Penguin Random House Announces New D&D Romantasy Book

The Feywild Job comes out in June 2026.
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Penguin Random House has announced The Feywild Job, a new D&D novel written by World Fantasy Award and Nebula-winning writer CL Polk. The new book is a romantasy novel, a popular and wildly growing book genre. The book features a rogue tasked with stealing a gem called "The Kiss of Enduring Love" and is teamed up with their ex-lover, a bard. The twist to the novel is that the rogue has a magical pact granting them powers in exchange for never falling in love.

The new novel is written by CL Polk, a writer with serious bonafides in the fantasy community. Polk's debut novel Witchmark won the World Fantasy Award in 2019 and their 2022 novella Even Though I Knew The End won the Nebula Award for Best Novella that year. Based on their website, this appears to be Polk's first foray into licensed media.

Below is the full description for The Feywild Job. The book will be released on June 30, 2026.


Sparks fly when bitter exes are forced to team up for an elaborate Feywild heist, in this cozy fantasy romance by the bestselling author of the Kingston Cycle and Even Though I Knew the End.
Saeldian has sworn never to fall in love. That oath isn’t just a personal promise, but rather a magical pact, granting them powerful abilities. The only catch? They must never give their heart away—a deal that Saeldian is perfectly content with. They’ve seen firsthand how messy love can get.

Saeldian prefers their no-strings-attached life as a con artist, pulling off heists and leaving a trail of broken hearts behind them. But when a grift goes horribly wrong, they catch the eye of a mysterious patron with a job offer they can’t refuse.

The mission? Steal a gem called “The Kiss of Enduring Love” and return it to the Feywild. Simple enough, until Saeldian discovers their ex-partner, Kell—a charming bard—is part of the team.
The last time Saeldian saw Kell, things hardly ended on good terms. A kiss became a betrayal, leaving Kell hurt and confused for almost a decade. But Kell can’t just walk away—not when this job might finally be his ticket back to the Feywild.

Forced to work together again, their adventure takes them from high-society parties to Feywild couple’s therapy. But as Saeldian and Kell rekindle their chemistry, they realize the gem is much more than a fey bauble, and their simple heist has summoned powerful enemies. . . .
 

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Christian Hoffer

Christian Hoffer


Even Though I Knew The End won the Nebula Award for Best Novella that year. Based on their website, this appears to be Polk's first foray into licensed media.

In this day and age, award winning writer's can't turn down any project they feel they are a fit for.

On a related note Kij Johnson, also a multiple award winner for fiction, just had the ttrpg she submitted to Kobold Press hit the shelves. (Riverbank) Kij got her start in media tie-in at TSR, I believe.

 


In this day and age, award winning writer's can't turn down any project they feel they are a fit for.

On a related note Kij Johnson, also a multiple award winner for fiction, just had the ttrpg she submitted to Kobold Press hit the shelves. (Riverbank) Kij got her start in media tie-in at TSR, I believe.

Isaac Asimov wrote plenty of tie-in fiction. The idea that a successful writer "debases" themselves writing a tie-in is basically a notion that existed for maybe 20-30 years during the tail end of the paperback era.
 



Isaac Asimov wrote plenty of tie-in fiction. The idea that a successful writer "debases" themselves writing a tie-in is basically a notion that existed for maybe 20-30 years during the tail end of the paperback era.
Agreed; however, tie-in novels from publishers like Disney or WOTC seem to have a lot of drawbacks in terms of royalties etc. There have been a lot of horror stories there. Some of my favorite authors ended up destitute because their work in established properties did not pay a proper wage.
 

Agreed; however, tie-in novels from publishers like Disney or WOTC seem to have a lot of drawbacks in terms of royalties etc. There have been a lot of horror stories there. Some of my favorite authors ended up destitute because their work in established properties did not pay a proper wage.
Anecdotally, I know people who've been naughty word over with work for hire and I know people who've made bank. The difference between those authors? Their agents.
 


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