The Hyborian Age, that time between the Fall of Atlantis and the rise of the world as we know it, is a vivid setting for the adventures of the Cimmerian who came down from the North to carve out an empire. But behind the Hyborian Age, as behind the worlds of Howard’s other characters, like Solomon Kane, Bran Mak Morn and King Kull rests a macabre shadow, a world vision that is largely inspired by Howard’s correspondent, fellow contributor to the famous Weird Tales, and friend, H. P. Lovecraft. The influence that Lovecraft had on the younger Howard was much greater than many recognize.
Recently at a convention I asked L. Sprague de Camp, biographer of both Howard and Lovecraft, if he considered the Conan series to be part of what Derleth called “The Cthulhu Mythos”?. Mr. de Camp only acknowledged a begrudged family resemble. Though no one has claimed the Conan stories as part of the Cthulhu Mythos, that group of stories by HPL and his friends centered on Cthulhu and his kin, it does by proxy exist next to them. One of the King Kull stories, “The Shadow Kingdom” (Weird Tales, August 1929) is a Mythos tale. Kull lived in the age before Conan, thus, they exist in the same world, though at different times. But this isn’t enough to place the Hyborian Age into the frame-work of the Mythos. Howard did write at least six undisputed Cthulhu Mythos stories, “The Worms of the Earth” and “The Black Stone” being two of the best. These tales name the beings of Lovecraft’s world, tell of new books and monsters, but none feature the beloved Cimmerian.
Howard’s concept of the supernatural in his fiction can be best summed up by this dialogue taken from “Shadows in the Moonlight” (Weird Tales, April 1934): “‘What gods?’ he muttered./‘The nameless, forgotten ones. Who knows? They have gone back into the still waters of the lakes, the quiet hearts of the hills, the gulfs beyond the stars. Gods are no more stable than men...’”