This Weekend @ The Boxoffice: 2010_Aug.16

Hand of Evil

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Expendables was everything I tought it would be, 8/10! Surprised at Scott Pilgrim vs. the World performance as much as it was pushed.
'Expendables' Pump Up, 'Eat Pray Love' Pigs Out, 'Scott Pilgrim' Powers Down
by Brandon Gray --- August 15, 2010

The Expendables muscled in to the top spot over the weekend, and Eat Pray Love was consumed by many, but it was nearly game over for Scott Pilgrim vs. the World. Overall business was on par with the same weekend last year, when District 9 led, though attendance was middling for the time of year.

Claiming a burly estimated $35 million on approximately 4,300 screens at 3,270 locations, The Expendables' opening weekend was a bit less than Inglourious Basterds' $38.1 million last August, but it was greater than The A-Team's $25.7 million and nearly doubled Rambo's $18.2 million. It also was the highest-grossing debut of Sylvester Stallone's career, although not in terms of attendance. The Expendables was sold as a teaming of Mr. Stallone with other 1980s actors (including Bruce Willis and Arnold Schwarzenegger in cameos, who were pumped up beyond their roles in ads) and more contemporary action stars (Jason Statham, Jet Li) and as a fun, '80s-style action movie. Distributor Lionsgate's exit polling indicated that 61 percent of Expendables' audience was male (slightly more than Basterds) and 60 percent was 25 years and older (younger than Basterds).

Eat Pray Love collected an estimated $23.7 million on close to 3,700 screens at 3,082 locations, which topped Julie & Julia's $20 million first weekend last August. It also marked Julia Roberts' biggest launch in a top-billed role since America's Sweethearts in 2001. After nearly a decade of artsier fare and ensemble work, Ms. Roberts finally restored her smile and batted in her romantic/relationship comedy wheelhouse with Eat Pray Love, like Valentine's Day earlier this year. Distributor Sony Pictures reported that 72 percent of the audience was female and 56 percent was 35 years and older, and the studio noted that 28 percent of moviegoers were 17-to-29-years-old.

Scott Pilgrim scored a modest estimated $10.5 million on around 3,000 screens at 2,818 locations, which was less than Nick and Norah's Infinite Playlist's $11.3 million opening weekend. It also paled compared to the launches of Kick-Ass ($19.8 million) and Zombieland ($24.7 million), among recent fan boy affairs. Buzz from the Comic-Con crowd and the media may have created unrealistic expectations, but Scott Pilgrim was always going to be a tough sell for the mainstream, given its niche premise and genre-bending. The movie's poster, featuring Michael Cera posing with his bass guitar, didn't help, because it didn't explain the movie and made it seem like a rock 'n' roll comedy, which is an unpopular sub-genre. Distributor Universal Pictures' research showed that 64 percent of the audience was male and 58 percent was under 25 years old.

Last weekend's top grosser, The Other Guys, retreated 49 percent to an estimated $18 million for a $70.5 million total in ten days. Its drop was a tad steeper than Step Brothers at the same point, though it held slightly better than Anchorman: The Legend of Ron Burgundy. Inception continued to hold relatively well, down 39 percent to an estimated $11.4 million. With a $248.6 million tally in 31 days, it surpassed Shrek Forever After to become the fifth highest-grossing movie from 2010.

Step Up 3-D plunged 58 percent to an estimated $6.6 million, further trailing its predecessors with a $29.6 million ten-day sum. Again, 80 percent of its business came from 3D presentations. Despicable Me had the smallest drop among nationwide holdovers, easing 27 percent to an estimated $6.8 million. That lifted its total to a mighty $222 million in 38 days, topping How to Train Your Dragon.

Salt reprised its steady, typical decline, falling 42 percent to an estimated $6.4 million, and it crossed the $100 million mark on its 23rd day, becoming star Angelina Jolie's fourth vehicle to reach that level. Meanwhile, Dinner for Schmucks leveled off somewhat, dipping 39 percent to an estimated $6.3 million and upping its sum to $58.8 million in 17 days.

In milestone news, Toy Story 3's total passed $400 million on Saturday, its 58th day of release. It's the 11th movie in history to hit that mark, and its the second highest-grossing animated movie, behind Shrek 2, which took 43 days to reach $400 million.
 
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I was surprised by all the hype around Scott Pilgram. To me it just looked like another Michael Cera vehicle, which I don't find find the least bit appealing. The numbers it pulled in were much more in line with what I expected it to do.
 


The previews for Scott Pilgrim really turned me off... there was nothing there that even held a sliver of interest for me.

I am interested in seeing Expendables, thanks for the score HoE
 

I can't wait to see Scott Pilgrim!

Pop culture and video game-soaked magical realism. How can you go wrong? Well, okay, a lot of ways... still, 2 friends of mine w/differing tastes in film saw it over the weekend and loved it.
 

I can't wait to see Scott Pilgrim!

Pop culture and video game-soaked magical realism. How can you go wrong? Well, okay, a lot of ways... still, 2 friends of mine w/differing tastes in film saw it over the weekend and loved it.
Everyone I know who actually saw it loved it to pieces, including the people who had no interest but were dragged by friends/S.O.s.

On the other hand, there's a large population of people who seem to hate it with the fury of 1,000 irritated army ants, but didn't actually see it.

Weird sort of polarization, that. Makes me want to see it even more.
 

Well I thought The Expendables was horrid. A bunch of explosions clumped together, hardly any real suspense throughout, and the violence was just off-putting. Still, it looks like Eric Roberts (who is the main villain) overcame his sis.
 

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