Miller's Batman and Daredevil were 100 times better than Sin City (comic
form). Every Sin City story's the same:
1) Hard-nosed ex-con protagonist that's also a homicidal maniac (check)
2) Effete serial criminal that's emasculated by a hooker.
(rapist/killer/cannibal preferred. Double Plus: If the criminal actually
looks like Frank Miller)(check).
3) Hooker. (preferrably dead, disfigured, and raped (check)
1 tracks down 2 in order to exact bloody revenge for the
rape/dismemberment/death of 3.
Rinse. Repeat.
Cinemotagraphy was great. Marv's story was epic. The rest was forgettable.
Here's my question after seeing the movie:
If the hookers in old town have cut a deal with the dirty cops to keep the
mob, drugs, pimps and cops out of Old Town, why are they still hookers?
Can't they go into like flower-pressing businesses and open ice cream
shops, engage in multi-level marketing schemes and whatnot?
form). Every Sin City story's the same:
1) Hard-nosed ex-con protagonist that's also a homicidal maniac (check)
2) Effete serial criminal that's emasculated by a hooker.
(rapist/killer/cannibal preferred. Double Plus: If the criminal actually
looks like Frank Miller)(check).
3) Hooker. (preferrably dead, disfigured, and raped (check)
1 tracks down 2 in order to exact bloody revenge for the
rape/dismemberment/death of 3.
Rinse. Repeat.
Cinemotagraphy was great. Marv's story was epic. The rest was forgettable.
Here's my question after seeing the movie:
If the hookers in old town have cut a deal with the dirty cops to keep the
mob, drugs, pimps and cops out of Old Town, why are they still hookers?
Can't they go into like flower-pressing businesses and open ice cream
shops, engage in multi-level marketing schemes and whatnot?