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<blockquote data-quote="prabe" data-source="post: 9240279" data-attributes="member: 7016699"><p>Last three books: Winter's Child by Margaret Coel, a series mystery with characters and setting clearly well-loved by the author and a clever well-drawn parallel between historical events and the conflicts of the novel; The Serialist by David Gordon, a neatly meta-ish novel about a writer making then regretting a deal with a serial killer with all kinds of smart half-references and takes on books and genre and publishing, gripping and witty by turns; No Gods, No Monsters by Cadwell Turnbull, a fantasy novel with hints of an SF veneer that has the deep misfortune to have come out so soon after Jemisin's <em>The City We Became </em>and <em>The World We Make</em> and cover the same thematic and political ground, and also be book one of unfinished "saga," read Jemisin's books, not this.</p></blockquote><p></p>
[QUOTE="prabe, post: 9240279, member: 7016699"] Last three books: Winter's Child by Margaret Coel, a series mystery with characters and setting clearly well-loved by the author and a clever well-drawn parallel between historical events and the conflicts of the novel; The Serialist by David Gordon, a neatly meta-ish novel about a writer making then regretting a deal with a serial killer with all kinds of smart half-references and takes on books and genre and publishing, gripping and witty by turns; No Gods, No Monsters by Cadwell Turnbull, a fantasy novel with hints of an SF veneer that has the deep misfortune to have come out so soon after Jemisin's [I]The City We Became [/I]and [I]The World We Make[/I] and cover the same thematic and political ground, and also be book one of unfinished "saga," read Jemisin's books, not this. [/QUOTE]
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