Osafune Kiyomitsu Made My Sword

barsoomcore

Unattainable Ideal
So I finally got around to investigating the origin of my sword.

I bought a katana many years ago when I was living in Tokyo. I'd been studying at Sugino Yoshio's dojo for about a year when I approached some of the senior students about finding me a reasonably-priced antique katana that would be good enough for a humble barbarian wanna-be like myself.

One fellow had a friend who was a collector and was planning to get some of his high-end blades polished, so he was looking to sell some of his crappy blades to raise the money to do that (katana-polishing is very expensive). The fellow looked over his selection and brought one to me.

At the time I knew almost nothing about swords. And my Japanese was never terrific, so communication was always a problem. But the sword was beautiful, if obviously flawed in a couple of respects (two chips, one right at the tip, and some minor corrosion), and I bought it, having faith in the people who were teaching me how to use it. There was a signature on the tang, which I was interested in, but I understood that it was considered probably a forgery.

Note that that doesn't mean the blade is worthless; it means that the guy who made the blade figured he could get more money for it by passing it off as the work of a superior smith. It's still a properly-made and antique weapon, it's just not made by who it says it was made by.

Okay, enough preamble. My copy of The Samurai Sword arrived the other day and I just spent the last couple of hours inspecting the blade and figuring out what it says and what the rest of the weapon's qualities can tell me.

I've owned it for nine years now, and I'm just getting around to verifying what people told me. Nine years after I spent several thousand dollars just taking their word for it.

Anyway, the tang inscription says "Bizen Osafune Kiyomitsu" which is a reasonably well-known smith from the mid-1500's. The blade is of size and shape and style consistent with smiths of that time, and although the hamon (the temper line) is quite a bit smoother than the one verified Kiyomitsu blade I found online, it is very similar in terms of form (ridgeline, general shape, grain of steel and tang) and I think it's reasonable to say it's from a smith who knew Kiyomitsu's work pretty well. I'm pretty sure it's not a mid-Tokugawa sword, as I once thought, as the grain is very pronounced, which apparently is rare in the later swords, so I think I've got a Muromachi or an early Tokugawa sword.

That's what I'm going to believe, anyway. And I thought it was cool and that I would tell you lot. So I did.

:D
 

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Yea, the cost of polishing a katana is fierce. The last time I checked the best price I could find was around a thousand. I can't even look at mine because the rusty fingerprints on it make me so ashamed, but I can't afford to have them polished off. *sigh*
 

Neat little tale. I bet that sword has some stories attached to it.

I am thinking Red Violin like. It would be interesting to know who held it through out time, and if it was ever used.

Very cool.

Razuur
 

Razuur said:
Neat little tale. I bet that sword has some stories attached to it.

I am thinking Red Violin like. It would be interesting to know who held it through out time, and if it was ever used.

Very cool.

Monte Cook has a short story series coming out in a gaming magazine that has a similar premise. Just saw the ad for it in the most recent Dragon magazine...
 


Whatever the story of the sword, I bet its current owner/resting place would surprise the heck out of the guy who made it.

:D

I paid about $3,000 for the blade itself, plus another $1,500 or so for the fittings, plus a final $500 for an antique tsuba (guard) just a few years ago on a trip back to Japan.

[tsuba story]Even before I'd bought the blade, I knew the tsuba design I wanted. Tsuba are full-on works of art in their own right, collected and displayed on their own.

The design I wanted was an image of a monkey reaching to grasp the reflection of the moon in a pool of water. I like it because it symbolizes a pretty big part of my life -- trying to grasp hold of something that not only can I not grasp hold of, but that isn't even THERE in the first place. Trying to grasp the moon is foolish enough, but a reflection of the moon? Silly monkey.

But I never found one while I was living in Japan, though I went to antique fair after antique fair, asked everyone I knew -- nothing.

Five years later we go back for a friend's wedding and I am drawn helplessly into a sword shop where I go through a few drawers' worth of "junk" tsuba and ta-da! Monkey Time!

(yes, "junk" tsuba cost $500)

I was very pleased and am very happy with my piece, even though it's not a real classic work of art. It means a great deal to me. [/tsuba story]

The blade linked above is being sold at $29,000 or so. Of course, it's a verified antique by the actual guy, and is in mint condition with a great polish besides. But I think it's reasonable to think my blade is somewhere in a range of $5,000 to $10,000.

Not that I would ever sell it, so the question is kind of moot.

I was looking at the tang inscription last night and thinking that some 400 years ago, a guy MADE this thing and put those characters on it. He must have sat back and wondered what would happen to this beautiful object he'd crafted. He probably hoped nobody would trace the false inscription back to him. Maybe he was already spending the money in his head ("Twenty-five ryo for Kastuko..."). And here I am, centuries later, looking at what he wrote and made. His hands to mine. With who knows how many pairs of hands in between.
 

Thanks for the cool story. Myself, I only own a modern Katana, a 'fighting' one, not an ornamental one, from special steel out of which modern army combat knifes are made as well, but I do own many antique other things.

The coolest thing about those is indeed to imagine the stories behind them and the owners throughout time.

I am lucky to have a real ushuabti statuette from egypt, some 2.000+ years old, which my grandma bought there when she was young and restrictions on trade in these types of items did not exist yet. Whenever I handle it, I can't help but think of all the time it has spent in some dank tomb from some noble egyption, long dead, the life that person must have had on the banks of the nile, how at some time it was discovered by grave robbers, and now ended up in my hands.

I have spent about half a year in the middle east, including trips to egypt, and at times it is easy to imagine how things must have looked at at the time...

Whenever I DM, I try to transfer some of this feeling about items that the PC's find when on adventure. I try to make each magical item an 'artifact' of sorts, with a short history about its makers and previous users to add to the mystique of things.
 

ONLY a modern katana?

:D

Actually I recently met a fellow who'd just purchased a Paul Chen Blue Orchid. I was very impressed. It was a nice blade.

Not as nice as mine, of course.... ;)

But modern smiths (even non-Japanese smiths) are turning out better and better swords all the time.
 

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