Mark said:
Stripmining the OGC from products isn't really about trying to help the original publisher.
Not to change the subject, but does stripmining the OGC from a product appreciably
harm the publisher either?
I'm genuinely curious here... as I stated in my long post, assuming any meaningful delay between press and "stripmine," the sales cycle is complete before the stripmine sees the light of day, and therefore it is too late to do appreciable harm.
Publishers (in general) seem to be asking, "how will this help me?" Could the question be "how will this harm me?"
If there is no harm, why
not give your permission to others to "stripmine" your (old and no longer commercially valuable) stuff?
jmuchiello said:
* Problem with most is, you never know what might become a phenomenon. What if Midnight became a huge success with movie, book and toy tie-ins? Suddenly, all the names of people and places in Midnight have great value. While TDG publishes as 100% OGC, any setting we publish will PI all the names, places, themes, etc therein because, you never know what might take off. (Although I might forgoe PIing the poses. )
I'll stir the pot a little bit here and make a bold prediction or two here:
Prediction 1: A 100% OGC setting, completely free of PI is the
only type of setting that has a chance to become a huge success with movie, book, and toy tie-ins... because the movie, book, and toy people can (for the most part) use it for free.
Prediction 2:
No PI'd setting will ever "take off" and become a huge success with movie, book, and toy tie-ins.
Call this the
It's a Wonderful Life phenomenon. It's a Wonderful Life became huge in the public consciousness only when it was thought to be out of copyright and thus EVERYONE (especially niche cable channels that couldn't afford licensing fees) used it for free (speech + beer). Because everyone could use it for free, it got tons of exposure... and only with tons of exposure could it become huge.
Of course, as soon as someone came in and finagled a way to claim it back under copyright (by claiming the soundtrack, IIRC) and demanded licensing fees to run it (i.e., making it no longer free), it became MUCH less popular.
D&D/d20 went through the ENORMOUS boom it did in 2000 and 2001 because of the
It's a Wonderful Life phenomenon... it was essentially FREE (in both the sense of beer and speech) so everyone was using it and everyone knew about it. The d20 license has started to fall out of favor with many companies... because it has become too restrictive (i.e., not fully "free"). It's why, IMO, while OGL/SRD use remains high, the use of the d20 trademark has been dropping (and I predict it will continue to drop unless WotC relaxes the terms of the license to make it closer to "free" again).
That's the price, I think, of getting your setting published in books and movies and stuff... you have to make it free (as in beer and speech both) and let some other rat bastard make the money off it.
Of course, I could be totally wrong, take this with a grain of salt... but that's my feeling.
--The Sigil