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The Value of Art, or, "Bad" is in the Eye of the Beholder

Storm Raven said:
No one but you is talking about taste. In point of fact, several people have stated that there are works of art that are bad, and yet they still like them. They have even been labeled "guilty pleasures".
.


Yes I know, but your still insisting that their "bad" and people have to feel guilty for enjoying them. They just happen to be good for the people who enjoy them, and bad for you.



And since the question of whether a work of art has value, or it is worthless is based upon a concensus determination


This is the real trouble. Art isnt majority rule. Each and every person gets to form their own opinion of wether a work of art is "good" or "bad" for them. Each opinion on it is just as "true" as another.

If you wish to believe otherwise thats fine, just dont tell me my opinion of a work of art is simply incorect because it disagrees with the majority.



In this argument, the only person who is arguing that theirs is the only opinion that matters is you, by insisting that your "art is entirely subjective, and must only be evaluated subjectively" standard is correct.



All I'm insisting on is that everyone's opinion about a work of art is equally valid, and that no one has the right to tell someone they are incorect in their opinion about a work of art, just because another person or the majority disagrees with them
 

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Wild Gazebo said:
An interesting question for you Merlion. What action, or pursuit, or idea, in the known universe would you consider worthless? And, if none, how could you conceivably use it in a structured argument about anything: as it doesn't have any pertinent meaning?


No offense but, what does this have to do with anything? I dont really care about being able to use things in structured arguements

Again you seem to be coming from a proffessional/commercial/academic perspective, and judging everything by its relevenece in those spheres. I'm not...I'm just talking about day to day life, peoples feelings, and art as a general concept.



But to answer your question, putting aside actions that involve hurting people, no there isnt much of anything I consider worthless. Which I realize puts me in a minority here where it seems most consider the bulk of people, things and efforts to be worthless.
 

Enjoyment is subjective

Again you attach a subjective quality, enjoyment, to art and consider it to be the determining factor of quality.
Enjoyment is irrelevant in determining the quality of a piece of art. It is entirely subjective and not a basis for determing something on a grading scale. Many have stated this over and over. You can derive great enjoyment from bad art.
You place objective standards that can be rated on art as soon as you put it in a form. The decision that an artistic piece is a concerto or a sculpture brings a whole slew of standards to the table. Standards that are applied completely seperate to your enjoyment.

Subjective is Loved it --> Hated it
Objective is Good ---> Bad
Has the piece been a successful representation of the form. You can place the subjective above the objective, but that is your subjective opinion. Art is crafted as well as created. You can love the flawed creation but it is still flawed.
 

grimslade said:
Again you attach a subjective quality, enjoyment, to art and consider it to be the determining factor of quality.
Enjoyment is irrelevant in determining the quality of a piece of art. It is entirely subjective and not a basis for determing something on a grading scale. Many have stated this over and over. You can derive great enjoyment from bad art.
You place objective standards that can be rated on art as soon as you put it in a form. The decision that an artistic piece is a concerto or a sculpture brings a whole slew of standards to the table. Standards that are applied completely seperate to your enjoyment.

Subjective is Loved it --> Hated it
Objective is Good ---> Bad
Has the piece been a successful representation of the form. You can place the subjective above the objective, but that is your subjective opinion. Art is crafted as well as created. You can love the flawed creation but it is still flawed.



But then we again go into the cycle of who decides what is or isnt a flaw or what criteria should be used, and how those criteria should be judged, as we've already discussed several times. You speak of a successful representation of the form...the trouble is, people have different ideas of what the form is or should be, and/or what constitutes success within it. Yes, there is usualy a concensus, but theres also usually a substantial minority that disagrees with said concensus.

What you call objective standards are by and large just a set of opinions that most, but not all people accept, save for a very few things, of which there are rarely enough of in a work to make it "objectively bad"

Now in the case of music, there is a dual aspect...performance and composition. I'd say a musical performance could be more or less objectively bad...if the wrong notes are played or played in the wrong order, flat when they shouldnt be etc. But the composition end is subjective (again realizing there are criteria that most people accept...but not all).


I also, as I've said before, believe that purpose has a lot to do with it. Now I realize you seperate purpose from quality across the board, and I dont, but even within that I will agree that a piece of art that sets forth with a certain purpose can usualy be deemed to have succeeded or failed in that purpose, or at the very least defined as objectively worse than a piece that suceeded better at the same purpose, as with Smurfy's dog painting.


And so again we come to, what is the purpose of a given work? Well I could be wrong, but usualy the purpose is to be enjoyed, to satisfy the creators creative impulses, and some times to make a statement or convey a message


Now what you seem to be getting at is your conception of "craft" as being seperate from all other factors. But again it comes back to purpose...you can have your purpose to be crafting a work that is the best crafted possible based on a certain set of standards, and call it good or bad based on wether it suceeds or not, but the thing is, and my big point is *theres more than one set of valid standards*
 

Again you attach a subjective quality, enjoyment, to art and consider it to be the determining factor of quality


I feel the same way about your attempting to attach hard and fast, absolute, factual objectivity to art.


You can apply accepted opinion yes. And you can apply success/failure in a certain purpose. Beyond that its *ALL* subjective, not just enjoyment.
 

Merlion said:
Yes I know, but your still insisting that their "bad" and people have to feel guilty for enjoying them. They just happen to be good for the people who enjoy them, and bad for you.

Liking a guilty pleasure isn't something people should feel bad for. I have several guilty pleasures myself. I know, for example, that Snakes on a Plane is a bad movie by any measure. It has a predictable and insanely silly plot, lousy dialogue, unconvincing special effects, and in many cases, poor acting. Yet it is fun for me to watch. However, that does not make it in any way a "good" movie.

This is the real trouble. Art isnt majority rule. Each and every person gets to form their own opinion of wether a work of art is "good" or "bad" for them. Each opinion on it is just as "true" as another.

1. All opinions are not equally valuable. My eight year onld son's opinion concerning the value of art is not equal to the opinion of most adults for example. Once you learn that, you will be on your way to understanding what everyone else here is talking about.

2. Art, by and large, is majority rule. It is a culturally driven medium, and the opinion of the culture is generally driven by the majority.

3. Everyone gets to decide their own subjective taste in things, but that sdoes not affect the objectively identifiable elements of artistic work. Until you understand that an evaluation of art as "good" or "bad" is not entirely subjective, you will not understand what the others in this thread are saying.

If you wish to believe otherwise thats fine, just dont tell me my opinion of a work of art is simply incorect because it disagrees with the majority.

You tastes are your own, and cannot be gainsaid. However, your opinion concerning the value of a work as art can (and in many cases, probably are) wrong.

All I'm insisting on is that everyone's opinion about a work of art is equally valid, and that no one has the right to tell someone they are incorect in their opinion about a work of art, just because another person or the majority disagrees with them

And by that, you are stating that your, personal and indiosyncratic, opinion trumps the other, majority opion arrived at by consensus. Who, exactly, is trying to impose their opinion on others in this scenario?
 

Merlion said:
I feel the same way about your attempting to attach hard and fast, absolute, factual objectivity to art.

No one is saying that. Once you get done with shooting at your strawman that others are saying art is entirely objective, feel free to address the actual argument made counter to your "art is entirely subjective" position - i.e. the opposing argument is that art is a mixture of subjective and objective elements.
 

No offense but, what does this have to do with anything? I dont really care about being able to use things in structured arguements

Well, it was a question mostly for my benefit. To me, any discussion that includes an aspect that becomes all encompassing doesn't retain any merit toward a topic--because it can be applied to anything. For example: you believe all actions contain an intrinsic value regardless of intent, result, and applicability...simply because there are no worthless actions. If every action in the entire world holds value then value discussion become meaningless. It becomes a belief structure that closes venues of communication.

As for structured arguments: I'm not talking about a thesis on Post Structualist Thought on Colonial Dialogue, I'm talking about a guy who said he was angry because some other guy couldn't understand that no piece of art is worthless--and then decided to frame an argument on a public message board.

Again you seem to be coming from a proffessional/commercial/academic perspective, and judging everything by its relevenece in those spheres. I'm not...I'm just talking about day to day life, peoples feelings, and art as a general concept.

Yes, I do come from a professional academic background--but I really don't think that is relevant to this discussion. The only reason I may have mentioned it is if you had any specific questions about the field you might have wanted answered...I never intended to lord my knowledge over you. And, though I would never want to degrade an opinion, I would hope that you might accept my opinion with a degree of clout--do to my experience and its relevance to art (though I commonly joke about my many years of wasted education, I still consider it very important to me).

I do tend to use basic frames of reference for my discussions--but everybody does. The idea that we must contextualize conversations is pretty much an absolute--the variance is to the degree of contextualization. The more you study a topic the larger the context for the discussion of it becomes. While you keep your framework limited to a personal taste culture perspective--many people step beyond that into a degree of relevance within all of the similar experiences they have lived. This is neither a good or bad thing...it doesn't include the scaling of personal worth. What it does is creates scale of knowledge as being relevant or irrelevant to the topic at hand.

Taste becomes a topic that people are unable to share common references for...because nobody can inhabit the same mind. But what people can do is share the same tastes. These may become minute taste cultures within large cultures securing a community of like experiences allowing us to maintain a type of herd experience.

Quality is something that, by definition, can be measured. The word itself would be meaningless unless it implied that one thing could be better than another. If all things were equal the word 'quality' would not exist. Quality can easily create common references because the word implies there is more than one of what ever you are examining. This allows a smooth structure of discussion that can be formed based on antecedent, form, subject, history, culture, and purpose. This gathering of information creates a knowledge community of understanding that is capable of morphing to acquire new knowledge and discarding old knowledge that is no longer applicable.

Taste can be very hard to seprate from a discussion such as this because you have to work at understanding your own biases. And if you don't spend the energy to do this, you will never be able to really understand the differences and complexities of the implied arguments. Subjectivity is only a relevant notion if there is an objective notion in play...otherwise you have an all encompassing idea that doesn't effect any discussions--as it effects all discussions. Of course educated opinions are still just opinions. Any extrapolation in a quality discussion is an opinion. But, every extrapolation from an empirical discussion is an opinion as well (there are some very funny stories about early empirical methodology drawing some obscure conclusions)...the word opinion becomes meaningless--it is assumed by all and discounted as irrelevant to any common frame of reference...as everything is an opinion.

But to answer your question, putting aside actions that involve hurting people, no there isnt much of anything I consider worthless. Which I realize puts me in a minority here where it seems most consider the bulk of people, things and efforts to be worthless.

There is nothing wrong with being in the minority...and at times it can put you in an advantage. I applaud you beliefs as I am a devout pacifist. Unfortunately your definition of worthless doesn't preclude the hurting of others if the violent person draws personal satisfaction from it...if they put hard work into it...if they spend time doing it.

I really hope I don't sound dictatorial or condescending as it is not my wish to do so. I think it is quite capable that my register could slide toward that structure as, like I said, I have believed the exact same thing as you before. What ever you do--have fun with it.
 

Merlion said:
Each and every person gets to form their own opinion of wether a work of art is "good" or "bad" for them.
No one has said otherwise.

What has been said is that there's a difference between an individual saying "it's good" meaning they personally like it, and a critic saying "it's good" meaning it succeeds by the conventional standards of the form.

Melion said:
All I'm insisting on is that everyone's opinion about a work of art is equally valid, and that no one has the right to tell someone they are incorect in their opinion about a work of art, just because another person or the majority disagrees with them
Certainly, everyone is entitled to like what they like, or not like what they don't. And certainly, anyone who tries to insist that you're somehow wrong or inferior for liking something is being silly (or obnoxious).

The point is that there are rules for art. And yes, they're only conventions agreed upon by scholars. But so is spelling. Someone who insists that "spoon" is spelled "spuun" is just wrong, at least until the consensus changes. Because it could (and eventually, will). Language changes over time, spelling changes over time, and yes, art changes over time. But, by the standards of early 21st century English, it's spelled "spoon". If you prefer "spuun" or "spune" or "spooon", that's fine. But there is no final authority on the "correct" spelling. It's what we as English speakers agree is the correct spelling.

You're saying that the spuun-liker is being condemned as morally/spiritually/intrinsically (I'm not sure what the right word is) wrong, when all we are saying is that he is incorrect by the rules of early 21st century English.
 

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