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<blockquote data-quote="Dannyalcatraz" data-source="post: 3574858" data-attributes="member: 19675"><p>Even if that were true, that only means that the SS needs to brush up against you, then blast you to atoms as you reel in your power-switched confusion.</p><p></p><p></p><p></p><p>Like I said, I stopped reading 99% of comics in 1996, partly because of bad writing...</p><p></p><p>like when Spider-Man (not hopped up on any Capt. Universe powers or anything) dropped Firelord in single combat...</p><p></p><p>...or when Electro figured out Spider-Man stuck to the walls due to static electricity...</p><p></p><p>etc.</p><p></p><p>Not if their writing is just as bad.</p><p></p><p></p><p>X-Men 3 did 1/3 of that in one weekend.</p><p></p><p>By way of comparison, Eddie Murphy's Coming to America did just as well as FF did, but did so in 1988...with a production budget of $30M. And at that, it actually <em>lost</em> money after figuring in distribution and marketing costs.*</p><p></p><p>IOW, it was hardly a success.</p><p></p><p>*In all fairness, part of that loss is attributable to Hollywood accounting methods which are notoriously wonky- see the lawsuit that Art Buchwald filed vs Coming to America's producers, or the one Israel filed vs the producers of Raid on Entebbe.</p><p></p><p>But that system hasn't changed appreciably.</p></blockquote><p></p>
[QUOTE="Dannyalcatraz, post: 3574858, member: 19675"] Even if that were true, that only means that the SS needs to brush up against you, then blast you to atoms as you reel in your power-switched confusion. Like I said, I stopped reading 99% of comics in 1996, partly because of bad writing... like when Spider-Man (not hopped up on any Capt. Universe powers or anything) dropped Firelord in single combat... ...or when Electro figured out Spider-Man stuck to the walls due to static electricity... etc. Not if their writing is just as bad. X-Men 3 did 1/3 of that in one weekend. By way of comparison, Eddie Murphy's Coming to America did just as well as FF did, but did so in 1988...with a production budget of $30M. And at that, it actually [I]lost[/I] money after figuring in distribution and marketing costs.* IOW, it was hardly a success. *In all fairness, part of that loss is attributable to Hollywood accounting methods which are notoriously wonky- see the lawsuit that Art Buchwald filed vs Coming to America's producers, or the one Israel filed vs the producers of Raid on Entebbe. But that system hasn't changed appreciably. [/QUOTE]
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