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<blockquote data-quote="GlassEye" data-source="post: 6177759" data-attributes="member: 40413">Thuvian's initial examination of the mural turns up nothing unusual now that the sagari are dead.&nbsp; The murals are finely carved though the length and weight of the entire piece precludes taking them.&nbsp; It looks like they could be disassembled into smaller blocks but even so those blocks would weigh hundreds of pounds.&nbsp; The scene depicted by the carving is likely one significant to the city of Sumbru.&nbsp; Closer examination of the carving reveals some sort of gate structure obscured in the background, an arch with elaborate symbols, which pinpoints the scene as the turning point in Sumbru's war to establish itself as an independent nation some centuries ago and one which the Angroza family played a key part.&nbsp; Damaris is familiar with a long poem, 'Charge of the Sumbran Horse', little performed now, and this scene looks to be of that pivotal charge.The two swords are simple steel longswords of masterwork quality and do not have an aura of magic about them.&nbsp; There is nothing overtly valuable about them beyond their fine construction but they will bring a small price when sold.The double doors at the end of the hall are made of an exotic wood, dark maroon in color, polished to a velvety finish, and decorated with studs and curled handles of black iron.&nbsp; There is an elaborately carved lock set into the door between the iron handles but one door is very slightly ajar revealing only the tiniest sliver of the chamber beyond.&nbsp; Without opening the door further you cannot make out what is beyond the doors.</blockquote>

[QUOTE="GlassEye, post: 6177759, member: 40413"] Thuvian's initial examination of the mural turns up nothing unusual now that the sagari are dead. The murals are finely carved though the length and weight of the entire piece precludes taking them. It looks like they could be disassembled into smaller blocks but even so those blocks would weigh hundreds of pounds. The scene depicted by the carving is likely one significant to the city of Sumbru. Closer examination of the carving reveals some sort of gate structure obscured in the background, an arch with elaborate symbols, which pinpoints the scene as the turning point in Sumbru's war to establish itself as an independent nation some centuries ago and one which the Angroza family played a key part. Damaris is familiar with a long poem, 'Charge of the Sumbran Horse', little performed now, and this scene looks to be of that pivotal charge. The two swords are simple steel longswords of masterwork quality and do not have an aura of magic about them. There is nothing overtly valuable about them beyond their fine construction but they will bring a small price when sold. The double doors at the end of the hall are made of an exotic wood, dark maroon in color, polished to a velvety finish, and decorated with studs and curled handles of black iron. There is an elaborately carved lock set into the door between the iron handles but one door is very slightly ajar revealing only the tiniest sliver of the chamber beyond. Without opening the door further you cannot make out what is beyond the doors. [/QUOTE]

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