Sneak Peak of Phandelver and Below: The Shattered Obelisk

Phandelver is back with a new Lovecraftian-inspired adventure, Phandelver and Below: The Shattered Obelisk

The Lost Mines of Phandelver has become one of the most popular D&D adventures ever. First appearing in the D&D Starter Set, during COVID lockdown Wizards made the adventure a free download on D&D Beyond. Now, that classic adventure is the starting point for a full hardcover adventure called Phandelver and Below: The Shattered Obelisk.

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The PaB:TSO campaign is designed for players level 1-12, and starts with TLMoP, but the new book reworks TLMoP somewhat. New art is added, such as Agatha, and a map for the goblin ambush. Some plot hooks are streamlined and others are added to draw players into the larger mystery. A few original NPCs have also been reworked, with some switching gender or races.

The shattered obelisk mentioned in the book's title is one of several Netherese obelisks mentioned at various times throughout D&D's history. In PaB:TSO the obelisk's “weird, nefarious magic” is being co-opted by a group of villains.

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One of the many reasons for the popularity of TLMoP is that it's a relatively family friendly adventure, and the violence in it can be eased when running it for younger players. PaB:TSO is designed as a slow-burn cosmic horror adventure that starts in the charming town of Phandelin and then gradually draws the players into the horror rising from below. To navigate between family friendly and cosmic horror PaB:TSO has a sliding scale for the horror, and DMs have an optional subsystem they can use to adjust the level of corruption a ritual causes.

DMs are also given options as to how to handle PaB:TSO if the group has already played TLMoP. Players could continue their original characters and get a refresher to then start with the new material or could start over with new characters in the reworked original adventure. There's a distinct end point to the old material and starting point for the new material to allow DMs to handle it however they want.

“I think everybody's answer is going to be different mand there may be some groups who actually want to do it both ways, so it's important to read over that introduction because it does break down and spell out, this is specifically what we've done, this is what's different, and then here's what the new stuff is,” said Amanda Hamon, lead designer for PaB:TSO.

A lot of guidance is also provided in regard to backgrounds you can take specifically for this adventure, and how they'll be relevant throughout the adventure. However, taking a feat or a specific feat is not necessary at all.

PaB:TSO also includes advice on how to dial back and adjust the horror for your group's play style, which could be handy because the last chapter is not family friendly as written and would need to be adjusted for a family campaign. Another option would be to just run the first three chapters for kids and save the rest for the adults.

It's definitely a “read it before you run it” campaign, said Hamon. A session zero is also recommended.
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The art for the new, higher levels of the campaign definitely indicates horror and becomes more grim as the adventure moves along. Art director for PaB:TSO Bree Heiss said that one creature, the Encephalon, has been nicknamed “brain spewing baby monster.” The art, by Hinchel Or, for that creature certainly looks like it could set off someone with trypophobia.

But it's not all grim and gross. Art early in the book establishes Phandalin as a cozy town players will want to save. The NPC artwork I saw from Robson Michel and Couple of Kooks was great.
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Also on the less grim side is a gnome archaeologist the players will run into at a certain point. In the game his official name is Rivibiddel, but the designers tended to call him “Indiana Gnome.”

Hamon and Heiss referred to themselves as “Team Weird” and their enthusiasm for horror, strange, unworldly creatures, and especially cosmic horror came through during the press event. Hamon added that PaB:TSO “may be the strangest adventure we [the D&D team] has ever done.”
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Other examples of some of the “gross” creatures “Team Weird” made for PaB:TSO are the Oculorb, a creature made of eyes (and artist Brian Velenzuela had each eye show a different emotion), and a cloaker mutate that has a dwarven skull fused to it. The latter is getting a mini and is an example of how they reworked some already established monsters. Another mutate is the FleshMeld, and that name alone explains why you don't want to meet one in a dark dungeon.

Why revisit Phandelver? “There was a strong desire from a lot of folks in the studio to preserve The Lost Mine of Plandelver in a hardcover book because it was just in a booklet in the Starter Set,” said Amanda. “It's not quite the same as having a hardcover book on the shelf for perpetuity. We wanted to preserve, and quite frankly, update, that adventure to have that longevity and staying power.”

Hamon added that in expanding TLMoP into a full campaign, they also wanted to take the plot to places no one would expect. While they're giving out some hints in the press preview and art, they were also very careful to avoid key points to keep the players on their toes while moving from the earlier content to the brand new stuff so players have the surprise of the unknown.

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The alternative cover, available through game and hobby stores, actually provides some hints. Both Hamon and Heiss said if you look closely and “Where's Waldo?” the alt cover by DZO you can find creatures and clues to the adventure. That cover's metallic inks also convey a sort of otherworldly green that both women said was a recurring theme in the adventure. The alternate cover and its shade of almost slimy green was inspired by a lot of vintage horror novel covers.

TLMoP had a lot of language geared toward beginning players and even beginner DMs to get them used to how things work in D&D. PaB:TSO does not have that language because it's a successor to The Starter Set. Instead, PaB:TSO is designed to be a the perfect second adventure for people becoming comfortable or already comfortable with D&D.

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Also contains:
  • A bestiary with more than 20 new creatures featuring psionic magic, mutates, and more
  • New consumable metamagic items and duergar magic
  • A double-sided poster map with the Phandalin region on one side and the town of Phandalin plus multiple dungeons on the other
Phandelver and Below: The Shattered Obelisk is available in stores on September 19. Pre-orders of the digital copy through D&D Beyond, by itself or as part of the combo, will receive digital access on September 5.
 

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Beth Rimmels

Beth Rimmels


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I doubt there is any, and I am glad there isn't. 1/3 of the adventure already is based on existing content, if they added DoIP too, almost no new material would be left.
I mean, they wouldn’t have to include DoIP the adventure to include its handful of relevant locations and NPCs. One thing that made LMoP feel alive was the fact there were places and characters who weren’t connected to the main story; it‘s a setting ripe for sandboxing. Including the locations and NPCs from DoIP could be as brief as few pages tops, no encounters or maps necessary.
 


Whizbang Dustyboots

Gnometown Hero
I actually joined my LMoP group after they had been through the goblin ambush, but reading the encounter (and knowing the swinginess of early levels), I'm guessing that if the goblins manage to sneak on the party, them getting a full surprise round would probably put most parties in a bad spot.
The groups I've run, including for middle schoolers, all sent someone ahead to scout and didn't end up being surprised. I'm sure it could happen, but I haven't seen it in three (?) or so times running the adventure.
Where does it say that the level of weirdness can be dialed up or down? The promotional material I've seen seems to indicate that things will progressively get weirder the deeper the players delve into the mystery of the obelisk, but I haven't seen any indication that it can be increased or reduced according to a table's tastes.
brimmels said:
PaB:TSO also includes advice on how to dial back and adjust the horror for your group's play style, which could be handy because the last chapter is not family friendly as written and would need to be adjusted for a family campaign. Another option would be to just run the first three chapters for kids and save the rest for the adults.
 

Whizbang Dustyboots

Gnometown Hero
Tells you to check for surprise, four of the the starter set characters have a passive perception of 13, the other one has 10, the goblins have a +6 to stealth, and two hits can do enough damage to knock down anyone. The fighter has the most HP at 12, and the goblins do 1d6+2. A powerful enough crit can do it in one. You could theoretically have two party members down before they can even respond, worse if you have poor initiative. A little bit of poor luck at the start can really snowball that one.
As I said, the groups I've run it for have always scouted ahead, rather than just barging in. Even the D&D newbies leveraged videogame knowledge and treated the dungeon like a stealth game.

The nothic has been the problem in my games.
 



I haven't read that adventure yet. Time to do some reading
In the event you want a very quick and dirty synopsis:
Two words: Time travel.

More specifically, the obelisk is in the crashed Netherese flying city of Ythryn, buried within a glacier, which is where the module's endgame takes place. If triggered, it transports the PCs thousands of years back in time to Ythryn as it existed at the height of the Netherese empire and loses its magical properties, stranding them there.
 

Parmandur

Book-Friend
In the event you want a very quick and dirty synopsis:
Two words: Time travel.

More specifically, the obelisk is in the crashed Netherese flying city of Ythryn, buried within a glacier, which is where the module's endgame takes place. If triggered, it transports the PCs thousands of years back in time to Ythryn as it existed at the height of the Netherese empire and loses its magical properties, stranding them there.
It really felt like it was a set-up that needed following through...particularly given who was established as being behind the Obelisk network.
 


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