Krug
Newshound
http://www.screendaily.com/story.asp?storyid=18121&r=true
In 1988, with his debut feature Akira, Katsuhiro Otomo introduced the world to the post-apocalyptic future, Japanese-style - and spurred a global boom for Japanese animation that has yet to subside. Sixteen years later, he is back with Steamboy, an animated epic set in the London of 1866, when the Machine Age was well under way, Jules Verne was at the height of his powers - and the future looked like a grand adventure.
Steamboy is less a tribute to Victorian optimism that a further meditation on the dystopian themes Otomo introduced in Akira. Compared to the earlier film, however, it is more of a mainstream, all-ages entertainment. Understandably so, since it took ten years and Y2.4 billion to make and recouping that budget - the largest ever for a Japanese animated feature - will require more than attracting more than anime geeks.
Not that geeks will be disappointed. Known for his attention to detail, Otomo has created steam-driven mechinery, including tanks, planes and all-terrain vehicles that not only clank, soar and sail with an eye-goggling realism, but look as if they could work. This, for geeks, is pure manna.
And the rest of us? The film's non-stop action, imaginative sweep and period authenticity - the sense of watching photos of 19th century cityscapes spring to animated life - will hit young males, especially, right where Verne’s novels once hit them, square in the vicarious-adventure pleasure centres.