What are you reading in 2025?


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23 Things They Don't Tell You About Capitalism is good up to a point but he doesn’t go anywhere close to far enough in his critique. And the notion that capitalism can be reformed into anything other than a malignant death cult is beyond naive.
I think the problem is that capitalism is so deeply embedded in the global economy that it’s hard to replace it with anything without some sort of cataclysm (which is basically what WW2 did - capitalism wasn’t replaced, of course, but was significantly reformed and worked better for many people for a few years). And cataclysms are terrible for everyone.

Now that the gilded age is global and many (most?) countries are basically flailing around trying to find a settlement that keeps donor money and investment while not excessively oppressing 99% of their population, we may see changes that make life more bearable or sustainable for most people. That would certainly be nice. But the level of regulatory and cognitive capture (Freeland has good examples here about how billionaires basically have no empathy or understanding of the rest of humanity and how bankers should not be Treasury secretaries, because they assume what’s good for Wall Street is good for the country and the world) in most governments makes that very hard to do.

(Another nice example or insight by Freeland is a close look at Zappos, the shoe retailer that was generally hailed at the time as one of the best places to work in the US. And it does sound nice, and the founders sound nice, and make nice noises about equality and employee rights and flat management structures. But it’s still clearly grossly unequal, with employees being forced to come in randomly on weekends or get fired, and the founders becoming billionaires when they sell to Amazon. Capitalism, like feudalism, can never be nice, however much the king pretends to himself that he’s a good king.)
 

I finished reading Womack's Ambient. It's a challenging dystopian read, but really good. It's a bit like putting Riddley Walker, A Clockwork Orange and Naked Lunch in a blender. Only, someone else also snuck the works of Shakespeare into it.

Now I'm reading the double novel of The Girl Who Was Plugged In/Screwtop by James Tiptree Jr. and Vonda N. McIntyre respectively.
 

The next Dryco book, Terraplane, has the post-Soviet Union with a lot of Big Boy merchandizing. That is, Stalin as a ubiquitous mascot. Also, how about the stuff in Dryden’s safe? Womack really, really knows his esoterica.
 

I think the problem is that capitalism is so deeply embedded in the global economy that it’s hard to replace it with anything without some sort of cataclysm (which is basically what WW2 did - capitalism wasn’t replaced, of course, but was significantly reformed and worked better for many people for a few years). And cataclysms are terrible for everyone.
Mark Blyth at Brown (Austerity: the History of a Dangerous Idea, Angrynomics) has some interesting ideas along these lines with agreements like Bretton Woods or the Jamaica Accords being essentially OSs for the economy. I don't think we can get too much farther down that line without veering into politics, but I don't think he'd disagree with your assessment broadly.
 

Mark Blyth at Brown (Austerity: the History of a Dangerous Idea, Angrynomics) has some interesting ideas along these lines with agreements like Bretton Woods or the Jamaica Accords being essentially OSs for the economy. I don't think we can get too much farther down that line without veering into politics, but I don't think he'd disagree with your assessment broadly.
Yes, that sounds right. Freeland puts much stock by the Treaty of Detroit in 1950, which she marks as the end of the first gilded age.

 

The next Dryco book, Terraplane, has the post-Soviet Union with a lot of Big Boy merchandizing. That is, Stalin as a ubiquitous mascot. Also, how about the stuff in Dryden’s safe? Womack really, really knows his esoterica.
Ooh, that sounds up my alley.

Yeah, that safe stuff had some serious deep cuts. And it was written before the internet of today would've made research easy.
 

For no particular reason, I decided to start one of Booktube’s 100-book challenges this month. This is about what the name suggests: read a hundred books you own before buying new ones. I picked up a few things on Audible’s sale this month and then started the clock.

Dead Silence, by S.A. Barnes. My second or third Barnes book, more space horror. Pretty much Titanic meets Event Horizon, as she readily acknowledges. Not earth-shaking but very solid. Digital, first-time read.

Polar Star, by Martin Cruz Smith. Last month, I reread Gorky Park, Smith’s story of Moscow police investigator Arkady Renko, who in 1980 handles a case that escalates from three murders in Gorky Park to international complications and the ruins of Renko’s career and life. This, the first sequel, takes place in 1988, mostly on board a fishing factory ship in the North Pacific. The discovery of a body in the nets again escalates into trouble and dramatic changes in circumstances for Renko and others. Fully as good as the original, and capturing the feeling of perestroika in the midst of things. Digital, reread.

The Void King, by Marc Collins. A Warhammer 40K novel, focusing on a dynasty of rogue traders who’ve just gotten the news that Primarch Guilliman is back and assembling forces for a new crusade. It was good but not great, overall. The first half is sort of sluggish and disjointed. When the real villains turn up, things get much better, with a deeply satisfying late twist. Then it grinds somewhat awkwardly to a hate. All will be forgiven if there’s a sequel. The reading was great. Audio, first time.

How the Gospels became History: Jesus and Mediterranean Myths, by M. David Litwa. This was neat! Litwa analyzes recurring elements in what he calls mythic historiography - serious histories that include what we’d think of as mythic elements. How do authors like Herodotus, Seneca, and Cicero build up trust in their sources, distinguish their own research from what others say, mark out the limits of the possible, and so on? What sorts of stories are told of the recipients of divine favor? And so on. As he goes, he compares the canonical gospels and what we can tell about their writers to those. He also spends time on questions of intended deceit or not, and here his characteristic decency and charity come to the fore. Highly recommended, if this sounds interesting; Litwa’s become one of my favorite writers on early Christian matters. Audio, first time.
 

I just finished reading Jon Peterson's Playing at the World 2E, Volume 1, and I'm a bit surprised at my own blasé reaction to it.

I purchased this book, along with the aforementioned Fifty Years of Dungeons & Dragons, at Gen Con 2024, largely because I'd been on a years-long endeavor of reading nonfiction about tabletop RPGs, and those seemed like worthwhile books to peruse in that regard. But both titles have left me cold now, albeit for completely different reasons.

It's those "different reasons" that are most salient here. While I need not rehash my issues with Fifty Years, I'll say that my problems with that book were based on the book itself; here, things are entirely different, simply because this is an excellent book which simply had little to offer to me personally.

In recent years, much ink has been spent chronicling the history of our hobby, with Peterson himself being perhaps the most eminent of all authors in that regard. Notwithstanding his entries in the Heroes' Feast cookbook, which has so little to do with history that I can't help but be cynical about Peterson's name being on there, I've read almost everything he's written, and I can wholeheartedly say that he sets the standard for scholarly research on tabletop role-playing games in general and D&D in particular. No one can compare to him, though admittedly some come closer than others.

My problem here is that I can't help but compare PatW 2E to its original incarnation, and to my own surprise, I found this one...less than impressive. That surprised me, simply because this one has more to recommend it: Peterson's writing style is less dry here, though no less erudite for it. The text is more readable, with shorter chapters and a less-eyestraining font. There's bits of history here which were overlooked before (e.g. the reference to Mike Mornard's pre-publication copy of D&D, which I recall Peterson lamenting in the pages of Gygax Magazine #1 that he'd only found after publishing PatW 1E). And of course, the entire book has a greater clarity of focus, focusing on the immediate circumstances that led to the creation of D&D, saving the more esoteric explorations of what made such an evolution possible for its second volume. So why did this leave me cold?

In all honesty, I think it's because pretty much none of this was new to me.

A common point of historical note in the early years of D&D is that the original Little Brown Booklets (which I think merit capitalization) were hard for a lot of people to understand, and that J. Eric Holmes' Basic Set was a much simpler and easier take on the same material. While it's far from a perfect analogy, that's very similar to how I feel about Playing at the World's two editions. The first one is a lengthy tome of intimidating complexity and which is very hard for most people to get through, whereas the second is far more inviting in its genial presentation.

But at the risk of sounding self-aggrandizing, I read through PatW 1E in its entirety, and so had no need for a "basic set" version of it. Particularly given that I've also read The Elusive Shift, The Game Wizards, and several of Peterson's other writings (e.g. his blog), along with D&D histories by numerous other authors. While I certainly can't recall all of the various details with crystal-clear precision, I remember them well enough that none of PatW 2E felt particularly new or revolutionary to me.

All of which is to say that this left me cold simply because it was ground that my reading habits over the last few years have thoroughly covered by this point. I suppose one can only read so many histories about the same topic before jadedness begins to set in, at least without some fresh new take on things (or an alternative area of focus, such as the history of a TTRPG company that isn't TSR).

I honestly didn't mean to make this post more about me than Peterson's book when I sat down to write it, but in hindsight I think I needed to vent a bit. I suspect that my enthusiasm for reading about the history of tabletop role-playing games is...not gone, but permanently sated. While I still plan on reading major new releases about less-well charted areas of our hobby (e.g. Ben Riggs' forthcoming history about the development and release of 5E), I feel comfortable moving on from this area in favor of other topics.

Though I suppose that begs the question of whether or not I should put in the effort to read PatW 2E Volume 2. :unsure:
 
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In recent years, much ink has been spent chronically the history of our hobby, with Peterson himself being perhaps the most eminent of all authors in that regard. Notwithstanding his entries in the Heroes' Feast cookbook, which has so little to do with history that I can't help but be cynical about Peterson's name being on there, I've read almost everything he's written, and I can wholeheartedly say that he sets the standard for scholarly research on tabletop role-playing games in general and D&D in particular. No one can compare to him, though admittedly some come closer than others.
That all makes sense to me, and is one of the reasons I haven't been in a hurry to read the second edition. I don't expect much new, so I've figured it would be basically a re-read, with some different organization.

Speaking of scholarly research on TTRPGs, have you checked out Nachtwey's Strictly Fantasy? While he makes a few pretty simple errors of fact in it, overall it's a really nice scholarly dive into cultural precursors and antecedents to the TTRPG, and covers a fair number that Peterson didn't get into, to my recollection.
 

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