Well, generally one hires people who are available, not people who are not available.Far more often they have several other commissions and I'm waiting my turn

Well, generally one hires people who are available, not people who are not available.Far more often they have several other commissions and I'm waiting my turn
Interesting, I didn’t think I was being harsh - just the reality of being an artistThat's a bit harsh.
Commissions open. People race to submit theirs. You get whatever spot in line you get, unless you just don't want to go with that artist. A better question is who are YOU hiring that is both awesome and consistently quick? Give them a shout out and I will definitely give them a shot!Well, generally one hires people who are available, not people who are not available.![]()
I guess it's a different methodology. We build relationships with many artists, and we ask who's available when we have an upcoming project. The people who are available, we hire.Commissions open. People race to submit theirs. You get whatever spot in line you get, unless you just don't want to go with that artist. A better question is who are YOU hiring that is both awesome and consistently quick? Give them a shout out and I will definitely give them a shot!
Yikes, those TOS! Certainly not compatible with the way we work!Here is an example of an artist's website with their price list and TOS:
Well, see, that's because you are a regular commissioner (is that a word?) of art. You build relationships and are frequently paying for images. I got the impression the OP is more likely looking for a one-off thing. Not that you are buying "wholesale" but you have purchasing power that a first time single commission person doesn't haveI guess it's a different methodology. We build relationships with many artists, and we ask who's available when we have an upcoming project. The people who are available, we hire.