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<blockquote data-quote="Argyle King" data-source="post: 5555120" data-attributes="member: 58416"><p>There's really no rhyme or reason to this overall... this is a pantheon I jumbled together quickly for a GURPS dungeon fantasy game I had been running. I borrowed a lot of things from various real life religions as well as from various myths and various literature. I then made a token effort to have it all semi-make sense.</p><p></p><p></p><p></p><p><u>Aganju - fire, change, volcanoes</u></p><p>Aganju is the lord of fire, change, and volcanoes. It is said that he has two forms. The first appears as a gargantuan elemental consisting of both earth and fire. The second is a giant obsidian man. As the lord of fire and change, many craftsmen pay at least lip service to him. As the lord of volcanoes, losing one's temper is occasionally associated with Aganju. As might be imagined, the temple dedicated to Aganju has a fiery motiff. Obsidian glass is also used quite liberally in the temple's construction. Aganju's clergy typically wear fiery colored clothing consisting of multiple layers to give the appearance of flicking flame as they walk.</p><p></p><p><u>Aphrodite - love, beauty, sexuality</u></p><p>First and foremost the goddess of beauty and sexuality, Aphrodite embodies the ideal female form. To different races and different people, the ideal form is many different things, but it is said that Aphrodite's form is one who is so beautiful that it transcends all cultures and races; mortals can only hope to achieve but an echo of it. The most common account of her physical form is thus: <em>being like a pure maiden in height and mien, that he should not be frightened when he took heed of her with his eyes. Marked well and with wonderful mien, height, and shining garments. For she was clad in a robe out-shining the brightness of fire, a splendid robe of gold, enriched with all manner of needlework, which shimmered like the moon over her tender breasts, a marvel to see. Also she wore twisted brooches and shining earrings in the form of flowers; and round her soft throat were lovely necklaces. From her cheeks shone unearthly beauty</em> A monastery dedicated to her is located in a vineyard on the outskirts of the city; the all-female order of monks strives toward what could be described as physical perfection. The new church's vision of her tries to put more of a focus on Aphrodite as an embodiment of love and femininity. Typical clothing of the monks inside the walls of the monestary are varying degrees of nudity. Inside the city, where a greater level of modesty is required, they tend to wear a white toga, sandals, and shiny belt cloths tied around their waist; the color of the belt indicating some sort of rank. In the colder months they often wear a heavier coat over the torso and shoulders as well as boots or shoes.</p><p></p><p><u>Andras - discord, murder</u></p><p>While no temples to Andras openly exist within the city, he is used in the new church's pantheon as an antagonist for the more postive aspected deities. Where Aganju is simply a lord of change, Andras commands change in a very negative light. Andras seeks to engineer discord and dissent. He teaches those whom he favors to kill their enemies, masters and servants. He stirs up trouble and dissension. A few stories say he can be summoned by mages and bargained with, though doing so is considered highly dangerous and the tales of those who have done so suggest he's just as likely to kill the conjuror, any assistants of the conjuror, and even any pets of the conjuror as he is to help. Those few who claim to have done so and survived say he claimed to be Maquis in some hellish otherwordly realm and command 30 legions of demonic followers. Andras is said to appear to have the body of an angel and the head of a wood owl with serpentine eyes, and to be riding a black wolf and carrying in his hand a pointed saber dripping with blood. While the residents of the city do tend to open minded, and it is probably not entirely uncommon for his name to be mentioned by those seeking to bring harm to their enemies, being an openly devout follower of Andras tends to be frowned upon.</p><p></p><p><u>Aslan - honor, nobility, balance</u></p><p>'The Great Lion,' 'King of Beasts,' and 'Son of The Emperor Over The Sea' is</p><p>most often viewed as a champion of good and honor, followers of Aslan often work closely with and get along with followers of Thor. Originating from the native Woem pantheon, Aslan is said to appear as a massive lion with some accounts describing him as being the size of an elephant; other accounts suggest he can change size, but that the elephant size is his main form. Originally Woem accounts emphasize that Aslan is not a tame lion; despite his gentle and loving nature, he is powerful and can be dangerous. He is balance and harmony; the spirit of the wild with a thinking mind, a sense of honor, and nobility. While it is said that Aslan himself does not recognize any sort of set religion -he simply expects that all people should be good unto each other- there are those who seek to emulate him. Most often, these 'clergy' are Woem who groom themselves in a lion-like manner or knights, monks, and other types who incorporate some sort of lion motiff into their clothing. It is not unheard of for those who favor both Thor and Aslan to carry a hammer as their weapon and a shield made in the likeness of a lion. It is rumored that there exists a covenant of Talking Beasts, Centaurs, Fauns, Dryads, Satyrs, Naiads, Hamadryads, Unicorns, and Winged Horses who comprise Aslan's royal court in the wild.</p><p></p><p><u>Cthulu - insanity, madness, havoc, nightmares</u></p><p>While some may claim to have summoned Andras and survived, no such account exists when it comes to Cthulu. Even those who pay homage to the strange and terrifying god which sleeps eventually go mad; so maddening is Cthulu that he even warps the physical forms of those who seek his power and favor. From these insane cultists come the few garbled descriptions of his physical appearance, and Cthulu is thus described in the following ways: <em>"...simultaneous pictures of an octopus, a dragon, and a human caricature.... A pulpy, tentacled head surmounted a grotesque scaly body with rudimentary wings";"...a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind"; "The phrase 'a mountain walked or stumbled' gives a sense of the creature's scale."</em> It is said that Cthulu currently slumbers in a dream state, but such is his madness that his dreams sometimes leak into those of mortals; causing nightmares. What exactly will happen if he awakes is not agreed upon, but it is universally agreed that it will be something horrific and terrible. The new church claims that the other gods will unite to battle Cthulu at some future date when he awakens; some of the priests go even go so far as to say Andras will offer his legions to help.</p><p></p><p><u>Gau - earth, life, death</u></p><p>Often viewed as among eldest of the gods, Gau is the goddess of earth, life, and death. This portfolio is quite diverse and leads to her being invoked for a number of reasons. From the ground springs life, but the body is also returned to the earth in death. Often described as a dark earth-skinned feminine figure with greenish hair, her dual nature leads to her main description being modified depending on the aspect being invoked. During times of birth and life, she appears more motherly and bright; during times of death and sorrow she wears a bone white mask and her hair fades to a straw-like color and texture. She represents the natural order of things and the duality of life and death. The main temple of Gau is an arrangment of large stones scattered across roughly an acre of ground just outside the northern edge of the city. Half of this area is salted so nothing will grow; the other half is overflowing with various plants, flowers, and vines. Gau's clergy typically wear varying shades of greens and browns; the shade depending upon the occasion.</p><p></p><p><u>Lich - theft, shadows, humility</u></p><p>Something of an enigma, Lich is a minor villain to some, a role model to others, and presented as an example of foolish pride by yet others still. Lich stole the secret of eternal life when he hid near Gau performing a ritual on Santa. Unfortunately for Lich, he did not realize that he could not correctly perform the ritual without Gau's power. Other accounts say he misheard some of the ritual. Either way, it did not work as he thought it would when he tried it upon himself, and, instead of life, he was granted undeath. Humbled by his failure and the turn of events, the already stealthy thief sought to hide from the world and learned to cloak himself in darkness. It is important to point out that while he is undead, he is not the god of undead. Unhappy with what he acquired, he shed that mantle and it was apparently found by others. Lich is described as a mummified skeleton wearing a night black cloak. By those seeking stealth and camoflauge, he is a role model. Theft is either good or bad depending on the point of view of the person seeking aid, but most people don't publically announce being a thief. By those seeking to tell a story of pride and humility, he is used as an example. While there is a small clergy of his followers, no temple is openly known to be dedicated to Lich. Shades of gray and bone motiffs mark the clothing of his clergy. They favor a music instrument which consists of two sticks which they clack together.</p><p></p><p><u>Santa - charity, protector of children </u></p><p>A recent addition, he is said to have once been mortal. In life it is said that he was a protector of children and used his own fortune and wealth the spread joy and happiness. At the end of his life, even Gau felt sadness to see him pass and could not bear to have him lost. Gau used her command over life and death to grant Santa eternal life, and he became the demi-god of charity and protector of children. To a much lesser extent, he is also sometimes paid lip service when someone is combating undead. The being Lich hid near where Gau performed her ritual to allow Santa to cheat death and stole the secrets used. Seeing it as partially his fault, Santa is said to favor those who oppose undead. Some claim he personally visits the mortal realm at least once each year; his most common descriptions are that of a jolly fat human man dressed in white furs with red trim, and that of a slightly overweight dwarf wearing red leathers trimmed with white fur. No temples are directly dedicated to him; instead there is simply a small shrine carved out of one the stones which is part of the temple of Gau. During certain holy days, it is common to meet at this shrine to exchange gifts. Those wishing to partake in the festivities usually wear red hats trimmed with white fur and sing caroles.</p><p></p><p><u>Shapash - sun, light, warmth</u></p><p>Said to be the older sister of Gau, Shapash is the goddess of the sun, light, and warmth. Distant from the world and the other gods, she keeps a watchful eye over Gau. Her appearance is described in many ways; most of her faithful focus more on her aspects than trying to give her a form. Her temple is a large golden obelisk which towers over all other buildings in the city. Atop the obelisk sits a round ball. This obelisk can be found near the center of the city. Her clergy typically wear varying hues of gold and yellow.</p><p></p><p><u>Tarrasque - rage, destruction</u></p><p>Said to be either the son of Cthulu or possibly a lesser aspect of Cthulu or even possibly created from Cthulu's mad dreams, Tarrasque is said to be as larger than even the most ancient of dragons and said to have a body armored with a carapace which can withstand any attack. The parts of its body not covered by this armor shell is covered in wicked spikes, and it's terrifyingly large maw is filled with rows upon rows of huge razor sharp teeth. It is said that the Tarrasque slumbers; waking only to unleash wrath and desctruction upon the world before again sleeping. While not exactly worshipped, certain warriors who favor brute force and shield makers pay lip service to Tarrasque.</p><p></p><p><u>Tlaloc - rain, fertility, water, blue moon</u></p><p>Mostly a beneficent god who helps to give life and sustenance, Tlaloc occasionally also sends hail when he loses his temper. His appearance is something of an oddity, and is described as an anthromorphic duck with cartoonishly large eyes, snakelike fangs, bluish skin, and an eagle's wings. Supposedly the brother of Thoth, Tlaloc resides on the blue moon which can be seen in the night sky, and that moon bears his name. A strange juxtaposition; a temple to Tlaloc can be found across the street from Aganju's temple. Using white marble and stones dyed to various hues of blue, Tlaloc's temple has an obvious water motiff. Tlaloc's clergy tend to wear clothing which is colored with various hues of blue with feathery sleaves and feathery head dresses; the more extravagant the head dress, the higher the rank of the priest.</p><p></p><p><u>Thor - strength, thunder, valor</u></p><p>No coherant origin story is attributed to Thor by the new church; accounts among the older religions vary. In many he cases, he simply always was. Often said to be the defender of mortals against evil and trickery, his favored weapon is the hammer. Thunder is said to be the sound of his hammer striking a foe. His temple in the city is a circular shaped building built mostly from oak. Inside this temple is a variety of gongs placed at regular intervals. At the center of it all is a feast table which is set with food every fourth day. This temple can be found near the center of the city. It is often difficult to tell a clergy member of Thor's temple. Most appear like other knights and warriors; however, most prefer hammers, mauls, and warhammers and incorporate some sort of masculine or thunderous motiff into their equipment. Some have learned to play the shield as a sort of drum.</p><p></p><p><u>Thoth - wisdom, time, writing, white moon</u></p><p>Having a humanoid body and the head of an ibis and the feet of a baboon is Thoth, lord of wisdom, time, writing, and the white moon. He does not normally interfere with the affairs of the other gods nor does he typically involve himself with mortals. Instead he sits in his celestial realm from which he can watch the world quietly and record its events. His realm is the white moon which can be seen in the night sky, and it bears his name. Tlaloc is his brother. Thoth's temple in the city is a library built of ivory which is beside Tlaloc's temple and across the street from Aganju's temple. Thoth's clergy wear flowing white robes and furry shoes or boots. While not required, some also take vows of silence.</p><p></p><p><u>Vayu - air, breath, navigation</u></p><p>Said to have helped Gau create life, Vayu is among the eldest of gods. It is not definitively said whether Vayu is male or female. Instead, it is said that Vayu goes through phases of being one and then the other; changing slowly and lazily as the clouds often do. Vayu's children are the winds and they were originally responsible for navigation, but proved too unreliable on their own. As a result, Vayu disciplined them and gave them direction; thus creating the means for navigation. This in sharp contrast to most of Vayu's stories because Vayu is typically a free spirit and not very supportive of rigid structure. Vayu's temple is an obelisk built in a similar manner to that of Shapash, but it is not nearly as high. However, the obelisk is thicker in order to support a larger ball, and the round ball at the top of Vayu's obelisk is known to be hollow with many open windows. Faithful of Vayu venture to this ball on windy days to feel the awesome wind tunnel effects cause by its construction. Vayu clergy tend to wear white robes which flow in an almost dress-like manner and are sleaveless. The musically inclined among them tend to favor flutes and other instruments which use air and breath.</p><p></p><p></p><p><u>Yig - lord of serpents</u></p><p>A relative new faith to the city, the cult of Yig is a snake cult. Neither seeming to be good nor bad, the new church is undecided on its place in the collective pantheon. The temple of Yig is constructed from a large 'skin' of leather and a light metal mesh stretched over a long zig-zagging 'skeleton' made of stone, wood, and metal beams. This structure is found along the eastern outskirts of the village. Yig himself is described by his followers as having the head of a cobra, the tail of a rattlesnake, and the body of a massive python. Those who claim Yig is a force of good say Yig is most in touch with Gau due to having to crawl along the ground. Those who claim Yig is a force of evil or at least less than good point to his seemingly casual view of using poison and venom. His clergy usually wear hues of green and carry shakers or tamborines.</p></blockquote><p></p>
[QUOTE="Argyle King, post: 5555120, member: 58416"] There's really no rhyme or reason to this overall... this is a pantheon I jumbled together quickly for a GURPS dungeon fantasy game I had been running. I borrowed a lot of things from various real life religions as well as from various myths and various literature. I then made a token effort to have it all semi-make sense. [U]Aganju - fire, change, volcanoes[/U] Aganju is the lord of fire, change, and volcanoes. It is said that he has two forms. The first appears as a gargantuan elemental consisting of both earth and fire. The second is a giant obsidian man. As the lord of fire and change, many craftsmen pay at least lip service to him. As the lord of volcanoes, losing one's temper is occasionally associated with Aganju. As might be imagined, the temple dedicated to Aganju has a fiery motiff. Obsidian glass is also used quite liberally in the temple's construction. Aganju's clergy typically wear fiery colored clothing consisting of multiple layers to give the appearance of flicking flame as they walk. [U]Aphrodite - love, beauty, sexuality[/U] First and foremost the goddess of beauty and sexuality, Aphrodite embodies the ideal female form. To different races and different people, the ideal form is many different things, but it is said that Aphrodite's form is one who is so beautiful that it transcends all cultures and races; mortals can only hope to achieve but an echo of it. The most common account of her physical form is thus: [I]being like a pure maiden in height and mien, that he should not be frightened when he took heed of her with his eyes. Marked well and with wonderful mien, height, and shining garments. For she was clad in a robe out-shining the brightness of fire, a splendid robe of gold, enriched with all manner of needlework, which shimmered like the moon over her tender breasts, a marvel to see. Also she wore twisted brooches and shining earrings in the form of flowers; and round her soft throat were lovely necklaces. From her cheeks shone unearthly beauty[/I] A monastery dedicated to her is located in a vineyard on the outskirts of the city; the all-female order of monks strives toward what could be described as physical perfection. The new church's vision of her tries to put more of a focus on Aphrodite as an embodiment of love and femininity. Typical clothing of the monks inside the walls of the monestary are varying degrees of nudity. Inside the city, where a greater level of modesty is required, they tend to wear a white toga, sandals, and shiny belt cloths tied around their waist; the color of the belt indicating some sort of rank. In the colder months they often wear a heavier coat over the torso and shoulders as well as boots or shoes. [U]Andras - discord, murder[/U] While no temples to Andras openly exist within the city, he is used in the new church's pantheon as an antagonist for the more postive aspected deities. Where Aganju is simply a lord of change, Andras commands change in a very negative light. Andras seeks to engineer discord and dissent. He teaches those whom he favors to kill their enemies, masters and servants. He stirs up trouble and dissension. A few stories say he can be summoned by mages and bargained with, though doing so is considered highly dangerous and the tales of those who have done so suggest he's just as likely to kill the conjuror, any assistants of the conjuror, and even any pets of the conjuror as he is to help. Those few who claim to have done so and survived say he claimed to be Maquis in some hellish otherwordly realm and command 30 legions of demonic followers. Andras is said to appear to have the body of an angel and the head of a wood owl with serpentine eyes, and to be riding a black wolf and carrying in his hand a pointed saber dripping with blood. While the residents of the city do tend to open minded, and it is probably not entirely uncommon for his name to be mentioned by those seeking to bring harm to their enemies, being an openly devout follower of Andras tends to be frowned upon. [U]Aslan - honor, nobility, balance[/U] 'The Great Lion,' 'King of Beasts,' and 'Son of The Emperor Over The Sea' is most often viewed as a champion of good and honor, followers of Aslan often work closely with and get along with followers of Thor. Originating from the native Woem pantheon, Aslan is said to appear as a massive lion with some accounts describing him as being the size of an elephant; other accounts suggest he can change size, but that the elephant size is his main form. Originally Woem accounts emphasize that Aslan is not a tame lion; despite his gentle and loving nature, he is powerful and can be dangerous. He is balance and harmony; the spirit of the wild with a thinking mind, a sense of honor, and nobility. While it is said that Aslan himself does not recognize any sort of set religion -he simply expects that all people should be good unto each other- there are those who seek to emulate him. Most often, these 'clergy' are Woem who groom themselves in a lion-like manner or knights, monks, and other types who incorporate some sort of lion motiff into their clothing. It is not unheard of for those who favor both Thor and Aslan to carry a hammer as their weapon and a shield made in the likeness of a lion. It is rumored that there exists a covenant of Talking Beasts, Centaurs, Fauns, Dryads, Satyrs, Naiads, Hamadryads, Unicorns, and Winged Horses who comprise Aslan's royal court in the wild. [U]Cthulu - insanity, madness, havoc, nightmares[/U] While some may claim to have summoned Andras and survived, no such account exists when it comes to Cthulu. Even those who pay homage to the strange and terrifying god which sleeps eventually go mad; so maddening is Cthulu that he even warps the physical forms of those who seek his power and favor. From these insane cultists come the few garbled descriptions of his physical appearance, and Cthulu is thus described in the following ways: [I]"...simultaneous pictures of an octopus, a dragon, and a human caricature.... A pulpy, tentacled head surmounted a grotesque scaly body with rudimentary wings";"...a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind"; "The phrase 'a mountain walked or stumbled' gives a sense of the creature's scale."[/I] It is said that Cthulu currently slumbers in a dream state, but such is his madness that his dreams sometimes leak into those of mortals; causing nightmares. What exactly will happen if he awakes is not agreed upon, but it is universally agreed that it will be something horrific and terrible. The new church claims that the other gods will unite to battle Cthulu at some future date when he awakens; some of the priests go even go so far as to say Andras will offer his legions to help. [U]Gau - earth, life, death[/U] Often viewed as among eldest of the gods, Gau is the goddess of earth, life, and death. This portfolio is quite diverse and leads to her being invoked for a number of reasons. From the ground springs life, but the body is also returned to the earth in death. Often described as a dark earth-skinned feminine figure with greenish hair, her dual nature leads to her main description being modified depending on the aspect being invoked. During times of birth and life, she appears more motherly and bright; during times of death and sorrow she wears a bone white mask and her hair fades to a straw-like color and texture. She represents the natural order of things and the duality of life and death. The main temple of Gau is an arrangment of large stones scattered across roughly an acre of ground just outside the northern edge of the city. Half of this area is salted so nothing will grow; the other half is overflowing with various plants, flowers, and vines. Gau's clergy typically wear varying shades of greens and browns; the shade depending upon the occasion. [U]Lich - theft, shadows, humility[/U] Something of an enigma, Lich is a minor villain to some, a role model to others, and presented as an example of foolish pride by yet others still. Lich stole the secret of eternal life when he hid near Gau performing a ritual on Santa. Unfortunately for Lich, he did not realize that he could not correctly perform the ritual without Gau's power. Other accounts say he misheard some of the ritual. Either way, it did not work as he thought it would when he tried it upon himself, and, instead of life, he was granted undeath. Humbled by his failure and the turn of events, the already stealthy thief sought to hide from the world and learned to cloak himself in darkness. It is important to point out that while he is undead, he is not the god of undead. Unhappy with what he acquired, he shed that mantle and it was apparently found by others. Lich is described as a mummified skeleton wearing a night black cloak. By those seeking stealth and camoflauge, he is a role model. Theft is either good or bad depending on the point of view of the person seeking aid, but most people don't publically announce being a thief. By those seeking to tell a story of pride and humility, he is used as an example. While there is a small clergy of his followers, no temple is openly known to be dedicated to Lich. Shades of gray and bone motiffs mark the clothing of his clergy. They favor a music instrument which consists of two sticks which they clack together. [U]Santa - charity, protector of children [/U] A recent addition, he is said to have once been mortal. In life it is said that he was a protector of children and used his own fortune and wealth the spread joy and happiness. At the end of his life, even Gau felt sadness to see him pass and could not bear to have him lost. Gau used her command over life and death to grant Santa eternal life, and he became the demi-god of charity and protector of children. To a much lesser extent, he is also sometimes paid lip service when someone is combating undead. The being Lich hid near where Gau performed her ritual to allow Santa to cheat death and stole the secrets used. Seeing it as partially his fault, Santa is said to favor those who oppose undead. Some claim he personally visits the mortal realm at least once each year; his most common descriptions are that of a jolly fat human man dressed in white furs with red trim, and that of a slightly overweight dwarf wearing red leathers trimmed with white fur. No temples are directly dedicated to him; instead there is simply a small shrine carved out of one the stones which is part of the temple of Gau. During certain holy days, it is common to meet at this shrine to exchange gifts. Those wishing to partake in the festivities usually wear red hats trimmed with white fur and sing caroles. [U]Shapash - sun, light, warmth[/U] Said to be the older sister of Gau, Shapash is the goddess of the sun, light, and warmth. Distant from the world and the other gods, she keeps a watchful eye over Gau. Her appearance is described in many ways; most of her faithful focus more on her aspects than trying to give her a form. Her temple is a large golden obelisk which towers over all other buildings in the city. Atop the obelisk sits a round ball. This obelisk can be found near the center of the city. Her clergy typically wear varying hues of gold and yellow. [U]Tarrasque - rage, destruction[/U] Said to be either the son of Cthulu or possibly a lesser aspect of Cthulu or even possibly created from Cthulu's mad dreams, Tarrasque is said to be as larger than even the most ancient of dragons and said to have a body armored with a carapace which can withstand any attack. The parts of its body not covered by this armor shell is covered in wicked spikes, and it's terrifyingly large maw is filled with rows upon rows of huge razor sharp teeth. It is said that the Tarrasque slumbers; waking only to unleash wrath and desctruction upon the world before again sleeping. While not exactly worshipped, certain warriors who favor brute force and shield makers pay lip service to Tarrasque. [U]Tlaloc - rain, fertility, water, blue moon[/U] Mostly a beneficent god who helps to give life and sustenance, Tlaloc occasionally also sends hail when he loses his temper. His appearance is something of an oddity, and is described as an anthromorphic duck with cartoonishly large eyes, snakelike fangs, bluish skin, and an eagle's wings. Supposedly the brother of Thoth, Tlaloc resides on the blue moon which can be seen in the night sky, and that moon bears his name. A strange juxtaposition; a temple to Tlaloc can be found across the street from Aganju's temple. Using white marble and stones dyed to various hues of blue, Tlaloc's temple has an obvious water motiff. Tlaloc's clergy tend to wear clothing which is colored with various hues of blue with feathery sleaves and feathery head dresses; the more extravagant the head dress, the higher the rank of the priest. [U]Thor - strength, thunder, valor[/U] No coherant origin story is attributed to Thor by the new church; accounts among the older religions vary. In many he cases, he simply always was. Often said to be the defender of mortals against evil and trickery, his favored weapon is the hammer. Thunder is said to be the sound of his hammer striking a foe. His temple in the city is a circular shaped building built mostly from oak. Inside this temple is a variety of gongs placed at regular intervals. At the center of it all is a feast table which is set with food every fourth day. This temple can be found near the center of the city. It is often difficult to tell a clergy member of Thor's temple. Most appear like other knights and warriors; however, most prefer hammers, mauls, and warhammers and incorporate some sort of masculine or thunderous motiff into their equipment. Some have learned to play the shield as a sort of drum. [U]Thoth - wisdom, time, writing, white moon[/U] Having a humanoid body and the head of an ibis and the feet of a baboon is Thoth, lord of wisdom, time, writing, and the white moon. He does not normally interfere with the affairs of the other gods nor does he typically involve himself with mortals. Instead he sits in his celestial realm from which he can watch the world quietly and record its events. His realm is the white moon which can be seen in the night sky, and it bears his name. Tlaloc is his brother. Thoth's temple in the city is a library built of ivory which is beside Tlaloc's temple and across the street from Aganju's temple. Thoth's clergy wear flowing white robes and furry shoes or boots. While not required, some also take vows of silence. [U]Vayu - air, breath, navigation[/U] Said to have helped Gau create life, Vayu is among the eldest of gods. It is not definitively said whether Vayu is male or female. Instead, it is said that Vayu goes through phases of being one and then the other; changing slowly and lazily as the clouds often do. Vayu's children are the winds and they were originally responsible for navigation, but proved too unreliable on their own. As a result, Vayu disciplined them and gave them direction; thus creating the means for navigation. This in sharp contrast to most of Vayu's stories because Vayu is typically a free spirit and not very supportive of rigid structure. Vayu's temple is an obelisk built in a similar manner to that of Shapash, but it is not nearly as high. However, the obelisk is thicker in order to support a larger ball, and the round ball at the top of Vayu's obelisk is known to be hollow with many open windows. Faithful of Vayu venture to this ball on windy days to feel the awesome wind tunnel effects cause by its construction. Vayu clergy tend to wear white robes which flow in an almost dress-like manner and are sleaveless. The musically inclined among them tend to favor flutes and other instruments which use air and breath. [U]Yig - lord of serpents[/U] A relative new faith to the city, the cult of Yig is a snake cult. Neither seeming to be good nor bad, the new church is undecided on its place in the collective pantheon. The temple of Yig is constructed from a large 'skin' of leather and a light metal mesh stretched over a long zig-zagging 'skeleton' made of stone, wood, and metal beams. This structure is found along the eastern outskirts of the village. Yig himself is described by his followers as having the head of a cobra, the tail of a rattlesnake, and the body of a massive python. Those who claim Yig is a force of good say Yig is most in touch with Gau due to having to crawl along the ground. Those who claim Yig is a force of evil or at least less than good point to his seemingly casual view of using poison and venom. His clergy usually wear hues of green and carry shakers or tamborines. [/QUOTE]
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