Mannahnin
Scion of Murgen (He/Him)
Sword & Sorcery is about personal stakes. The protagonist isn't going to save the world; at best, maybe they're saving a city, and it's usually unintentional (see: antihero).
No, I would say that while some S&S protagonists are selfish or antiheroic, in most cases they are heroic or behave heroically, sometimes against their will or better judgement. John McLain from Die Hard also was a reluctant hero. Conan frequently fights evil and wicked men and monsters, and I don't think his actions can be reasonably dismissed as selfish, even if his motivations sometimes are. In this way S&S protagonists are more realistic than ones who have some destined great fate or crusading cause they're passionate about. In the real world heroes are often people who are stuck in a bad spot and behave heroically, but wouldn't describe themselves as heroes.Stories about selfish people being selfish? No demand for that in fiction, can just pick up a newspaper.
I think by "personal stakes" we're talking scale of story. This is one of the usual points of contrast between a S&S story and an Epic Fantasy story- scale. Defeating or escaping a monster, or the thieves' guild, or a single wizard, or a life of slavery, rather than defeating the Evil God Who Threatens to Cast the World into Darkness. Often S&S protagonists are fighting for survival more than they are for a grand heroic goal. That being said, S&S can sometimes have a more epic scale, too. As do many of the Elric stories. I would say some moral grayness is commonplace, though.
Well, one of the appeals of the first book is the ambivalence about whether Paul is a heroic figure. In large part his moral virtue rests on his desire to refuse the messiah title and the power which derives from manipulation of a people through cynical myth-making. But when he eventually decides to embrace that, he's functionally rejecting his moral high ground. Of course, the books after the first one are less ambiguous.Haha, there is quite a bit to say about Paul and Herbert. In general I believe in the Death of the Author so I'm not particularly concerned with Herbert's opinions. But I think Herbert's statements regarding Paul are often read/interpreted too simply, and if you stick too strongly to that interpretation you end up killing most of what is interesting about Dune (like the recent movie). There's a much broader conversation to be had about interpretation, the 'right' way to enjoy art...I don't think this is the place though.
Agree regarding Max. Paul shows great reluctance as well.
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