This Weekend @ The BoxOffice: 2012_Oct.29

Hand of Evil

Hero
Epic
Did not get to see Cloud Atlas, maybe next weekend.
Weekend Report: 'Argo' Ahead of Four Dreadful Debuts
by Ray Subers

Four new nationwide releases all underperformed this weekend, which allowed Argo to move up to first place in its third outing. Overall business was fairly quiet, with the Top 12 off 12 percent from last year with an estimated $82 million.

It's hard to gauge the actual impact of Hurricane Sandy, which is about to bear down on the East Coast. At worst, Sandy may have suppressed business by about 10 percent (for example, that would put Paranormal Activity 4's drop in line with Paranormal Activity 3), though it's impossible to say for sure. One thing that wasn't affected, at least, was the Saturday-to-Sunday drops: studios are estimating that the Top 10 will dip 42 percent from Saturday to Sunday, compared with 47 percent last weekend.

Argo eased 25 percent to an estimated $12.36 million in its third weekend. It's the first movie since True Grit to claim the top spot for the first time on its third frame. That's partly due to the movie's strong word-of-mouth, but incredibly weak competition also played a major role. Through 17 days, Argo has earned $60.8 million, which is off from The Town by just over $3 million.

Hotel Transylvania jumped from fourth place last weekend up to second place this weekend with $9.5 million (down 27 percent). The movie has now grossed $130.4 million, making it Sony Pictures Animation's top animated-only movie ahead of Cloudy with a Chance of Meatballs ($124.9 million). It will eventually become SPA's top movie overall ahead of The Smurfs ($142.6 million), though it's going to get hit hard by Wreck-It Ralph this coming weekend.

Cloud Atlas had the highest debut among this weekend's newcomers with an estimated $9.4 million from 2,008 theaters. That's the lowest nationwide launch ever for the Wachowski siblings (who co-directed with Tom Tykwer), and it's also the worst nationwide opening for star Tom Hanks since 1996's That Thing You Do! At least the movie nearly matched The Fountain's $10.1 million total, though that's really not a ringing endorsement.

This is a disappointing, but not surprising, opening for Cloud Atlas. With six thinly-connected stories set in different time periods, the marketing was never able to convey an actual story, which is the most fundamental part of selling a movie. The insane runtime (164 minutes) was also likely a deterrent for casual moviegoers, while the middling reviews (62 percent on Rotten Tomatoes) weren't good enough to convince cinephiles to check it out. The movie could save some face overseas, where its strong visuals and internationally recognizable cast will help a lot, but it's still going to be a long road to profitability for this $100 million epic.

Warner Bros. reported that the audience was split about evenly between men (51 percent) and women, and skewed much older (77 percent over 25). They gave the movie a "C+" CinemaScore, which isn't shocking given the more challenging nature of the movie. IMAX contributed $1.13 million (or around 12 percent) from 105 locations.

Paranormal Activity 4 plummeted 70 percent to an estimated $8.68 million in its second weekend. That's the worst drop so far in the franchise behind Paranormal Activity 3's 66 percent. Through 10 days, the horror sequel has only earned $42.6 million, which is $10 million less than Paranormal Activity 3's opening weekend alone.

Fifth place was a tie between Taken 2 and Silent Hill: Revelation 3D, both of which reported earning an estimated $8 million this weekend. For Taken 2, that brings its total to $117.4 million through four weekends, which is ahead of its predecessor by over $22 million.

Silent Hill, on the other hand, doesn't look so good compared to its predecessor, as its $8 million opening was off 60 percent from the first movie's $20.15 million. Blame that on the schlocky feel, the decreased relevance of the franchise (Can anyone recall seeing an ad for a Silent Hill game on TV in the past five years?) and competition from two other interesting horror choices (Paranormal Activity 4 and Sinister) over Halloween weekend. Distributor Open Road Entertainment is reporting that the movie received a "C" CinemaScore, and that 74 percent of revenue came from 3D showings.

In 10th place, Fun Size bombed with just $4.06 million at 3,014 theaters. That's lower than similar movie I Love You Beth Cooper ($4.9 million), and also marks a new low for a Nickelodeon movie behind Hey Arnold! The Movie ($5.7 million). Paramount is reporting that moviegoers were 67 percent female and 73 percent under the age of 25, and they gave the movie a fine "B" CinemaScore.

The worst debut of the weekend belongs to surfing drama Chasing Mavericks, which opened in 13th place with just $2.2 million. That's the ninth-worst debut ever in over 2,000 locations, and it's the second disastrous Fox/Walden Media movie in the past month following Won't Back Down ($2.6 million). The crowd was split evenly between men and women, and skewed a bit older (59 percent above 25). Its "B+" CinemaScore was the best among new releases this weekend, but it still won't get much past $5 million before it disappears from theaters.
 

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And elsewhere...

Around-the-World Roundup: Bond is Back with $77.7 Million Overseas
by Ray Subers --- October 28, 2012


Two weeks ahead of its U.S. debut, Skyfall scored an impressive $77.7 million from 25 foreign markets this weekend. In most territories, the 23rd James Bond flick improved significantly on star Daniel Craig's prior two entries, Casino Royale and Quantum of Solace, which went on to earn $427 million and $418 million, respectively.

In Bond's native United Kingdom, Skyfall opened with an estimated $32.4 million, which is the second-highest Friday-to-Sunday debut ever there behind Harry Potter and the Deathly Hallows Part 2. That figure is also up 30 percent over Quantum of Solace and 76 percent over Casino Royale. The movie also had huge first place starts in major markets like France ($9.1 million), Russia ($8.6 million, 58 percent up on Quantum), South Korea ($6.05 million) and Brazil ($3.2 million). It even made a significant dent in smaller European territories like Norway ($2.7 million), Sweden ($2.6 million), Denmark ($2.6 million), Poland ($2.5 million) and Finland ($1.5 million).

IMAX presentations at 79 locations accounted for an estimated $3.5 million, which translates to a very good $45,000 per-theater average. In the U.K., it had the second-best Friday-to-Sunday IMAX opening ever behind The Dark Knight Rises. The format is a big part of Skyfall's strategy: for this movie, the IMAX image includes more information at the top and bottom of the frame, which makes it particularly enticing (though none of these images were actually shot with IMAX cameras).

Skyfall rolls out in to most other overseas territories next weekend before reaching the U.S. on November 9 (Nov. 8 in IMAX).

Hotel Transylvania had its best weekend yet with an estimated $18.1 million. It scored a $3.56 million debut in Spain and a $2.6 million opening in Germany, and so far the animated hit has racked up $91.3 million total. That puts it a week or so away from passing Just Go With It ($112 million) to become star Adam Sandler's highest-grossing movie ever overseas.

Paranormal Activity 4 added $14.1 million from 45 territories this weekend for an early total of $48.3 million. It expanded in to a handful of smaller territories, including the Netherlands where it took second place with $538,000. Next weekend, the horror sequel reaches France, Japan, and a few other markets.

The Bourne Legacy scored $11 million in its Chinese debut this weekend, which is more than the combined lifetime totals of all three previous Bourne movies there. That pushed the movie's overseas total to $138.5 million, and its worldwide figure passed $250 million.

Taken 2 extended its impressive overseas run with another $9.9 million this weekend, which brings its foreign total to $197.9 million. In the process, it blew past the $300 million mark, and it's getting harder and harder to imagine that Taken 3 isn't in the works soon.

Domestic winner Argo reached its first major markets this weekend and earned an estimated $5 million. It had a good $2.1 million first place start in Australia, though it underwhelmed in Spain with less than $1 million.
 

I saw Cloud Atlas on Friday and thought it was a very good movie. The
way they emphasize the message of the interwoven stories through casting actors in multiple roles worked for me, though I see some critics have taken exception with the practice.
:)
 

I saw Cloud Atlas on Friday and thought it was a very good movie. The
way they emphasize the message of the interwoven stories through casting actors in multiple roles worked for me, though I see some critics have taken exception with the practice.
:)

I am interested in it but it will be on my On Demand list, not my go see in theaters list, with 2 kids though I have to pick and choose wisely ;)
 

I am interested in it but it will be on my On Demand list, not my go see in theaters list, with 2 kids though I have to pick and choose wisely ;)


It's got things that kids probably shouldn't see including
some explicit sexual scenes and a suicide amongst some rather graphic violence
. It also has some amazing scenes and cinematography that warrant a big screen viewing, IMO.
 

I dropped in on Alex Cross this afternoon. Some decent fight, chase, and shoot em' up scenes but the combination of plot holes, implausibility, and rather large sections of horrible dialog lower the quality of a decently cast and fairly well paced action movie.
 
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I dropped in on Alex Cross this afternoon. Some decent fight, chase, and shoot em' up scenes but the combination of plot holes, implausibility, and rather large sections of horrible dialog lower the quality of a decently cast and fairly well paced action movie.

Plus Tyler Perry is no Morgan Freeman.
 


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