scribbles out a substantial portion of the wing you're currently in. Judging from the partial collapse of the diner in which you stand, it seems he is noting large portions to have been caved in. He spends a minute or two blowing the ink dry, giving the work a final appraisal before rolling it up.</p><p></p><p>Freshly drawn map in hand, the ancient man stands and extends it to Pirvinia in the same fashion as it was originally offered to him.</p></blockquote><p></p>
[QUOTE="Aura, post: 6886863, member: 6747658"] The man resheathes his falchion and reaches out to accept the pen and paper from Pirvinia. There is tension--he is obviously wary of her and the rest of the group. However, this makes it rather easy to have a clean hand-off with no physical contact of any kind. Once he has the items, he wanders over to one of the remaining tables, pulls up a chair, and begins to draw. With his back to the group briefly, the nature of his injuries become more obvious, with most of the wounds being combat oriented. By comparison, his back has injuries that are not straight, wandering his back as a painter might wander his canvas, and obviously not the result of combat. It also becomes obvious the falchion he wears is of similar construction to the previously found blades, and therefore quite old. As Jeremiah begins to draw, it becomes apparent his fine motor control is rather lacking. Muttering to himself similarly to when the discovered him, he concentrates to make the lines as clear as possible. He starts in the center of the paper, and seemingly draws the atrium with all its exits, then roughs out each of the wings. Finally he writes single word identifications of each of the areas, puts an x where you are now, and scribbles out a substantial portion of the wing you're currently in. Judging from the partial collapse of the diner in which you stand, it seems he is noting large portions to have been caved in. He spends a minute or two blowing the ink dry, giving the work a final appraisal before rolling it up. Freshly drawn map in hand, the ancient man stands and extends it to Pirvinia in the same fashion as it was originally offered to him. [/QUOTE]
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