What are you reading in 2025?

Relatedly for gifts, also was gifted the first volume in MC Beaton's Hamish Macbeth series, Death of a Gossip. I have a bunch of the later volumes that I bought for a $1 but my brain needs me to read them "in order".
My wife's a big fan of Beaton's "Hamish Macbeth" series. This year, I picked up the last four in the series (so far) for her for Christmas, as she'd gotten behind in her reading due to some ongoing cataract issues (that have since been resolved).

There was a TV series made a few years back and I watched a few episodes with my wife, but I'm not sure how closely they match up with the books.

Johnathan
 

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As for me, I'm currently reading The Beatles by Richard Havers, and it's pretty quick going because the whole 320 pages is mostly photos with captions. It was a Christmas gift from my family, who know I enjoy their music.

Johnathan
 

My mother managed to find me a decent used copy of Hell Bay for Christmas. It’s the only one of Will Thomas’ excellent Barker and Llewelyn detective series that’s no longer in print* (and was thus the only one aside from the newest book not in my collection).

I’d read it before, having borrowed a copy from the library. Reread it in about a day.


*I asked the author about it once, and he was surprised to hear it was out of print!
 

Rereading the Nero Wolfe corpus again (3rd time through for it, this time in in-universe order) after having gotten samples of some more authors in since last time, and a lot of detective TV shows.

Neither "Fer-de-Lance" (1934) nor "The League of Frightened Men" (1935) will come in near the top of my all time favorites list, but they do have parts that show Rex Stout can really write and is a great builder of recurring characters.

In comparison, it wasn't Alleyn that kept me reading Marsh (she is great at setting up the story specific characters before Alleyn gets there), nor Grant his early Tey books (she can really write in general). As far as a "series", Hammett's Continental Op has an interesting protagonist to go with the great writing - but I don't know if I ever really care about the Op as a person. Jones's Pinkerton and Bull had the downside of not being as strong of characters nor having that level of writing, and Sayer and her Wimsey haven't gotten me to pick up book 4 of that yet. I think Archie's narration for the Wolfe cases might have been able to pull me through even if the writing wasn't near as strong as it is.

After those first two in the series, "O Careless Love!" (1935) isn't listed as a Wolfe related book, but it does have an upscale Restaurant in NYC called Rusterman's, so I slotted it in. It's a romantic-comedy, and I think I liked it even more this time through. (I imagine one of the characters having the voice of Gale Gordon from Our Miss Brooks). On the down side it isn't a detective story and it doesn't have Archie, Fritz, or Wolfe. On the plus side it was a very well-written, fast, fun read.

Near the beginning of "The Rubber Band" (1936) now.
Pfui!
 

Just finished James M. Cain’s Double Indemnity. Brilliant book that’s a quick read. I can see why it’s a classic. I’m sure I’ve seen the film version before, but it’s been years. More telling than showing, but it’s explained why in the story. Man I love the old hardboiled/noir novels.
 

I saw the movie for the first time last year at a theater, and my biggest recollection of it was how hard the audience laughed when the protagonist was talking about how expensive the house was because it "must have set someone back thirty thousand dollars".
 

Yeah, my experience is that if a movie (or novel, or whatever) is set long enough in the past that you're better off just taking any amount of money as meaning what the characters say it does. So an expensive house is an expensive house, for instance.

I've head some Hammett and some Chandler recently--I have something by Chandler on my Library To-Read Pile--but I haven't stumbled over any Cain in the libraries, yet, at least not when I was in a headspace to recognize the name and/or novel/s. I might have better luck at one of the large used bookstores around me, now that I think about it.
 


Read Very Important People by Ashley Mears, a sociologist and model recording what she observed professionally about the global plutocrat party circuit. Honestly, I found this fairly disappointing, because it’s a dense and repetitive read that says the following things over and over:
  1. Rich idiots spend stupid amounts of money on parties;
  2. This involves exploiting a lot of people, mostly women;
  3. They think this makes them the cool people;
  4. They get snippy if you suggest their parties suck or if someone spends more money than they do.
Frankly, none of this is interesting or surprising. Horrible, but not interesting. It’s not journalism and it’s not great qualitative research either, mostly because Mears clearly agrees with 3), above.

One thing I found rather offensive (and I can see I’m not the only one, from sociological journal reviews) is that Mears compares the party circuit to potlatches*, a Pacific Northwestern indigenous custom of holding parties where rich people show off by giving stuff to people. This pretty much misses the basic point, since the parties Mears attends are basically exclusive - you can only come if you’re special - while potlatches were inclusive - everyone gets a present.

*Since we’re on an elf games board, yes, I’d say it’s quite reasonable to compare potlatches to Bilbo Baggins’ birthday party, and I’m not the first to do so.
 

I finished The Darkness That Comes Before, by R. Scott Bakker. I really enjoyed it, and look forward to reading the rest of the trilogy.

I’ve seen reviewers comment that William Gibson has a good ear for subcultures’ doctors, which is how his inventions ended up as prominent element of actual hackers’ jargon - they sounded right. Bakker has that kind of ear for names and words in the languages of antique cultures. With very few exceptions, nothing is really blatantly like a real-world source, but things feel like they could be. Names are pronounceable. (There’s a short useful glossary at the back which doesn’t have any spoilers.). This is not easy.

The supernatural elements are nifty. Thre are some very mysterious entities whose motives and nature I expect we’ll learn more about, whom it’s clear are Very Bad.

The human societies feel plausible, complex, with explicit and implicit histories, and wildly varying levels of justice. There isn’t a lot of deliberate cruelty, but there is a lot of callousness. This is fairly grimdark, though it’s not extreme-horror bizarre grotesquerie.

I spent a significant part of the book missing the fact that there are two separate strands of narrative unfolding at two separate times. Oops.

So, to repeat, very good stuff, more in my future.

Now for some criticism. A crucial element of the setting is a faction do people who can assess the thoughts and feelings of others via trained observation, and manipulate others via largely subliminal verbal and physical cues. This is great for fantasy story, but it fails multiple sniff twists for me. Fundamentally, it strikes me as a very 19th century kind of outlook, and I’ll have to take some time to explain what I mean.
There are two distinct questions. Can we understand others that well? And can we influence others deeply but covertly? I don’t th No so, at least not without a lot of heavy footnoting.

Human brains work broadly the same way. But we vary a lot in details. Our brains allocate more resources to stuff we do more often, for starters, so regional boundaries are not approximations and generalizations. Further, brains do what they can to repair and work around damage. Nerve cells, blood vessels, it’s all negotiable when it needs be. Most importantly, experiences means different things to us.

Are you bothered a lot by physical impurity and irregularity - do you, for instance, have OCD strongly? How far do your standards in beauty and attractiveness vary from advertising norms in your community, and how much do you have to hide them? What are prevailing norms of competitiveness and loyalty among the people you live and work and socialize with?in what ways do you value empathy and it what ways not?

None of this is very radical. I mean, it’s the basis of why polygraph tests are so often not admissible in court - external sign just aren’t that reliable at the individual level.

The same is true on the other hand. Our minds are not built to be reliable truth machines. For the deep dive, see Peter Watts’ appendix to Blindsight, and if you don’t get an existential moment, you didn’t read the notes.


What we perceive doesn’t match what actually happens around us or inside us in countless ways, in both normal and abnormal minds. The very continuity of our sense of self seems to be an illusion thrown up by subconscious parts of our mind, drawing on the ever-renewing illusion that is memory. It’s really, really weird down there, in ways that I think just don’t permit the kind of detached accuracy Bakker’s manipulator require.

The 20th and 21st centuries closed the door to pre-quantum, pre-relativity notions of absolute knowledge in perfect detail. Well, the same is true for an absolute psychology. We can’t know either ourselves or others that well. It’s great for a cool fantasy story, and insistent disbelief for many premises for interesting stories, but who boy it not true.
 

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