Parmandur
Book-Friend, he/him
Sure, I mean, there is a lot of thst Togo around already?It is so strange that some folks want to fight against the simplest reason: it is fun to be excited for official D&D things.
Sure, I mean, there is a lot of thst Togo around already?It is so strange that some folks want to fight against the simplest reason: it is fun to be excited for official D&D things.
Because a key defining feature of "Urban Fantasy" the genre is that it is set in the contemporary world (or a second world very, very close to it). I don't quite understand what the confusion is.I don’t understand what possible point can be made for saying Ptolus, a magical setting that is entirely based in a massive city is not urban fantasy versus a fantasy version of New York or London.
You are being overly literal about a standard term of convenience: "Urban Fantasy" is less of a mouthful than "non-secondary world fantasy set in a contemporary context familiar to readers except with magic".I still feel like the point is being missed. My fantasy city full of magic is New Crobuzon, yours is a fantasy version of Underground London like Neverwhere. Both exclusively use an urban setting as a backdrop. They typically explore the same themes of dystopia, urban blight, classism, etc.
I don’t understand what possible point can be made for saying Ptolus, a magical setting that is entirely based in a massive city is not urban fantasy versus a fantasy version of New York or London.
The upcoming Ghostblood trilogy by Brandon Sanderson is going to be an interesting question of genre definitions: the setting is 1980s Cold War like tech level and social structure, with computers and cars and such, but is fully secondary world.Because a key defining feature of "Urban Fantasy" the genre is that it is set in the contemporary world (or a second world very, very close to it). I don't quite understand what the confusion is.
Aren't the later Mistborn books basically noir second world urban fantasy?The upcoming Ghostblood trilogy by Brandon Sanderson is going to be an interesting question of genre definitions: the setting is 1980s Cold War like tech level and social structure, with computers and cars and such, but is fully secondary world.
The genre terms are well established. That doesn't mean there aren't fuzzy line or corner cases, but you having an internal, personal definition based on your understanding of the words does not have any impact on the existence or viability of the genre terminology.
I have no idea what you mean by this.
I don't think that matters. After all, they are making Dark Sun and Swords and Sandals peaked more like 70 years ago.That said, urban fantasy as a genre probably peaked 15 years ago.
As defined by whom?Because a key defining feature of "Urban Fantasy" the genre is that it is set in the contemporary world (or a second world very, very close to it). I don't quite understand what the confusion is.
If you reject the terminology, there really is not anything to talk about, is there?I’m not going to play the terminology game.

(Dungeons & Dragons)
Rulebook featuring "high magic" options, including a host of new spells.