KitanaVorr
First Post
Crown Plaza Hotel, Montague Family Suite - the Music Room
Wednesday 11th December, 2002
Her silvery laughter echoed in the music room, weaving its sound with the soft strains of Mozart. “Perception is everything, but would the new direction be any better than before? If we could have the power to ask those artists…ask them after that moment of death determined by the fates, what would they say? Do they really have more to give or was what they had given the only bright star they had left? Made all the more brighter by its short life, no matter what their attendant spirits may be inclined toward?”
“Plato believed that the soul exists separate from our body before and after death, that it is immortal. And perhaps if you subscribe to that theory then there is yet a chance for art in immortality. But I believe that birth is but a sleep and forgetting. The soul that rises with us would be imprisoned in a body immortal to whither away with time. Can you create true art without soul?”
Her eyes open to rest that dark vibrant gaze upon the man by the window. “Even the sonata echoes that belief. The opening Allegro...hear the vigor of that life. My fingers can’t keep up with the operatic resonance in its tone. And yet in the middle, the slowness enters as age dawns up on that soul. The second movement comes with slowness but no less passion, I agree, aria de capo. And then a dance in the third movement to greet us, a minuet of a soul’s release? But the finale, yes that is the true telling tale. It is but a shadow of the beginning, reminiscent of the first movement but only a coda that trickles into silence.”
Wednesday 11th December, 2002
Her silvery laughter echoed in the music room, weaving its sound with the soft strains of Mozart. “Perception is everything, but would the new direction be any better than before? If we could have the power to ask those artists…ask them after that moment of death determined by the fates, what would they say? Do they really have more to give or was what they had given the only bright star they had left? Made all the more brighter by its short life, no matter what their attendant spirits may be inclined toward?”
“Plato believed that the soul exists separate from our body before and after death, that it is immortal. And perhaps if you subscribe to that theory then there is yet a chance for art in immortality. But I believe that birth is but a sleep and forgetting. The soul that rises with us would be imprisoned in a body immortal to whither away with time. Can you create true art without soul?”
Her eyes open to rest that dark vibrant gaze upon the man by the window. “Even the sonata echoes that belief. The opening Allegro...hear the vigor of that life. My fingers can’t keep up with the operatic resonance in its tone. And yet in the middle, the slowness enters as age dawns up on that soul. The second movement comes with slowness but no less passion, I agree, aria de capo. And then a dance in the third movement to greet us, a minuet of a soul’s release? But the finale, yes that is the true telling tale. It is but a shadow of the beginning, reminiscent of the first movement but only a coda that trickles into silence.”
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